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68<br />

sands of kilometres away, for example<br />

in the offices of a foreign company or<br />

on the bridge of a large cargo ship at<br />

sea. The absence of reliable economic<br />

and market forecasts often obliges<br />

those operating in the Ports to assume<br />

direct responsibility for an intervention<br />

strategy.<br />

It happens so often that there are no<br />

scenarios from which to deduce the<br />

necessity of an action, which is instead<br />

completely intentional – in a word,<br />

political and argued without appealing<br />

to any deductive reasoning.<br />

Precisely because of these specific<br />

characteristics clearly distinguishing<br />

Ports from adjacent historical centres<br />

and at the same time revealing their<br />

common history, it is necessary to<br />

avoid the hypocrisy of a false promise<br />

of “integration” between Port and city.<br />

The relationship between Port and city<br />

in Italian coastal cities (frequently a<br />

source of bitter conflict and misunderstanding)<br />

must be dealt with above by<br />

all avoiding the opposing and mirrorlike<br />

tendencies of rigid separation (as<br />

in the past) and the two territories’<br />

mechanical integration (an attitude<br />

often hiding claims of hegemony by<br />

one over the other). The cohabitation<br />

between the two territories, and their<br />

reciprocal pairing, is only possible by<br />

starting from a clarification of their differences,<br />

aside from their similarities<br />

and “syntonies”, matured over decades<br />

of coexistence and communal use of<br />

infrastructure. The differences are<br />

physical and spatial, but also cultural<br />

and social. They root themselves in a<br />

different political and economic territorial<br />

management, but also in the inertia<br />

of two different imaginations.<br />

Calling for “integration” frequently<br />

means suggesting the quashing in<br />

whole or in part of the distinctive features<br />

of one of the two territories. This<br />

has happened for example with the<br />

large leisure/commercial interventions<br />

on the north American model,<br />

which have colonized, standardized<br />

and therefore killed off many “hybrid”<br />

urban areas in the Mediterranean city,<br />

as in Barcelona.<br />

The dock landscape and the city<br />

streets and squares can only become<br />

reacquainted without creating residual<br />

cracks by preserving or rather further<br />

clarifying their irreducibly different<br />

nature.<br />

In fact an alternative radical on the<br />

model of large United States and oriental<br />

Ports is involved, where only<br />

immense areas for the movement of<br />

containers and the shining quays for<br />

group tourism are alternated. They<br />

have the “Marinas”, fast food restaurants<br />

with figureheads, waiters with<br />

headbands, theme parks and large<br />

parking lots.<br />

The large Mediterranean port cities –<br />

Genoa, Naples, Athens, Salonika,<br />

Barcelona, Marseille, Alexandria – can<br />

and must avoid the overbearing monotony<br />

of this contrast, because they are<br />

still complex and composite places,<br />

where work mixes with resting places,<br />

cars with containers and big ships with<br />

historical buildings. They are still<br />

places where architecture can generate<br />

surprises, changes in scale and<br />

resonance between different and distant<br />

spaces.<br />

It is therefore an entire idea of the city,<br />

and not simply a problem of modernization,<br />

which lies in wait for those occupied<br />

in the transformation of the ports<br />

of southern European cities.<br />

Solid Sea<br />

(Multiplicity)<br />

Que se passe-t-il en Méditerranée?<br />

Le grand bassin d’eau qui pendant des années a été décrit<br />

comme étant «le berceau de la civilisation», le nœud de traditions<br />

millénaires et le point de rencontre de cultures diverses,<br />

est peut-être en train de changer de nature.<br />

La Méditerranée est en train de devenir une «Mer Solide». Un<br />

territoire sillonné par des itinéraires prédéterminés et des<br />

