Part Two – post 1920s - Newcastle City Council
Part Two – post 1920s - Newcastle City Council
Part Two – post 1920s - Newcastle City Council
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We are building a civic monument second to none outside the <strong>City</strong> of Sydney.<br />
… It will result in increasing civic pride in the minds and lives of the citizens of<br />
this great city. It will bring about a realisation of its civic importance as well as<br />
its commercial manufacturing and industrial prominence.<br />
10 Morris Light<br />
Figure 22: Drawing of <strong>Newcastle</strong> Town Hall 1929<br />
Morris Light (possibly Licht) was born at Kovna in Russia about 1856. Leaving<br />
Russia due to persecution of Jews, he travelled to Scotland where he set up a drapery<br />
business from about 1879 to 1884. He then came to Australia. After spending some<br />
time in Moss Vale he came to Carrington in 1886 and began business as a draper in<br />
Cowper Street. He later added a furniture department to his venture. In 1887 he<br />
married Sarah Jacobs.<br />
In 1900 he moved his premises to Hunter Street West (the ‘House of Lights’) and in<br />
1923 moved again to a grand ‘emporium’ <strong>–</strong> Morris Light and Son Ltd - nearby. He<br />
had also opened a large branch store in Vincent Street Cessnock. Morris Light is<br />
reputed to have introduced consumer credit to the <strong>Newcastle</strong> retailing scene and he<br />
offered credit under his own interest-free terms. He was acknowledged as a proficient<br />
businessman.<br />
Few other men equalled his record in the public life of <strong>Newcastle</strong>. He first entered<br />
local government in Carrington in 1888 and was elected mayor in 1902 and 1903.<br />
After moving his business to <strong>Newcastle</strong> West he was elected to <strong>Newcastle</strong> <strong>Council</strong> in<br />
1904 and remained an alderman until his death in July 1929. He was mayor for the<br />
1924-1925 term. The electrification of the tramways of <strong>Newcastle</strong> was credited to his<br />
endeavours, as well as much of the incentive for achieving the Town Hall<br />
development. Morris Light also held several other public positions in the city.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 29
In the early <strong>1920s</strong> Morris Light set out on a world tour followed by a second tour to<br />
South Africa where his sister lived. He collected much information pertaining to local<br />
government, the whole of which he placed at the disposal of the district’s councils.<br />
He was a great supported of the Town Hall project before his travels but his<br />
experience in overseas countries convinced him that for a city the size and importance<br />
of <strong>Newcastle</strong>, a Town Hall was an absolute necessity. Upon his return he set to work<br />
to develop a self-supporting model, which was eventually adopted. He is credited<br />
with ending years of indecision about a Town Hall. Shortly after his election as<br />
mayor, he brought forward the mayoral minute that initiated the works program.<br />
It was a pitiable circumstance that Morris Light’s death occurred prior to the<br />
completion of the grand civic buildings that he played so great a role in achieving.<br />
Many people at the time though that the Town Hall itself was a fitting memorial to<br />
him.<br />
Morris Light, who lived to the age of 74 years, was survived by his wife, a son and<br />
three daughters. Prior to his death he lived in Ocean Street Merewether. He was a<br />
notable member of the Jewish community. He is buried in Sandgate Cemetery.<br />
Indicative of the esteem in which the citizens of <strong>Newcastle</strong> held him, over 3000<br />
people were reported to have gathered at the gravesite on that occasion. 42<br />
After Morris Light’s death, his son carried on the successful business until his own<br />
death in 1950. The Light stores were subsequently sold to Grace Brothers.<br />
In 1993, the University of <strong>Newcastle</strong> received a bequest of about $1.5 million under<br />
the will of Reta Light, Morris Light’s youngest and last surviving daughter, ensuring<br />
that her family name continued to be linked with the attributes of generosity and civic<br />
pride ascribed to her father. 43<br />
11 Celebration<br />
Opening the Town Hall and Civic Theatre was accompanied by a week-long event<br />
called ‘Civic Week’. The Theatre attracted most interest and here opening night was<br />
a gala affair unparalleled in the history of <strong>Newcastle</strong>.<br />
12 Civic Theatre<br />
Civic Theatre was designed as a fully equipped live theatre. However its primary use<br />
was as a cinema under lease to Hoyts. Talking pictures arrived in <strong>Newcastle</strong> in 1929<br />
and the Civic Theatre showed them from opening night.<br />
Civic Theatre remained predominantly a movie house until 1973 when Hoyts<br />
terminated their lease at a time when many cinemas closed. <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong><br />
then upgraded the theatre to attract live productions of international standard, such as<br />
the Australian opening of Jesus Christ Superstar in 1975, ballet, plays, orchestral<br />
concerts and other performances. Upgrading took several years and included<br />
improved backstage facilities, new lighting and other equipment, and a new curtain.<br />
The Civic could seat about 1600 people and was the largest regional live theatre in<br />
Australia.<br />
42 <strong>Newcastle</strong> Morning Herald 27, 29 and 30 July, 1929<br />
43 <strong>Newcastle</strong> Herald 17 May 1993<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 30
In the 1980s it became apparent that major restoration was essential in order to attract<br />
the performances necessary for efficient operation. In 1989 <strong>Council</strong> appointed<br />
architects to draw up plans.<br />
Dame Joan Sutherland launched a public appeal for funds in July 1991. This, together<br />
with council allocation enabled stage one of major works to be commenced in 1992.<br />
Later stages of the work were assisted with government funding. The total<br />
