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Эмиль Рудер Типографика - Newsman.tsu.ru
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Êîìïëåêñíîå ðåøåíèå<br />
Ñêâîçíîå îôîðìëåíèå êíèãè — íà ïðèìåðå îáëîæêè,<br />
òèòóëüíîãî ëèñòà, åãî îáîðîòà, ñîäåðæàíèÿ,<br />
ïðåäèñëîâèÿ è òåêñòîâîé ïîëîñû, ïîêàçàííûõ<br />
â óìåíüøåííîì ìàñøòàáå. Èñõîäÿ èç ïîëîñû<br />
òåêñòà, ïðîèçâîäíûå îò íåå ïðîïîðöèè ïî<br />
âîçìîæíîñòè ïîñëåäîâàòåëüíî ïåðåíåñåíû íà<br />
âñå ýëåìåíòû êíèãè: êåãëè øðèôòà, âíóòðåííåå<br />
ðåøåíèå ëèñòà, îòñòóïû, ñïóñêè è ò. ä. Â õîðîøî<br />
îôîðìëåííîé êíèãå íè îäíà ïîëîñà â ñâîèõ<br />
ïðîïîðöèÿõ íå âûïàäàåò èç îáùåãî ðåøåíèÿ.<br />
Âñå ñòðàíèöû êíèãè, ðåøåííîé «èçíóòðè»,<br />
ó÷àñòâóþò â îôîðìèòåëüñêîì êîìïëåêñå.<br />
217
Êîìïëåêñíîå ðåøåíèå Ñêâîçíîå îôîðìëåíèå êíèãè — íà ïðèìåðå îáëîæêè, òèòóëüíîãî ëèñòà, åãî îáîðîòà, ñîäåðæàíèÿ, ïðåäèñëîâèÿ è òåêñòîâîé ïîëîñû, ïîêàçàííûõ â óìåíüøåííîì ìàñøòàáå. Èñõîäÿ èç ïîëîñû òåêñòà, ïðîèçâîäíûå îò íåå ïðîïîðöèè ïî âîçìîæíîñòè ïîñëåäîâàòåëüíî ïåðåíåñåíû íà âñå ýëåìåíòû êíèãè: êåãëè øðèôòà, âíóòðåííåå ðåøåíèå ëèñòà, îòñòóïû, ñïóñêè è ò. ä.  õîðîøî îôîðìëåííîé êíèãå íè îäíà ïîëîñà â ñâîèõ ïðîïîðöèÿõ íå âûïàäàåò èç îáùåãî ðåøåíèÿ. Âñå ñòðàíèöû êíèãè, ðåøåííîé «èçíóòðè», ó÷àñòâóþò â îôîðìèòåëüñêîì êîìïëåêñå. 217
Êîìïëåêñíîå ðåøåíèå Ïîñëåäîâàòåëüíîå ðåøåíèå ðÿäà îáëîæåê ìîæåò ñëóæèòü ñåðèéíûì ïðèçíàêîì. Âñå îáëîæêè îäíîé ñåðèè íåïðåìåííî ïîäëåæàò åäèíîìó îôîðìëåíèþ. Îáúåäèíÿþùèì íà÷àëîì ìîæåò áûòü: öâåò, èçäàòåëüñêèé çíàê, êîìïîçèöèÿ. Ó èçäàòåëüñòâà, âûïóñêàþùåãî ìíîãî êíèã, âîçíèêàåò íàñòîÿòåëüíàÿ íåîáõîäèìîñòü â ñîåäèíåíèè îäíîðîäíûõ èçäàíèé â ñåðèè, è òèïîãðàôèêà âåëèêîëåïíî ïîäõîäèò äëÿ îáîçíà÷åíèÿ òàêèõ ñåðèé. gm Schriftenreihe des Gewerbemuseums Basel Antonio Hernandez modern-modisch Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Antonio Hernandez modern-modisch Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Antonio Hernandez modern-modisch Im Pharos-Verlag Basel gm Schriftenreihe des Gewerbemuseums Basel Niklaus Stöcklin Angewandte Grafik Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Antonio Hernandez modern-modisch Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Niklaus Stöcklin Angewandte Grafik Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Georges Vuillème Grafik im Film Im Pharos-Verlag Basel 218 gm Schriftenreihe des Gewerbemuseums Basel Georges Vuillème Grafik im Film Im Pharos-Verlag Basel Schriftenreihe des Gewerbemuseums Basel Georges Vuillème Grafik im Film Im Pharos-Verlag Basel