frontières insurmontables, subdivisé en bandes d’eau spécialisées<br />

et rigoureusement réglementées.<br />

Quelles que soient sa biographie et son identité, celui qui<br />

s’est aventuré dans les eaux de Solid Sea est contraint de les<br />

abandonner et d’accepter une identité embrigadée: touristes<br />

de croisière, militaires, pêcheurs, marins, immigrés clandestins,<br />

techniciens de sous-marins et de plates-formes.<br />

Identités rigides, spécialisées, qui se croisent tous les jours<br />

dans ses eaux sans communiquer et souvent même sans se<br />

regarder, condamnées dans leurs itinéraires préfixés. La<br />

Méditerranée est de nos jours un grand continent, située<br />

entre l’Europe, l’Asie mineure et l’Afrique. Un continent<br />

liquide, mais entaillé à différentes profondeurs par des couloirs<br />

impénétrables, subdivisé par de hautes barrières dans<br />

lesquelles alternent des enclos spécialisés et des grandes<br />

plaines déshabitées, entouré le long de ses rives par des<br />

entonnoirs d’entrée et de sortie qui répondent de plus en plus<br />

à des logiques d’exclusion et de séparation.<br />

1, 2, 3, 4. Odessa, courtesy Armin Linke<br />

Un nouveau Continent dont on ne<br />

connaît pas encore la géographie.<br />

Grâce à Solid Sea, Multiplicity souhaite<br />

promouvoir une recherche sur<br />

la nouvelle nature de la Méditerranée<br />

et dessiner un atlas actualisé<br />

concernant ses paysages et les turbulences<br />

qui les parcourent.<br />

What is going on in the Mediterranean?<br />

Could the very nature of this enormous basin of water, often<br />

referred to as «the cradle of civilization», source of ancient traditions<br />

and point of intersection for so many diverse cultures, be<br />

evolving into something entirely different?<br />

The Mediterranean is becoming a Solid Sea: A territory crisscrossed<br />

by predetermined itineraries and insurmountable borders,<br />

subdivided into specialized and strictly regulated strips of water.<br />

Regardless of one’s biography and identity, anyone entering the<br />

Solid Sea is compelled to abandon these and to accept an imposed<br />

identity: cruise ship tourist, soldier, fisherman, sailor, illegal immigrant,<br />

submarine or oil rig technician; rigid, specialized identities<br />

encountering each other every day in these waters, without communicating,<br />

and often not even looking at each other, condemned to<br />

follow their preordained route. Nowadays, the Mediterranean has<br />

become a great continent, lying between Europe, Asia Minor and<br />

Africa; a liquid continent, gashed at different depths by impenetrable<br />

corridors, subdivided by high barriers in which specialized<br />

enclosures and great deserted plains alternate, its shores surrounded<br />

by funnels for entry and exit, answering more and more to<br />

the logic of exclusion and separation.<br />

The geography of a whole new continent remains to be discovered<br />

there. Through Solid Sea, Multiplicity wishes to promote research<br />

into the Mediterranean’s changing nature and to design an updated<br />

atlas of its landscapes and turbulent waters.<br />

Solid Sea 02: Odessa / The World<br />

(Armin Linke)<br />

L’histoire paradoxale de deux grandes<br />

embarcations nous permet de<br />

comprendre la nouvelle nature de la<br />

Méditerranée. D’un côté le bateau<br />

ukrainien Odessa, qui est resté bloqué<br />

pendant des années dans le<br />

port de Naples avec une partie de<br />

son équipage, parce qu’il a été<br />

séquestré par le Tribunal. De l’autre,<br />

The World Residensea, un<br />

bateau de croisière de luxe: une<br />

ville flottante complètement autonome<br />

et en réseau avec le monde.<br />

De 1995 à 2002 pendant sept ans,<br />

l’Odessa n’a pas pu quitter le port<br />

de Naples, parce qu’il était sous<br />

séquestre à la suite de la banqueroute<br />

de la Compagnie Blasco<br />

(Back Sea Shipping Company),<br />

compagnie battant pavillon<br />

Soviétique. Le commandant<br />

Vladimir Lobanov et huit autres<br />

hommes de l’équipage ont continué<br />

à vivre à bord du bateau, sans car-<br />

69

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