undertaking included replacement seating in and restoration of the main auditorium,<br />
air conditioning, a new ground floor restaurant, a new performance space, new<br />
dressing rooms and facilities, and fire safety upgrade. Outside, Wheeler Place was<br />
converted into a landscaped pedestrian plaza. During the works period, the public<br />
were invited to tours of inspection of the theatre. Civic Theatre reopened in<br />
November 1993.<br />
Figure 23: Civic Theatre complex in 1929<br />
13 The Wintergarden or Exhibition Hall<br />
The 1929 building complex that comprised the Civic Theatre, shops, offices and work<br />
or sample rooms also contained ‘a fine room with ticket and other offices, retiring<br />
rooms, servery and other conveniences’ above the shops on the first floor. This<br />
Exhibition Hall Wintergarden was available for public use. When opened in 1929 a<br />
description noted that the Wintergarden combined ‘beauty, dignity and simplicity.<br />
For the most part it is in chaste white relieved by pale gold. It has a splendid jarrah<br />
parquetry floor suitable for dancing, an orchestral reserve, and a roomy servery.<br />
Overlooking Hunter Street, the Wintergarden seems an ideal ballroom’. 44<br />
In the 1960s this space may have been used for council business.<br />
In 1972 council rented the Wintergarden as an annex to the Conservatorium of Music.<br />
Although renovations were proposed they did not eventuate. <strong>Council</strong> subsequently<br />
leased the Wintergarden to the Hunter Valley Theatre Company (HVTC) in 1978 and<br />
assisted the Conservatorium to move to the Mackie’s Warehouse Building.<br />
HVTC formed in 1976 as a semi-professional theatre company. The first play was<br />
staged at the 950-seat Duncan Theatre at <strong>Newcastle</strong> University. Search for a 200-seat<br />
theatre led to council considering leasing the Mackie Warehouse to the HVTC, but the<br />
44 Construction and Local Government Journal 27 April 1927, <strong>Newcastle</strong> Morning Herald 30<br />
November 1929<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 31
former Wintergarden was the better option and conversion plans followed for a Civic<br />
Playhouse.<br />
The 1992 restoration plan for the Civic Theatre included as a later stage of work the<br />
enlargement of the performance space of the Civic Playhouse with a link to the Civic<br />
Theatre facilities. However, this work was not undertaken at the time and HVTC<br />
occupancy terminated in July 1996. Civic Playhouse closed in 1998/9 because the<br />
facility no longer met fire safety and access regulations. In April 1999 and again in<br />
August 2001 investigations were made into refurbishment of the Civic Playhouse with<br />
reconfiguration of the seating. 45 A public forum had debated the status and future of<br />
the Playhouse in May 2000. 46 Options for reopening the Civic Playhouse are still<br />
under investigation.<br />
Figure 24: <strong>Part</strong> of lithograph of <strong>Newcastle</strong> in 1889. Darby Street is diagonally placed. The land<br />
section bounded by Darby, Hunter, Auckland and King Streets is represented as well built upon and for<br />
diverse uses. Larger buildings face Hunter Street. The eastern part of Civic Park is fenced but not yet<br />
industrialised. A coal train passes along Burwood Street towards Hunter Street<br />
45 <strong>Newcastle</strong> Herald 19 April 1999, 21 August 2001<br />
46 <strong>Newcastle</strong> Herald 6 May 2000<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 32
14 Civic Park - acquiring the land<br />
The table below is a summary of the stepwise process of council’s acquiring the land<br />
that makes up Civic Park. The individual parcels are indicated in the accompanying<br />
plan.<br />
1921 Lot 6 Acquired by council for a railway siding associated with<br />
electricity works in April 1921. In 1957, consolidated with<br />
Civic Park.<br />
1929 Lots 46 & 47 Resumed in November 1929 for the purpose of the erection<br />
of administrative and other buildings for the Electricity<br />
Department of the <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong><br />
Transferred to the General Fund (January 1939)<br />
1938 Lots 4 & 7 Acquired by council for ‘civic purposes’ from R<br />
Breckenridge and others October 1938<br />
1946 Lot 9 Acquired by council for ‘Civic Purposes’ from James Sandy<br />
P/L August 1946. The area required for widening Darby<br />
Street was dedicated a public road in September 1966 and<br />
the residue were dedicated as ‘Public Reserve’.<br />
1947 Lot 3 Acquired by council for consolidation and for ‘Civic<br />
Purposes’, from Union Trustee Company of Australia Ltd in<br />
June 1947<br />
1958 <strong>Part</strong> Burwood Acquired by council from AA Company in June 1958<br />
Rail Line<br />
1964 Lots 2, 5 & 8 Acquired by council from G H Varley P/L February 1964<br />
for open space and road widening<br />
1964 Lot 1 Acquired by council from <strong>Newcastle</strong> Building and<br />
Investment Company Ltd in August 1964 for open space<br />
and road widening.<br />
1979 Civic Park Civic Park dedicated as Public Reserve.<br />
1987 Civic Park Zoned 6(a) Open Space (<strong>Newcastle</strong> LEP 1987)<br />
Figure 25: The<br />
accompanying plan<br />
with allotments<br />
numbered, and this<br />
summary of<br />
acquisition, is from<br />
the Report of the<br />
Town Clerk No 24 of<br />
7 November 1978,<br />
moved to <strong>Newcastle</strong><br />
Region Public<br />
Library in April 1986<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 33
When interviewed in 1964 about the Thomas Cook’s house Lucerna, Mrs Cutts<br />
recalled that before 1900 ‘Civic Park was a swamp and horse paddock’. 47 The land<br />
was mostly vacant when the 1889 Illustration was drawn (Figure 24). The land was<br />
still mostly vacant when surveyed in 1896 (Local History Library Map, C 919.442/34-<br />
26, <strong>Newcastle</strong> and Suburbs Sheet 28, copy not included). 48<br />
Subsequently timber millers and merchants Andrew Cook and Robert Breckenridge<br />
used the low-lying land on either side of the coal railway as timberyards. Several<br />
