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lism and in the galleries ‚illustrations‘<br />
or ‚paintings‘, but<br />
Street Art, I don’t’ get it. I just<br />
see the relationship with power<br />
and marketing.<br />
So which term would you<br />
rather use?<br />
I use the word name-writing-graffiti,<br />
I use urban<br />
practices, urban art - I’m<br />
okay with the expressions,<br />
it’s just saying what it is. You<br />
don’t have Urban Art in Galleries,<br />
but in two years you’re<br />
going to have exhibitions<br />
in Urban Art in galleries,<br />
because they also fucked<br />
up this term.<br />
What I mean is, what I<br />
like in Urban Art is actually,<br />
street is kind of the street<br />
credibility, like street marketing.<br />
When you say ‚urban‘<br />
you speak about urbanity<br />
and urbanism. It’s already<br />
something that is more complex<br />
than using ‚street‘.<br />
Street is just street-dealer,<br />
there is no deep thought<br />
about this term. It’s kind of<br />
a bad-guys-thing you don’t<br />
want to name properly, so<br />
you just call it street - it’s kind<br />
of condescending. So if I<br />
need to use a term, I will say<br />
Urban Art in English, but in<br />
French I will say art urbaine.<br />
There is art in urban space<br />
and mostly what I’m using as<br />
a term is ‚Art Practices in<br />
Urban Space‘, because there<br />
is no movement, there<br />
is just a market with street<br />
art, but there are also these<br />
festivals for sure. But there<br />
are surfing on it.<br />
What I did here in Lisbon<br />
was actually graffiti, let’s say,<br />
conceptional graffiti. Like<br />
lettering. I painted letters<br />
and some kind of mural,<br />
which was actually the copy<br />
of a Google-form-survey I<br />
did.<br />
So it wasn’t like skilled, I didn’t<br />
even decide the graphic<br />
qualities of my own painting,<br />
so I don’t see how it could<br />
be this term ‚graffiti‘.I did<br />
graffiti, but I past over some<br />
erased names of writers that<br />
were at the entrance of the<br />
neighborhood, because the<br />
municipality painted over it,<br />
as the mayor was going to<br />
visit the neighborhood, so I<br />
found it very bad.<br />
There is a local scene of<br />
name-writers and they get<br />
erased, because foreigners<br />
get invited to invade their<br />
neighborhood to do so called<br />
‘beautiful paintings’, were<br />
their own are somehow ugly?<br />
I don’t get it. It’s not how these<br />
things should work. So, I<br />
just painted over andthere<br />
was this ghost of the graffiti,<br />
so I kind of did their graffiti,<br />
which is disrespectful to the<br />
traditional name-writing in<br />
the conservative vision, but<br />
that’s what I like to do, you<br />
know, we are in 2016, we<br />
are not in the 90s or in the<br />
80s, so there are all of these<br />
traditional, conservative values,<br />
that everyone is copying,<br />
but the most known people<br />
are mostly not the ones<br />
who are doing it conservatively,<br />
so that’s again the<br />
same question.<br />
So I guess Name-writing is a<br />
practice and when it comes<br />
to art, it has to change a<br />
bit, maybe become a painting.<br />
It’s not even writing a<br />
name, it’s going over it and<br />
becoming an illustration.<br />
So Name-Writing is just<br />
name writing. You can be 16,<br />
you can be 70, you can do it<br />
with a crazy style or not - it’s<br />
just a practice.<br />
Do you see yourself as a<br />
part of the movement you<br />
just described? You sound<br />
a little bit angry to what<br />
happened to Urban Art<br />
and the Name-Writing-Scene<br />
and traditional graffiti,<br />
but you too crossed other<br />
people with your work, but<br />
you still did it and took part<br />
of the festival.<br />
Well, actually in the same<br />
time I was passing over the<br />
guys’ painting on the wall, I<br />
was paying tribute to them,<br />
because that is the reason I<br />
chose this graffiti of the local<br />
Barrio Padre Cruz Crew.<br />
It is kind of self critic, because<br />
I was invited and what I<br />
would have loved to do, but<br />
that’s the problem of this terminology<br />
of Street Art, is that<br />
you have to work specific<br />
on 10 days not having any<br />
specific places, but just look<br />
around and find out how<br />
to interact, that’s somehow<br />
what I did, but there was<br />
also this relationship with the<br />
financiers of the project, where<br />
actually they wanted people<br />
to come and ask us to do<br />
something precisely and yes,<br />
it’s a job, but I don’t get paid<br />
for it, but also Pedro invited<br />
me and I trust this guy and I<br />
like to experiment with new<br />
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