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Presence: being here now, although aware of the transience of every moment<br />
and of the universality of every place. Being able to perceive the uniqueness.<br />
もの 言 わず 客 と 亭 主 と 白 菊 と<br />
mono iwazu kyaku to teishu to shiragiku to<br />
saying nothing —<br />
the guest, the host<br />
the white chrysanthemum<br />
ŌSHIMA RYŌTA<br />
the skier stops<br />
to make room<br />
for the silence of the snow<br />
KAJ FALKMAN<br />
An interesting development of the concepts of time and space in the haiku is<br />
proposed by Cascina Macondo, which introduces kigo temporis and kigo<br />
misuralis. When in a haiku there is an idea of time that has elapsed or of<br />
depth, of space, but a definite seasonal word is not present, it is possible to<br />
consider the poem as a haiku all the same, by virtue of the concept of time,<br />
space, distance, proximity, path:<br />
a prisoner's letter<br />
the wide spaces<br />
between words<br />
JIM KACIAN<br />
two benches<br />
in the tree-lined avenue<br />
separation<br />
PASQUALE CORSARO<br />
Incense Dreams <strong>3.1</strong>
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