engineering workshops, including Varley’s, were built on the Darby and King Streets<br />
frontages.<br />
In 1921 <strong>Newcastle</strong> <strong>Council</strong> bought the first piece of this land as a railway siding for<br />
the delivery of coal to the Sydney (or Tyrrell) Street power generation plant. When<br />
the Town Hall was nearing completion, lots 46 and 47 (Figure 25) were bought for the<br />
Electric Supply Department but were used instead in association with beautification<br />
of the surrounds of the Town Hall. 49 Mr W Grant of the Sydney Botanical Gardens<br />
provided a simple and inexpensive landscape plan. This was the origin of Civic Park.<br />
Figure 26: Early<br />
beautification of<br />
Civic Park<br />
included an<br />
avenue of fig trees<br />
along the Burwood<br />
coal railway line<br />
In summary, the evolution of Civic Park began with the land owned by the AA<br />
Company prior to 1900s and the land use associated with the AA and Burwood<br />
Companies railways. Timberyards were established on either side of Burwood<br />
Railway in the early 1900s. Property resumed in <strong>1920s</strong> by <strong>Council</strong> for the Electrical<br />
Supply Department was used instead for beautification of the Town Hall surrounds<br />
and provided the park nucleus. The railway corridor was resumed in the 1950s.<br />
Properties along Darby Street were resumed in the 1960s. A number of landscape<br />
plans followed and the James Cook Memorial Fountain opened in 1970.<br />
15 Christie Park<br />
The land immediately west of Town Hall was vacant in 1929. In the 1930s council<br />
purchased additional land here extending to the Auckland Street corner for offices for<br />
47 Interview with E M Cutts, descendant of Henry Dangar, about ‘Lucerna’, <strong>Newcastle</strong> Morning<br />
Herald 28 November 1964 p. 8<br />
48 <strong>Newcastle</strong> Local Studies Library map C 919.442/34-26<br />
49 <strong>Newcastle</strong> Morning Herald 12 December 1929<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 34
the Electric Supply Department. Christie Park was subsequently created in the<br />
intervening space, allowing for an access road around the Town Hall and Civic<br />
Theatre.<br />
Figure 27: photo shows<br />
paths and palm planting<br />
in the space between the<br />
Town Hall and Nesca<br />
building, also planting in<br />
Civic Park<br />
At the time of preparation of the Civic Park Plan of Management 1989, Christie Place<br />
was described as owned by <strong>Newcastle</strong> <strong>Council</strong> and zoned 5(a) Special Uses (Public<br />
Buildings). This provision allowed for possible development or access associated<br />
with Nesca House and other council owned property extending through to Hunter<br />
Street.<br />
The Shortland Memorial, erected as a fountain near <strong>Newcastle</strong> Beach in 1897 and<br />
subsequently removed to Reid Park in 1938 to allow beach improvements, was<br />
removed again to Christie Park in 1978. The ‘fountain’ use was not restored in 1938,<br />
or in 1978.<br />
Christie Street, a private road owned by council, provides a thoroughfare from King<br />
Street to Wheeler Place. This lane is used to provide rear stage access to the theatre<br />
for large delivery vehicles, and to the Civic Arcade building.<br />
Christie Park is used as a pedestrian thoroughfare, a rest area and is often visited at<br />
lunchtime by city office workers. The park enhances the setting of the surrounding<br />
cultural and civic buildings.<br />
16 The Electric Supply Department and Nesca House, 1939<br />
<strong>Newcastle</strong> Municipal <strong>Council</strong> began generating electricity in 1890. Their generating<br />
plant was east of Darby Street between Tyrrell and Queen Streets. Administration<br />
was by the council’s ‘Electricity Supply Department’ or ESD. The ESD expanded<br />
and by the early 20 th century, provided electricity to many suburban council areas as<br />
well as <strong>Newcastle</strong>. In the early <strong>1920s</strong> the council bought the first land in Civic Park<br />
(lot 6 Figure 25) for a rail siding for the delivery of coal to the generating plant.<br />
Cook’s timber yard (lot 47) was purchased several years later for ESD and other<br />
purposes of which park use was actually chosen. Apparently in the late <strong>1920s</strong> an<br />
electric appliances showroom was built on the corner of Hunter Street and Wheeler<br />
Place. Administration of the ESD moved into the Town Hall after 1929 until Nesca<br />
House was built in 1939.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 35
Figure 28: image of the<br />
ESD showroom adjoining<br />
the Bennett and Wood<br />
building in Hunter Street<br />
In the mid-1930s, <strong>Council</strong> acquired land on the Auckland Street corner and decided to<br />
build new headquarters for the ESD here. A blacksmith and wheelwright formerly<br />
occupied a large shed on the corner site. The site adjoined the former Salvation Army<br />
barracks and an Oddfellows Hall.<br />
Sydney architect Emil Sodersteen designed and supervised the modern building in<br />
association with <strong>Newcastle</strong> architects Pitt and Merewether. The building was<br />
completed in 1939 and became known as the <strong>Newcastle</strong> Electricity Supply <strong>Council</strong><br />
Administration or Nesca.<br />
Figure 29: Nesca<br />
House. This image is<br />
probably earlier than<br />
Figure 27, as indicated<br />
by the landscaping of<br />
Christie Park<br />
The Electricity Commission (State government) took over council’s role in 1957 and<br />
the Shortland County <strong>Council</strong> (SCC), a regional organisation, replaced the ESD. The<br />
Nesca building (which passed to the SCC) was enlarged in 1959 and 1970 and<br />
extensively renovated in 1983 and 1984.<br />
In the 1970s plans were made to move the undertaking, then known as ‘Shortland<br />
Electricity’, to Wallsend. This move occurred in stages and was completed by 1990.<br />
A new corporate structure was called ‘Orion Energy’ and following amalgamation<br />
