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Study for digitization of cultural objects (Greek PDF:15MB)

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Digitech IIIΜελέτη Τεχνολογιών Ψηφιοποίησης σε Τρεις ∆ιαστάσεις[58] L. Van Gool, Filip Defoort, Marc Pollefeys, Reinhard Koch, MarcProesmans, Maarten Vergauwen, Special Lecture: 3D Modeling <strong>for</strong>Communications, p. 482, Computer Graphics International 1998,June 22 -26, 1998,Hannover, Germany[59] James E. Cutting and Peter M. Vishton, Perceiving layout and knowingdistances:The integration, relative potency, and contextual use <strong>of</strong> differentin<strong>for</strong>mation about depth, In W. Epstein & S. Rogers (eds.) Handbook <strong>of</strong>perception and cognition, Vol 5; Perception <strong>of</strong> space and motion. (pp. 69-117). San Diego, CA: Academic Press.[60] Ruo Zhang, Ping-Sing Tsai, James Edwin Cryer, Mubarak Shah, Shapefrom Shading: A Survey, IEEE Transactions on Pattern Analysis andMachine Intelligence August 1999 (Vol. 21, No. 8).[61] Chia-Yen Chen, Reinhand Klette, Chi-Fa Chen, 3D Reconstruction UsingShape from Photometric Stereo and Contours, November 2003, Image andVision Computing.[62] R. Basri and D. Jacobs, ``Photometric Stereo with General, UnknownLighting," IEEE Conference on Computer Vision and Pattern Recognition2001.[63] Aaron Hertzmann, Steven M. Seitz,Shape and Materials by Example: APhotometric Stereo Approach, Proceedings <strong>of</strong> CVPR 2003.EEE ComputerSociety Conference on. Computer Vision and Pattern Recognition[64] P.J. Besl. Active, optical range imaging sensors. Machine Vision andApplications, 1.127-152, 1988.[65] Yoav. Y. Schechner Depth from Defocus vs. Stereo: How different reallyare they? International Journal <strong>of</strong> Computer Vision 89 pp. 141-162(2000).[66] Paolo Favaro, Shape from Focus/Defocus, Washington UniversityDepartment <strong>of</strong> Electrical Engineering Electronic Signals and SystemsResearch Lab, June 25th, 2002,http://homepages.inf.ed.ac.uk/rbf/CVonline/LOCAL_COPIES/FAVARO1/dfdtutorial.html455

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