Page 1: Ýìèëü Ðóäåð Òèïîãð
Page 4 and 5: Òèïîãðàôèêà Ðóêîâî
Page 6 and 7: Ââåäåíèå Ñòð. 281** Àâ
Page 8 and 9: Ââåäåíèå 7
Page 10 and 11: Ââåäåíèå 9
Page 12 and 13: Ââåäåíèå 11
Page 14 and 15: Ââåäåíèå Johannes und der B
Page 16 and 17: Ââåäåíèå 53 63 73 83 45 55
Page 18 and 19: Ââåäåíèå 17
Page 20: Ââåäåíèå das getränk für
Page 23 and 24: Ïèñüìî è ïå÷àòü Âîç
Page 25 and 26: Ïèñüìî è ïå÷àòü 24 Ï
Page 27 and 28: Ïèñüìî è ïå÷àòü 26
Page 29 and 30: Ïèñüìî è ïå÷àòü 28 Ï
Page 31 and 32: Ïèñüìî è ïå÷àòü 30
Page 34 and 35: Ôóíêöèÿ è ôîðìà Ôóí
Page 36 and 37: Ôóíêöèÿ è ôîðìà buch 1
Page 38 and 39: Ôóíêöèÿ è ôîðìà 4 5 6
Page 40 and 41: Ôóíêöèÿ è ôîðìà Ñòð
Page 42 and 43: Ôóíêöèÿ è ôîðìà 41
Page 44 and 45: Ôóíêöèÿ è ôîðìà Wenn v
Page 46 and 47: Ôóíêöèÿ è ôîðìà Porbus
Page 48 and 49: Ôóíêöèÿ è ôîðìà Ñëå
Page 50: Ôóíêöèÿ è ôîðìà 49
Page 53 and 54: Ôîðìà è êîíòðôîðìà
Page 55 and 56: Ôîðìà è êîíòðôîðìà
Page 57 and 58: Ôîðìà è êîíòðôîðìà
Page 59 and 60: Ôîðìà è êîíòðôîðìà
Page 61 and 62: Ôîðìà è êîíòðôîðìà
Page 64 and 65: Òåõíèêà òèïîãðàôèê
Page 66 and 67: Òåõíèêà òèïîãðàôèê
Page 68 and 69: Òåõíèêà òèïîãðàôèê
Page 70 and 71: Òåõíèêà òèïîãðàôèê
Page 72 and 73: Òåõíèêà òèïîãðàôèê
Page 74 and 75: 73 Òåõíèêà òèïîãðàô
Page 76 and 77: Òåõíèêà òèïîãðàôèê
Page 78 and 79: Òåõíèêà òèïîãðàôèê
Page 80: Òåõíèêà òèïîãðàôèê
Page 83 and 84: Ñòð. 285 ×ëåíåíèå Ñåã
Page 85 and 86: ×ëåíåíèå Wieviel Freude was
Page 87 and 88: ×ëåíåíèå Ñòðàíèöà
Page 89 and 90: ×ëåíåíèå Das Schweigen Ingm
Page 91 and 92: ×ëåíåíèå ‹Der Schock, die
Page 94 and 95: Ãåîìåòðè÷åñêîå, îï
Page 96 and 97: Ãåîìåòðè÷åñêîå, îï
Page 98 and 99: Ãåîìåòðè÷åñêîå, îï
Page 100 and 101: Ãåîìåòðè÷åñêîå, îï
Page 102 and 103: Ãåîìåòðè÷åñêîå, îï
Page 104 and 105: Ãåîìåòðè÷åñêîå, îï
Page 106: Ãåîìåòðè÷åñêîå, îï
Page 109 and 110: Ïðîïîðöèè Ëþáîå ñð
Page 111 and 112: Ïðîïîðöèè 110
Page 113 and 114: Ïðîïîðöèè Êîìïîçèö
Page 115 and 116: Ïðîïîðöèè 114
Page 118 and 119: Òî÷êà, ëèíèÿ, ïëîñê
Page 120 and 121: Òî÷êà, ëèíèÿ, ïëîñê
Page 122 and 123: Òî÷êà, ëèíèÿ, ïëîñê
Page 124 and 125: Òî÷êà, ëèíèÿ, ïëîñê
Page 126 and 127: Òî÷êà, ëèíèÿ, ïëîñê
Page 128 and 129: Òî÷êà, ëèíèÿ, ïëîñê
Page 130: Òî÷êà, ëèíèÿ, ïëîñê
Page 133 and 134: Ñòð. 286 Êîíòðàñòû Ñî
Page 135 and 136: Êîíòðàñòû Ãðå÷åñêà
Page 137 and 138: Êîíòðàñòû Ïëàêàò ä
Page 139 and 140: Êîíòðàñòû 138
Page 141 and 142: 140 Êîíòðàñòû Albert Berna
Page 144 and 145: Òîíàëüíàÿ öâåòíîñò
Page 146 and 147: Òîíàëüíàÿ öâåòíîñò
Page 148 and 149: Òîíàëüíàÿ öâåòíîñò