with other suppliers, ‘Energy Australia’.<br />
Nesca House was available for other uses from the late 1980s and in 1991 <strong>Newcastle</strong><br />
<strong>City</strong> <strong>Council</strong> considered buying back the building for more office space but did not<br />
proceed with the purchase. The vacated Nesca House was used as professional<br />
offices, and part occupied by the Conservatorium of Music. The University of<br />
<strong>Newcastle</strong> bought the building in 1992 for use by the Faculty of Law and the<br />
Conservatorium of Music.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 36
17 Civic precinct development in the 1930s<br />
In the late 1930s when Nesca House was built, other new developments were<br />
occurring in the civic precinct. These included Morpeth House (1936), the Australian<br />
Provincial Association Ltd building west of the civic shops (1937), the new<br />
Clarendon Hotel (1940), and another unusual wedge shaped building to replace the<br />
<strong>Newcastle</strong> Permanent Building, Investment, Land and Loan Society headquarters.<br />
Figure 30: The 1937<br />
Australian Provincial<br />
Association Building,<br />
west of the civic shops,<br />
now Civic Arcade<br />
Contractor C Johnson erected Morpeth House, a three-storey commercial building in<br />
the Art Deco style in 1936 for Mr A Saroff of Cessnock and West Maitland. There<br />
were two entrances to Hunter Street and the building appears to have been used for<br />
retail purposes. Up-to-date facilities in the building included an electric lift, plate<br />
glass windows and excellent natural lighting and ventilation.<br />
The National Trust in 1990 described the row of buildings between Burwood Street<br />
and the Bennett building as representative of:<br />
… many aspects of <strong>Newcastle</strong>’s development during the second half of the 19 th<br />
century and the first half of the 20 th century. Commercial, retail and residential<br />
interests are represented, illustrating changing social forces, building uses and<br />
architectural progress. The group is very varied in appearance yet retains a<br />
harmony of scale and a great townscape attractiveness. 50<br />
Figure 31: Hunter<br />
Street streetscape<br />
between Wheeler Place<br />
and Burwood Street. To<br />
the right of the Fred c<br />
Ash building is the<br />
Bennett and Wood<br />
building, and to the left<br />
is the 1940s Clarendon<br />
Hotel. Photo taken on<br />
day of demolition of<br />
buildings east of the<br />
Clarendon. The 1970s<br />
bank, right, has also<br />
been demolished, for an<br />
enlarged Wheeler Place<br />
50 Quoted in ‘<strong>Newcastle</strong> Civic Site Heritage Impact Statement’ by Godden Mackay 1996, p. 71<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 37
18 1940s plans for a civic square and cultural centre<br />
In 1938, after many years of negotiation, several district municipalities were joined<br />
together to form the Greater <strong>Newcastle</strong> <strong>Council</strong>. To commemorate the event, the<br />
mayor and all new aldermen resolved that the ‘Town Hall shall be known in future as<br />
the <strong>City</strong> Hall’. 51<br />
Proposals for a cultural centre for <strong>Newcastle</strong> in the vicinity of the Town Hall and<br />
Civic Theatre progressed in the late 1930s and revived after the war. The<br />
accompanying plan for a civic centre was prepared in 1945 by the city architect Mr<br />
Parkinson. It was a long-range view of possible development and was presented for<br />
discussion to a public meeting. In this plan, Wheeler Place has been extended to<br />
make Civic Park a true square with a war memorial as centrepiece.<br />
Several sites for a cultural centre were under consideration at the time. Parkinson’s<br />
scheme suggests the site between Wheeler Place extended and Darby Street and future<br />
public buildings to house a variety of government offices were suggested along<br />
Laman Street.<br />
The council preferred the elevated Laman Street site for the cultural centre.<br />
Government buildings, or any other large buildings west of Darby Street were<br />
rejected in favour of preserving extensive views to and from the cultural centre.<br />
Figure 32: Parkinson’s<br />
1945 plan as reproduced<br />
in the <strong>Newcastle</strong> Morning<br />
Herald 20 October 1945<br />
By 1947 the Northumberland County <strong>Council</strong>, set up by the State government to<br />
provide planning expertise for <strong>post</strong>-war renewal, made public its plans for the future<br />
development of <strong>Newcastle</strong>. One of the county council plans for the civic area is<br />
shown below (Figure 33). In this plan elimination of the Burwood coal railway has<br />
allowed resumption of part of Dawson Street. Auckland Street has been extended<br />
south. The Baptist Tabernacle is moved to another site in Auckland Street. King and<br />
Darby Streets are widened as tree-lined ‘boulevards’. The land bounded by Burwood,<br />
Darby and King Street is a green wedge that links and opens up the civic centre area<br />
to the harbour and allows replanning of the road traffic system. A large roundabout<br />
was proposed for the space taken today by the Taxation Offices. Civic Park occupies<br />
the whole land section except for St Andrew’s Church, forming a fine civic square. A<br />
51 <strong>Newcastle</strong> Morning Herald 25 March 1938<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 38
walkway and flight of stairs links the Town Hall with the cultural centre sited in<br />
Laman Street.<br />
The Northumberland County <strong>Council</strong> scheme also promoted an alternative site for the<br />
cultural centre <strong>–</strong> one facing King Street near Union Street. This potential site was to<br />
be enhanced by resuming a ‘square’ extending between King and Hunter Streets that<br />
opened views to the harbour. The proposal showed a way to break up <strong>Newcastle</strong>’s<br />
long parallel street pattern.<br />
Greater <strong>Newcastle</strong> <strong>Council</strong> was not in favour of the Northumberland County<br />
