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SPACE AND TIME<br />
ESSAY BY ANTONELLA FILIPPI<br />
ITALY<br />
"There are no facts, only interpretations". This statement by Friedrich<br />
Nietzsche, contained in the posthumous fragments, means that there are no<br />
pure facts, but only interpreted facts: the fact which is present to the<br />
conscience of humanity, man is an interpretation. Facts exist, but to know<br />
them we use a language, which is a convention, an interpretation.<br />
Any use of language is an interpretation and we have remarkable examples<br />
of how misleading the language is. Everyone of us is well aware of how it is<br />
linked to emotions and consequently to considerable variations of nuance<br />
and how no words can be free from misunderstanding.<br />
The body language itself, which is in many ways more effective than the<br />
words and is its essential corollary, gives rise to interpretations that differ<br />
from culture to culture. 1<br />
Among the interpretations, the haiku is the most faithful to the pure fact. In<br />
some ways, the haiku re-balances Apollonian (harmony, balance of forms)<br />
and Dionysian (the instinctive element, creative passion, the overcoming of<br />
the individual self), bypassing rationality, while taking into account the<br />
formal characteristics, to merge with the moment of perception that<br />
substantiates the event perceived and seized beyond consciousness.<br />
門 を 出 て 十 歩 に 秋 の 海 広 し 子 規<br />
mon wo dete juppo ni aki no umi hiroshi<br />
just ten steps<br />
beyond the gate —<br />
the vast autumn sea<br />
MASAOKA SHIKI<br />
1 Curiously, however, it involves the notions of space and time: space: in speech, mimicry accompanies words,<br />
if instead it is postponed or anticipated, it does not reflect the real verbal expression; Time: sincere<br />
expressions last a few moments, while if they last longer it is probably a false emotion, performed voluntarily.<br />
Incense Dreams <strong>3.1</strong>