06.07.2013 Aufrufe

Der St. Albans Psalter und seine liturgische Verwendung

Der St. Albans Psalter und seine liturgische Verwendung

Der St. Albans Psalter und seine liturgische Verwendung

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BERNHARD GALLISTL: <strong>Der</strong> <strong>St</strong>. <strong>Albans</strong> <strong>Psalter</strong> <strong>und</strong> <strong>seine</strong> <strong>liturgische</strong> <strong>Verwendung</strong><br />

English abstract<br />

The <strong>St</strong> <strong>Albans</strong> <strong>Psalter</strong> was not intended for the purpose of private usage but<br />

for the abbey and its church service. Against this backgro<strong>und</strong> the texts from<br />

the beginning become comprehensible within their context. The liturgical<br />

basis of the legends of Alexius and Sec<strong>und</strong>inus, both of which concern the<br />

tradition of the post-paschal image of Jesus Christ, lies in the shroud, which<br />

was presented in the Gospel of the Easter morning (Joh 20,7). Those legends<br />

were reported in the vernacular speech and could pass on the message of<br />

resurrection in a vivid manner. The subsequent tale of the disciples’<br />

peregrination to Emmaus is an elaborated version of the Gospel of the Easter<br />

evening. The prayers of the psalms, which represent the main part, are<br />

introduced by a marginal text. The origin of the book coincides with a time of<br />

recovery and reforms of the abbey which reached its apex with the transfer of<br />

<strong>St</strong> Alban’s remains on August 2, 1129. Since in the monastery the psalm<br />

prayer <strong>und</strong>erwent a major extension at this festival, this date is likely for the<br />

endowment of the psalter.<br />

The hermit Alexius was an icon of the spirit of reform which arose at this<br />

point. At this time (probably 1114), a chapel was consecrated to him in the<br />

south of the choir. As a consequence of the changes in the liturgical usage of<br />

the fourth Lateran council (1215), the saint became less important.<br />

However, the chapel did not lose its importance for the church service, the<br />

monastary’s Office of the Dead and the memory of men of worth, which are<br />

partly already mentioned in the calendar of the psalter. After the art history<br />

finding that some artists were involved in the illustration of all parts, now a<br />

liturgical point of origin was able to establish a connection with regards to<br />

content. This may give a new impulse to the codicological discussion on the<br />

unity of the whole book.<br />

Dr. Bernhard Gallistl<br />

Dombibliothek Hildesheim<br />

Domhof 30<br />

31134 Hildesheim

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