<strong>Council</strong>’s plans for the extension of Auckland Street, the green wedge and the traffic<br />
roundabout and rejected the cultural centre site in King Street.<br />
The Northumberland County <strong>Council</strong> built offices on the north west corner of King<br />
and Auckland Street. The county council ceased its work in 1964 and was succeeded<br />
by the State Department of Environment and Planning. This building (or part thereof)<br />
is now owned by <strong>Newcastle</strong> University and used by the Conservatorium of Music<br />
(Figure 34).<br />
Figure 34: former offices and crest of the Northumberland County <strong>Council</strong><br />
Figure 33:<br />
Northumberland County<br />
<strong>Council</strong> Plan as<br />
published in <strong>Newcastle</strong><br />
Sun 20 May 1949<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 39
19 Land acquisition in the 1950s and 1960s<br />
In these years <strong>Newcastle</strong> <strong>Council</strong> acquired a number of allotments including the<br />
improved and vacant land that allowed the extension of Civic Park to Darby Street.<br />
Other negotiations brought boundary adjustments at the rear of the Presbyterian<br />
Church that would ‘tidy up the south west corner’ of Civic Park. Properties bounded<br />
by Laman, Dawson, Queen and Darby Streets were acquired, also the extensive land<br />
of the Fred c Ash company. The former Australian Provincial Association Ltd<br />
building containing the Civic Arcade was then owned by council, the year of<br />
acquisition is not presently known. The Burwood coal railway was nearing the end of<br />
its operative life and trucks ceased running in 1954. Creation of an enhanced Civic<br />
Park linking to an envisaged cultural centre was central to the acquisition of these<br />
land sections.<br />
Figure 35: Proposed landscape plan for Civic Park in 1957, as reproduced in the <strong>Newcastle</strong> Morning<br />
Herald 22 October 1957<br />
20 A cultural centre for <strong>Newcastle</strong> 1949-1957<br />
In June 1949 a foundation stone was placed for the cultural centre on the council’s<br />
preferred site. This was 6 years before any work started on the building. Building<br />
commenced in the mid-1950s and the State Governor Lt Gen Sir Eric Woodward<br />
opened the War Memorial Cultural Centre on 26 October 1957.<br />
The building consisted of three floors and a basement. A <strong>Newcastle</strong> Library<br />
comprised of a central reference, lending and children’s library occupied the<br />
basement, the ground level and first or mezzanine level. The Art Gallery occupied<br />
most of the space on the second floor and the Conservatorium of Music occupied the<br />
third floor, apparently under 21-year leases.<br />
As each of these cultural activities today occupies independent premises surrounding<br />
Civic Park, creating an expanding cultural precinct, their history, establishment and<br />
growth within the <strong>Newcastle</strong> community and their relationship to the War Memorial<br />
Cultural Centre or cultural precinct will be considered separately.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 40
Figure 36: 1960s aerial view of the civic precinct<br />
20.1 Conservatorium of Music<br />
Does any community exist without music and dance? Indigenous Australians have a<br />
heritage of corroborees and unique musical instruments. Musical societies, choirs and<br />
bands feature prominently in <strong>Newcastle</strong>’s 19 th and 20 th century history. Eisteddfods<br />
are the legacy of the district’s Welsh heritage and are ongoing. Convent schools have<br />
a tradition of excellence in music teaching. Dance Halls needed orchestras. <strong>Council</strong>s<br />
sponsored brass bands in exchange for public recitals in parks where special rotundas<br />
were built for their accommodation. Silent films needed a musical accompaniment.<br />
The proficients that taught music in the <strong>Newcastle</strong> district also encouraged<br />
performances and promoted a vision for a Conservatorium of Music.<br />
A State Conservatorium was established in 1916, which must have encouraged<br />
<strong>Newcastle</strong> musicians in a similar pursuit. However, social and economic adversity<br />
such as World War One and its aftermath, followed by the Great Depression of the<br />
late <strong>1920s</strong> and early 1930s were not conducive to making any advances in this quest.<br />
As is indicated elsewhere, an attempt was made to establish a cultural centre in<br />
<strong>Newcastle</strong> in 1936 but the country’s commitment to World War <strong>Two</strong> interrupted the<br />
emerging possibilities.<br />
When hostilities concluded in 1945 there was a countrywide desire for social<br />
betterment. Following a well-represented meeting held in the Town Hall in July 1945<br />
a committee of capable townspeople undertook the task of fundraising and planning<br />
for a building that would be a soldiers’ memorial and a home for the arts in<br />
<strong>Newcastle</strong>.<br />
The plan that emerged at this time was for a building that would incorporate space for<br />
a public library, an art gallery, a conservatorium and a concert hall. A library was<br />
then conducted in a room in the Town Hall but the other three facilities were<br />
practically non-existent in <strong>Newcastle</strong>. Apparently the only available performing<br />
spaces were the main Town Hall and a smaller hall in the east of the city known as<br />
Blackall House. The Civic Theatre was strictly a film house and if a large group like<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 41
the Sydney Symphony Orchestra visited <strong>Newcastle</strong> it was usually necessary for them<br />
to use the Century Theatre at Broadmeadow.<br />
Plans, ideas and debate in the 1940s and1950s about civic precinct land involved the<br />
Greater <strong>Newcastle</strong> <strong>Council</strong>, the Northumberland County <strong>Council</strong> and the community.<br />
The various proposals have already been mentioned. The council began to resume its<br />
preferred site, which was the land section bounded by Laman, Dawson, Queen and<br />