Page 150 and 151: Òîíàëüíàÿ öâåòíîñò
Page 152 and 153: Òîíàëüíàÿ öâåòíîñò
Page 154 and 155: Òîíàëüíàÿ öâåòíîñò
Page 156: Òîíàëüíàÿ öâåòíîñò
Page 159 and 160: Öâåò Òèïîãðàôñêèé
Page 161 and 162: Öâåò ausstellung dänische werk
Page 163 and 164: Öâåò tm typographische monatsbl
Page 165 and 166: Öâåò abcdefghiklmnopqrstu abcde
Page 168 and 169: Åäèíñòâî òåêñòà è ô Page 170 and 171: Åäèíñòâî òåêñòà è ô Page 172 and 173: Åäèíñòâî òåêñòà è ô Page 174 and 175: Åäèíñòâî òåêñòà è ô Page 176 and 177: Åäèíñòâî òåêñòà è ô Page 178 and 179: Åäèíñòâî òåêñòà è ô Page 180 and 181: 179 Åäèíñòâî òåêñòà Page 182 and 183: Åäèíñòâî òåêñòà è ô Page 184: Åäèíñòâî òåêñòà è ô Page 187 and 188: Ðèòì Òèïîãðàôèêà î Page 189 and 190: Ðèòì 1 2 3 188 Âî âñå âð Page 191 and 192: 190 Ðèòì eeeeeeeeeeeeeeeeeeeeee Page 193 and 194: Ðèòì 192 Page 195 and 196: Ðèòì Èññëåäîâàíèå Page 197 and 198: Ðèòì 196 Äâå íàáîðíû Page 200 and 201: Ñïîíòàííîñòü è ñëó Page 202 and 203: Ñïîíòàííîñòü è ñëó Page 204 and 205: Ñïîíòàííîñòü è ñëó Page 206 and 207: Ñïîíòàííîñòü è ñëó Page 208 and 209: Ñïîíòàííîñòü è ñëó Page 210 and 211: Ñïîíòàííîñòü è ñëó Page 212: Ñïîíòàííîñòü è ñëó Page 215 and 216: Êîìïëåêñíîå ðåøåíè Page 217: Êîìïëåêñíîå ðåøåíè Page 221 and 222: Êîìïëåêñíîå ðåøåíè Page 223 and 224: Êîìïëåêñíîå ðåøåíè Page 225 and 226: Êîìïëåêñíîå ðåøåíè Page 227 and 228: Êîìïëåêñíîå ðåøåíè Page 229: Êîìïëåêñíîå ðåøåíè Page 233 and 234: Âàðèàöèè Âàðèàöèÿ Page 235 and 236: Âàðèàöèè Verwenden Sie das Page 237 and 238: 236 Âàðèàöèè FEHLER FHELER Page 239 and 240: Âàðèàöèè typographischemona Page 241 and 242: Âàðèàöèè städtische bühne Page 243 and 244: Âàðèàöèè T E X T I L T E X Page 245 and 246: Âàðèàöèè Typographische Mon Page 247: Âàðèàöèè Typographische Mon Page 251 and 252: Êèíåòèêà Òðåáîâàíè Page 253 and 254: Êèíåòèêà 252 Page 255 and 256: Êèíåòèêà Ïëàêàò. Äî Page 257 and 258: Êèíåòèêà Ñòðàíèöà 2 Page 259 and 260: Êèíåòèêà druck buch müller Page 262 and 263: Øðèôò è èçîáðàæåíè Page 264 and 265: Øðèôò è èçîáðàæåíè Page 266 and 267: Øðèôò è èçîáðàæåíè Page 268 and 269: Øðèôò è èçîáðàæåíè
Page 270 and 271: Øðèôò è èçîáðàæåíè
Page 272 and 273: Øðèôò è èçîáðàæåíè
Page 274: Øðèôò è èçîáðàæåíè
Page 278 and 279: Ïîñëåñëîâèå / Êîììå
Page 280 and 281: Ïîñëåñëîâèå / Êîììå
Page 282 and 283: Ïîñëåñëîâèå / Êîììå
Page 284 and 285: Ïîñëåñëîâèå / Êîììå
Page 286 and 287: Ïîñëåñëîâèå / Êîììå
Page 288 and 289: Ýìèëü Ðóäåð Òèïîãð
Page 290: Ýìèëü Ðóäåð Ðîäèëñ
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