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Dádiva e Emoção - CCHLA - Universidade Federal da Paraíba

Dádiva e Emoção - CCHLA - Universidade Federal da Paraíba

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experiencing a trance. These sounds evoke a rhythmic<br />

macrocosm in which we partake. In a way, one could<br />

argue that such sounds are larger processes from which<br />

we, as microcosmic processes, are inseparable.<br />

The mutual contact Ana and I traversed while<br />

immersed in her angelical trances was mostly somatic and<br />

materially perceived. I therefore deduced that, potentially,<br />

by attending closely Ana’s and my own sensational<br />

itineraries carefully, I could perhaps gain access to an<br />

enriched perception which could perhaps be traced back<br />

to our own roots in life. In fact, some of the sounds –such<br />

as those of bombs- that Ana could hear seemed to refer<br />

to the tragic past of the Second World War. If in other<br />

ethnographic cases I paid attention to the limits of<br />

perceptual awareness and conceptual thought, in the<br />

mutual contagion with Ana, I learned that there is an<br />

irreducible void between the two from which new<br />

formations of both are possible.<br />

Ana has taught me that, as far as the conceptual<br />

and rational way of being in the world perpetuates an<br />

idealized disembodiment, one continues to refuse<br />

corporeal and material forces – the very unconscious<br />

impulsions that might actually rejuvenate our perception.<br />

As a consequence, I allowed my own writing to be<br />

superseded by Ana’s trances, by that which can never be<br />

repeated, so that the influx of her angelical sensations<br />

could virally infest my own body. Now, I know there are<br />

dimensions of the human experience that cannot be<br />

articulated by conscious experience or perceived in the<br />

conventional sense, yet maybe can be made vibrate by<br />

indicating somatic experiences that resist philosophical<br />

closure.<br />

Bibliography<br />

Generated by Foxit PDF Creator © Foxit Software<br />

http://www.foxitsoftware.com For evaluation only.<br />

BATAILLE, Georges (1982). Story of the Eye. Ed. by Lord Auch. Trans<br />

by Joachim Neugroschal. With essays by Susan Sontag and Roland<br />

Barthes. Penguin Books. London.<br />

BERNARDO, Jordi and Ramon Prat. (1994). Berlin. Ediciones Actar.<br />

Barcelona.<br />

BLANCHOT, Maurice. (1981a). The Gaze of Orpheus. (ed.) By P.<br />

A<strong>da</strong>ms, trans. By Lydia Davis. Barrytown, New York: Station Hill.<br />

BLANCHOT, Maurice. (1981b). The Madness of the Day. Trans. by Lydia<br />

Davis. Barrytown, NY. Station Hill Press.<br />

364

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