Darby Streets. Opposition came from those who lived in the cottages thereon and<br />
other residents and aldermen who supported them and those who opposed the cultural<br />
centre project in general. Housing was in short supply in the <strong>post</strong>-war years and the<br />
social and economic distress argument could not be ignored. Displaced residents<br />
were subsequently relocated in alternate housing.<br />
In 1946 a salaried financial organiser and assistant were appointed to seek funding for<br />
the cultural centre. At the time donations were not ‘tax deductible’. Amending this<br />
law took until early 1947. The Minister for Education the Hon J R Heffron MLA was<br />
then invited to open the fund raising appeal. His acceptance indicated that the<br />
government viewed the cultural centre favourably. This was subsequently confirmed<br />
when the State Conservatorium of Music was placed under the administration of the<br />
Department of Education.<br />
As soon as funds began to accumulate, with large sums contributed by industry,<br />
commerce, groups and individuals, the government responded with promised<br />
subsidies. Achieving the cultural centre was now assured, as was the setting up<br />
therein of a branch of the State Conservatorium.<br />
In order to help meet the demand for music tuition a temporary conservatorium was<br />
set up in 1951 in a timber barrack-type building in King Street at the eastern end of<br />
Civic Park. (In 1951 about 60 students from <strong>Newcastle</strong> were travelling to Sydney for<br />
music lessons.) Teaching commenced here in early 1952. 165 students enrolled in<br />
the first week. By the end of the first year, 388 students had enrolled and in the<br />
subsequent years of 1953 and 1954, 562 and 608 students enrolled. Conditions in the<br />
temporary building became congested. The sound of music making overflowed into<br />
Civic Park attracting the attention of passers-by. The success of the temporary<br />
conservatorium justified the establishment of a permanent music school in <strong>Newcastle</strong><br />
and the continued effort of its supporters. The principal of the conservatorium<br />
initiated a scheme to raise funds for scholarships.<br />
The temporary conservatorium can be seen in the 1960s aerial view of the civic<br />
precinct, Figure 36.<br />
The Cultural Centre Committee continued their work. Apparently there were times<br />
when ‘local politics’ was near to excluding the conservatorium from the plan. Many<br />
negotiations ensued to keep it in, and after the official opening the music school<br />
moved into the third floor. The new building provided improved facilities, 13 large<br />
studios, a large lecture room and small hall capable of seating 40 and 90 respectively,<br />
a library and administrative offices, but no auditorium.<br />
The conservatorium made remarkable growth and established important links with<br />
education, teacher training and the New South Wales University of Technology - the<br />
forerunner of the University of <strong>Newcastle</strong>, laying the foundation for <strong>Newcastle</strong>’s<br />
standing today as a significant centre of tertiary education in New South Wales.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 42
After 1957, the Cultural Centre Women’s Fund Raising Committee continued as the<br />
‘Art Gallery and Conservatorium Committee’, raising further funds for the purchase<br />
of instruments, equipment and library items. This committee continued until 1974.<br />
By 1961 accommodation on the 3 rd floor was inadequate. In 1965 the need for a<br />
separate building was obvious. The general feeling however was that the<br />
conservatorium should remain part of the cultural centre, which could be enlarged.<br />
This proposal did not materialise and finding extra space became a matter of urgency.<br />
In 1970 an annex opened in Maitland and in 1972, the Civic Wintergarden was rented<br />
from <strong>Newcastle</strong> <strong>Council</strong> for music tuition purposes. Proposed renovations here did<br />
not eventuate.<br />
In the mid-1970s the Art Gallery moved to a separate building and the Library took<br />
all the space vacated by the gallery. Without some of this extra space, the<br />
Conservatorium again had to look elsewhere. ‘Elsewhere’ included possible<br />
extensions to the cultural centre, a new building on the Shortland (University and<br />
Teachers College) campus, the old Teachers College site at Cooks Hill, the Town Hall<br />
(briefly a possibility after the new administration building was occupied),<br />
‘Woodlands’ in Church Street, the Century Theatre at Broadmeadow, a floor above<br />
the <strong>Newcastle</strong> Masonic Club, <strong>Newcastle</strong> East Public School, Cooks Hill High School,<br />
Fort Scratchley, and the Frederick Ash building near the new administration block.<br />
All lapsed due to financial constraints.<br />
<strong>Newcastle</strong> <strong>Council</strong> subsequently leased the Wintergarden to the Hunter Valley<br />
Theatre Company and assisted the conservatorium to move to Mackie’s warehouse.<br />
Renovated by the Public Works Department, this space gave the conservatorium an<br />
adequate venue for concerts for the first time but otherwise was only a partial solution<br />
to the escalating need for more studio and practice space.<br />
Fortuitously in 1978 the old Salvation Army Men’s Hostel, was ‘for sale’. This was a<br />
large 5-storey building with over 50 rooms that could be used as teaching studios.<br />
The building was sound and conversion for conservatorium use was practical. The<br />
site was central and near to public transport, had parking for 50 vehicles and enough<br />
land to build the long anticipated concert hall. The government did buy the property<br />
and the Public Works Department undertook to convert the old hostel to<br />
conservatorium needs. The building was occupied in 1981.<br />
Building the concert hall on the Laman/Auckland Streets corner continuous with the<br />
former Men’s Hostel was a 1988 Bicentenary project undertaken by the Department<br />
