5.1 (pdf) - CEC

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stations fixes permettront de rendre compte des changements de la densite
sonore au cours de la journee tandis que les Cquipes mobiles pourront
couvrir les evcnements impromptus. Ces diffcrentes sources de sons
seraient relices par systeme ligneBroadcast BTX 15 Khz stereo. Lcs
objectifs duprojet sont de presenter un «happening» inhabituel au public
au les sons diffuses en direct peuvent donner lieu Ii une musique de type
environnementale et de reunirJa coinmunaute electroacoustique et
radiophonique autour d'un evenement sonore unique.
Contactez: Printemps electroacoustique " ACREQ CP 416,
Succursale OutremontI Outremont (Quebec)! Canada H2V 4N3
Telephone (514) 849-9534 I Telecopieur (514) 289-9680.
the monitoring of changes in sound density. over the day, whereas the
teams would cover impromptu events. These different sounds sources
will be C9nnected by a Broadcast BTX·15 Khz stereo line system. The
project aims to present to the public an unusual happening in which
sounds that are broadcast live give rise ioa type of environmental
music; it will also serve to gather the electroacoustic and radio
communities around a unique sound event.
Contact: 7e Printemps !Hectroacoustique - ACREQ, CP 416,
Suecursale Outremont/ Outremont (Quebec)1 Canada H2V 4N31
Telephone (514) 849-95341 Fax (514)289-9680.
Le Paysagesonore
Conference intemationale sur l'ecologie sonore,
aout 1993, Banff
L'ecologie sonore questionne la relatipn entre Ie sonet l'environnement,
relation dont les premieres etudes detaillees ont ete effectuees il y a
(l.',.rrr.~I...~sque 25 ans, Ii l'universite Simon Fraser, dans Ie cadre du World
~l~'oundscape Project. .
Par Ie biais de celle conference, Ie BanffCentre pfopose d;etudier la
place de l'environnement sonore dans la complexite de notre monde
conternporain. Quel est l'Cquilibre entr~ les sons de la nature, des humains
et de la technologic? De queUe maniere nos attitudes envers la creation
des sons 'et l'ecoute ont-elles evoluees? Quel est Ie role des medias dans
l'environnement sonore contemporain? Quel est Ie rOle de la musique
dans Ie developpement de l'ecoute? Comment nos conceptions de l'espace
et du temps, du bruits et du silence, de la societe etde la communication
sont-elles affectees par notre attitude envers la creation sonore et l'ecoute?
De nombreux experts en matieresdiverses serant invites d'un peu
partoilt dans Ie monde afinqu'il(elll.l)s partagent leurs idees et leurs
decouvertes de falion Ii pouvoir mieux comprendre les principes de
l'ecologie sonore et de montrer l~ chemin asuivre pour rendre un
Cquilibre au paysage sonore. Lcs sujets traites lors de cette conference,
spCcifiques de, nature, seront presentes au grand public afm d'assurer que
les principes de l'ouverture vers Ie paysage sonore seront compris par des
gens de tout age.
Contactez : cia Director of Program Development I The BanffCentre
for the Arts I PO BOX 1020 I Banff AB /TOL oeo I (403) 762-6290,
Telecopieur : (403) 762-6699, E-mail: century@cpsc.ucalgary.ca.
The Tuning of the World
Banff International Conference on Acoustic Ecology,
August 1993, ~anff
Acoustic ecology is cortcemed with the relationship between sound
and the environment. Perhaps the [lTst detailed study or"this
relationship was that undertaken by The World Sourtdscape Project at
Simon Fraser University nearly 25 years ago.
The Banff Centre is proposing a conference devoted to "tuning" the
acoustic environment in the complex contemporary world. What is the
proper balancebetween natural, human and teclmological sounds?ln
what ways are our attitudes to soundmaking and listening changing?
What effects do ihe media have in the modem SQundscapes? What
particular role does music play in shaping sensory awareness? How do
attitudes and habits toward soundmakmg and listening affect our
concepts of space and tiffie, ofnoise and silence, society and
communication?
Leading experts will be invited from many disciplines and many
cOw1tries to pool their ideas and knowledge in an interdisciplinary
quest to understand the principles of acoustic ecology and reveal the
elusive Tuning oftheWorld. The conference will be specific, butwill
be addressed to the widest possible audience in order that the
. principles ofsOlmdscape awareness may be understood by pepple of
all ages and cultures.
Contact: c/o Director of Program DevelopmentI The Banff Centre
for the Arts I PO BOX 1020 I Banff AB ITOLOCO I (403) 762-6290,
FAX: (403) 762-6699, E-mail: century@cpsc.ucalgary.ca.
21 ~ontaet! I Octobre/ October 1991