Rossi_ A Cock and Bull Story.pdf - The Tristram Shandy Web | IULM

Brydon: That’s not what I’m doing. With respect… With respect. (sovrastato da
Coogan che continua a ripetere «You disrespect the family») With respect. With
respect. Let me do Pacino, let me do Pacino.
Coogan: That’s the way I do Pacino.
Brydon: Just let me do Pacino.
Coogan: (alzando la voce) That’s the way I always… Real fucking like that. It’s real
fucking loud, big sound like that, all the fucking time.
Brydon: That’s Columbo. I’m, I’m very open. I model myself on Pacino. You can see
it. You see it on the screen. You see it when I lean against a wall. That’s Pacino.
When I do a look of shock. That’s Pacino.
Coogan: Are you being serious now, or are you joking?
Brydon: We’re in the same business. I mean, I don’t want, I’m not showy. That’s the
last thing I am. I look for truth, and that’s the way I go to Pacino, that’s why I go to
Hopkins. But no, I go to actresses as well. I go to Streisand. I go to Streisand.
(Coogan ride) I regularly go to Streisand. I say, «What can you give me?» and I look
at her body of work, and say, «I’ll have a little bit from Hello, Dolly! And I’m going
to take a little bit from Yentl, and put them together…» A whole meshuga, she
would say, in Jewish, and off I go. So I’ve got Streisand underneath me, I’ve got
Hopkins, I’ve got Pacino. You tell me where I can’t go.
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