of Public Works. The architect was John Carr in association with Suters Architects<br />
and Planners and the building contractor was R T Parker Pty Ltd. The hall can seat<br />
about 500 people. 52<br />
In 1990 the conservatorium became part of the University of <strong>Newcastle</strong>. Also at that<br />
time part of the recently- vacated Nesca House was leased for conservatorium use.<br />
In 1992 <strong>Newcastle</strong> University bought Nesca House from Shortland Electricity<br />
together with a block of land in Laman Street. 53 This was generally felt to be a<br />
welcome move that would inject new life into the city centre and provide a ‘shop<br />
front’ for the University in the inner city. The faculties to occupy space in the<br />
52 Readers are referred to Kenneth Wiseman’s book From Park to Palace for a comprehensive account<br />
of the <strong>Newcastle</strong> Conservatorium of Music 1952-1986 from which this summary is mostly derived.<br />
53 <strong>Newcastle</strong> Herald 9 December 1992<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 43
uilding were the Conservatorium of Music and the Faculty of Law. ‘University<br />
House’ is today an appropriate name for the building.<br />
The block of land in Laman Street was next to the Conservatorium of Music building<br />
and ideal for future expansion of that institution as well as car parking for students in<br />
the short term.<br />
In 1997 the conservatorium occupied ‘Northumberland House’ on the north west<br />
corner of King and Auckland Streets, the former headquarters of the Northumberland<br />
County <strong>Council</strong> and Department of Environment and Planning.<br />
In 2002, over 2,000 students were enrolled and over 150 concerts performed each<br />
year. The conservatorium is closely associated with many drama and musical groups<br />
both locally and afar and plays an important role in education and enrichment of<br />
cultural life in <strong>Newcastle</strong> and the Hunter Region.<br />
20.2 Art Gallery<br />
Proposals for <strong>Newcastle</strong> <strong>Council</strong> to establish a <strong>Newcastle</strong> Art Gallery can be traced<br />
back to the <strong>1920s</strong> when the director of the National Art Gallery suggested that a<br />
special space be provided in the proposed new Town Hall scheme for that purpose.<br />
Then, the director assured the council, art works would be made available for<br />
exhibition from the national collection and from the Sydney Art Gallery. Apparently<br />
the National Gallery had already loaned paintings for exhibition in the Technological<br />
Museum in Hunter Street. 54 Here the Technical College conducted an Art School.<br />
The town clerk foreshadowed that a sum of money could be voted to purchase art<br />
works and also for annual prizes in order to encourage local talent and built up a city<br />
collection. The council agreed. ‘It takes something more than business and industry<br />
to make a city really great’ said the <strong>Newcastle</strong> Morning Herald editor on the<br />
following day. 55<br />
Apparently no action eventuated from this proposal for about ten years until the<br />
movement for a cultural centre for <strong>Newcastle</strong> became topical. The Town Hall had<br />
made articulate the civic aspirations of the people it was said. Now their cultural<br />
aspirations needed similar expression. A ‘Cultural Centre Advisory Committee’<br />
joined forces with the ‘Free Library Movement’, (which was part of the agenda of the<br />
‘Greater <strong>Newcastle</strong> <strong>Council</strong>’) to forward this initiative.<br />
There was no money for this purpose. Funding for any cultural centre depended on<br />
selling for redevelopment the <strong>Newcastle</strong> School of Arts building, whose function was<br />
now ‘out of fashion’. If this were done, additional funds might be obtained from the<br />
government and the Department of Education. 56<br />
The Trustees of the School of Arts were not favourable to the idea. Their own library<br />
was available to members and the Technical College had a good reference library,<br />
they said. Advocates of the Free Library Movement (that is a library for all citizens<br />
paid for out of municipal rates) wanted a diverse collection of books that were a<br />
practical balance between fiction and reference books. The Free Library was an<br />
essential community facility, not necessarily because the people wanted access to<br />
54 <strong>Newcastle</strong> Morning Herald 1 November 1921<br />
55 <strong>Newcastle</strong> Morning Herald 2 November 1921<br />
56 <strong>Newcastle</strong> Morning Herald 2 June 1938<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 44
ooks but because they should have them and the council should show leadership by<br />
providing them.<br />
The council was presented with two options. The Cultural Centre Advisory<br />
Committee’s option was to establish a cultural centre to provide modern library<br />
facilities and opportunities for other cultural expression. The former would be a<br />
‘good central library with a well-serviced reference section, a children’s library, a<br />
lending library, a reading room well stocked with newspapers and periodicals and a<br />
stack room that would serve as the centre for a regional library service’. ‘Other<br />
cultural expression’ was an art gallery with hall suitable for lectures, amateur<br />
theatricals, musical recitals and accommodation for meetings of cultural and scientific<br />
societies.<br />
The second option, from the School of Arts Trustees, was to lease the upper level of<br />
their building for a library and other cultural activities. This proposal was<br />
economical, limited, temporary and makeshift and met with little enthusiasm.<br />
Apparently in 1938 two collections of paintings were on loan to the city. One <strong>–</strong> a fine<br />
collection of bird studies by Neville Cayley <strong>–</strong> ‘hangs in obscure neglect on the walls<br />
of the Longworth Institute’. The other was ‘distributed round the passageways of the<br />
Town Hall’. <strong>Newcastle</strong> urgently needed an appropriate hall to exhibit these works<br />
