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Gay&Night-ZiZo April 2014

Incl. interview met Dimitri Vantomme over Grease, Bonaparte, Antwerp Pride en nog veel meer. Verder interviewden we RuPaul, regisseur Robin Campillo, we blikken terug op de muzikale carrière van popprinses Kylie Minogue, we verloten ABBA cd's, kijken hoe de situatie in Rusland post-Olympische Spelen is, én lees je alles over het holebi filmfestival in Brussel!

Incl. interview met Dimitri Vantomme over Grease, Bonaparte, Antwerp Pride en nog veel meer. Verder interviewden we RuPaul, regisseur Robin Campillo, we blikken terug op de muzikale carrière van popprinses Kylie Minogue, we verloten ABBA cd's, kijken hoe de situatie in Rusland post-Olympische Spelen is, én lees je alles over het holebi filmfestival in Brussel!

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Sissy<br />

that<br />

walk<br />

What can we say about<br />

RuPaul’s Drag Race at<br />

this point? It’s probably<br />

the best reality show<br />

on TV, it has changed<br />

the way the audience<br />

perceives the art of drag<br />

and it has given the gay<br />

community enough oneliners<br />

to last more than<br />

a decade. With season 6<br />

underway and auditions<br />

for season 7 already<br />

announced, it was about<br />

time to catch up with the<br />

original drag superstar<br />

RuPaul, and<br />

ask her exactly how to<br />

‘sissy that walk’.<br />

TEXT: MARTIJN TULP<br />

PHOTOS: MATHU ANDERSEN<br />

Last time we spoke, season 1<br />

of Drag Race had just started<br />

airing in the Netherlands. It’s<br />

almost ve years later now.<br />

Did you ever expect the show<br />

to achieve the level of success<br />

that it has?<br />

Hell yeah, of course! I mean, I go into<br />

everything thinking ‘this is going to be<br />

a great success, people are gonna love<br />

it as much as I love it’. Of course, that’s<br />

not always the case. But I would never<br />

go into something thinking ‘this will<br />

never work’. I always think everything<br />

is gonna work.<br />

How do you feel the show has<br />

grown over the years?<br />

We had to set a precedent in the<br />

beginning, set a vernacular for the audience<br />

to follow. We started, but now<br />

they’re up to speed, and they know<br />

the tone, the rhythm of what our voice<br />

is. That’s how it’s changed. We’ve<br />

been able to become more twisted<br />

along the way, which is so much fun.<br />

Nobody wants to drag around their<br />

slower little brother, you know? Now<br />

our little brother is all grown up, and<br />

we can take him to all the places that<br />

we want to go.<br />

The show has denitely had<br />

its eff ect on drag culture and<br />

on the way the mainstream<br />

views the art of drag. Is that<br />

something you’ve noticed as<br />

well?<br />

Oh yeah! Gay culture has always<br />

influenced pop culture, but there’s<br />

usually been a ten-year gap. It was a<br />

slow trickle. But now, because of social<br />

media, and because of our show, they<br />

get it much faster. It infiltrates the<br />

language, fashion, other reality shows.<br />

We have a reality show called The Real<br />

Housewives here; those women end<br />

up behaving and taking on a lot of our<br />

language. But that’s true of gay culture<br />

throughout history: gay people<br />

have always influenced pop culture.<br />

We know there’s been some<br />

mutual irting going on with<br />

Lady Gaga: she’s been very<br />

vocal about being a fan of the<br />

show and wanting to be a<br />

judge, and you appeared on<br />

her holiday special. But she’s<br />

RuPaul on season 6 of Drag Race<br />

not listed as a season 6 judge.<br />

What’s happening there?<br />

We filmed season 6 way before I appeared<br />

on her holiday special. The<br />

main reason she hasn’t been on – and<br />

we’ve asked her every single season –<br />

is scheduling. That’s always a big pain<br />

in our necks. Everybody’s working.<br />

Our judges are there for a long time.<br />

What ends up being on the TV show<br />

is only a fragment compared to the<br />

amount of time it takes to be there<br />

and film it. It’s a huge commitment,<br />

and a lot of people don’t have that<br />

kind of time.<br />

As host, mentor and judge,<br />

which of the staple challenges<br />

(like the snatch game, the<br />

acting challenge, the sewing<br />

challenge, etc.) do you usually<br />

look forward to the most?<br />

Oh, I love Snatch Game! I think the<br />

Snatch Game really does test the girls’<br />

ability to be quick on their feet. That’s<br />

what that challenge is really all about.<br />

You get to see what their pop culture<br />

references are, and how able they<br />

are to riff and be funny on the spot,<br />

in a character. It really tests their pop<br />

culture history, and their drag history.<br />

They’re both closely related. Drag<br />

has always been a commentary. Drag<br />

mocks things that all culture takes seriously.<br />

So it’s important to know what<br />

it is you’re mocking, you know?<br />

Which do you think you would<br />

have been exceptionally good<br />

at, if you were a contestant?<br />

All of them! [laughs] That’s why my<br />

name is on the credits! I’ve done every<br />

single one of those challenges. In fact,<br />

all of the challenges are based on<br />

what I’ve done in my career. I’ve been<br />

doing this for 32 years. If you want<br />

longevity – not just in a drag career,<br />

but in any career on the planet – you<br />

have to be able to adapt. That’s what<br />

humans have over any other animals:<br />

our adaptability. Especially in show<br />

26

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