and others that were available. 57<br />
The committee stressed that their plan allowed for cultural activities to be closely<br />
associated with the civic centre already growing up around the Town Hall.<br />
Apparently no decision was made although agitation for a cultural centre, especially<br />
the library component, continued. <strong>Two</strong> years later ‘<strong>Newcastle</strong> Art Society’,<br />
apprehensive of being left out of the plan, promoted a central exhibition space in the<br />
city for pictures. The society wanted to improve art appreciation in the community by<br />
making good works accessible. The society asked the Minister for Education to make<br />
available the museum room at the old Technical College in Hunter Street for an art<br />
gallery. 58 Other unused halls were suggested but nothing appears to have been<br />
achieved.<br />
Some writers claim that World War <strong>Two</strong> intervened and prevented the cultural centre<br />
and art gallery from materialising.<br />
A <strong>Newcastle</strong> Art Gallery took a step closer to realisation when Dr Roland Pope<br />
(1864-1952) offered the city his collection of 3,000 books and many paintings and<br />
drawings. The offer came not from any personal association with the city but because<br />
<strong>Newcastle</strong> was the most populous of provincial cities then lacking the advantages of<br />
cultural institutions. The gift was conditional on providing a suitable building - a<br />
public library and gallery <strong>–</strong> to house them. Further awareness of Dr Roland Pope, his<br />
collection policies and his vision is desirable for anyone seeking to know the story of<br />
<strong>Newcastle</strong>’s cultural centre.<br />
After War’s end the cultural centre movement was rekindled. A public meeting in<br />
1945 led to the formation of a committee to advance the cause. Choosing a site<br />
involved the community in many debates. Despite opposition by many people<br />
(including local residents and later, the planner of the Northumberland County<br />
<strong>Council</strong>) the <strong>Newcastle</strong> <strong>Council</strong> decided upon the Laman Street site in August 1946.<br />
57 <strong>Newcastle</strong> Morning Herald 31 October 1938<br />
58 <strong>Newcastle</strong> Morning Herald 19 April 1940<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 45
A foundation stone laying ceremony here by the State governor was arranged for June<br />
1949. This was 6 years before any work started on the building. The inscription on<br />
the stone had to be changed when it was incorporated into the building in 1955. 59<br />
<strong>Newcastle</strong> <strong>Council</strong> resumed the Laman Street site with the exception of the Baptist<br />
Tabernacle. A group of <strong>Newcastle</strong> architects formed a panel named NEWMEC and<br />
by cooperative effort were responsible for the design of the new building. This panel<br />
consisted of architects Castleden and Sara, Hoskins and Pilgrim, Lees and Valentine<br />
and Pitt and Merewether. 60 Contractor V F Doran and Sons Ltd of <strong>Newcastle</strong> won the<br />
building tender. The building was smaller than the one proposed in the late 1930s.<br />
How this substantial building was paid for should not be forgotten. Major donations<br />
included an unknown amount from the council, and £10,000 from the Joint Coal<br />
Board, £10,000 from BHP, £2,500 from Lysaghts, £2,000 from Stewarts and Lloyds,<br />
£1,500 from the <strong>Newcastle</strong> Morning Herald and amounts of £1,000 from<br />
Commonwealth Steel, Australian Comforts Fund, breweries, Scott’s Ltd and Winn<br />
and Co. The State government gave £30,000 especially for the conservatorium.<br />
About £6,000 was raised from a scheme whereby 4,500 workers in industry and<br />
offices made a regular contribution from each week’s pay for a number of years. A<br />
similar scheme was introduced in the schools whereby children gave 3d each week<br />
until they had given 10 shillings. 61<br />
The governor opened the centre in October 1957.<br />
The building was <strong>Newcastle</strong>’s official World War <strong>Two</strong> Memorial to remember and<br />
honour the service and sacrifice of so many citizens in that conflict. This was<br />
expressed in the sculptured figures placed in the memorial foyer and the inscription<br />
‘In minds ennobled here the noble dead shall live’.<br />
The building housed the library, art gallery and conservatorium, provided a home for<br />
the Roland Pope collection and was a significant move in the council’s plan to<br />
provide <strong>Newcastle</strong> with a worthy civic and cultural precinct.<br />
Before the cathedral-like avenue of trees in Laman Street began to overshadow it, the<br />
cultural centre on the crest of the hill south of Civic Park was prominent and imposing<br />
with modern lines that complemented the ornate Corinthian façade of the adjoining<br />
Baptist Tabernacle and the Gothic design of St Andrew’s Presbyterian Church.<br />
The art gallery was at first housed in half of the second floor of the cultural centre<br />
until 1962 when the entire floor was made available for the growing collection. In<br />
1963 the von Bertouch Gallery - the first commercial gallery to be established outside<br />
an Australian capital city - opened in Laman Street. 62 This was a significant marker<br />
of growing public interest in art for which the Art Gallery can claim influence.<br />
Commercial firms, too, were taking an interest in art through sponsorship.<br />
In 1964 and again in 1966 crises arose when the abstract art that the director<br />
purchased and the buying of Fred William’s ‘Landscape in Upwey’ for $1,700<br />
outraged some aldermen. 63 . The outcome was that no restrictions were to be imposed<br />
59 <strong>Newcastle</strong> Morning Herald 13 May 1949, 22 October 1957<br />
60 <strong>Newcastle</strong> Morning Herald 22 October 1957<br />
61 <strong>Newcastle</strong> Morning Herald 22 October 1957<br />
62 ‘A Life Devoted to Art’, <strong>Newcastle</strong> Morning Herald 22 February 1983<br />
63 <strong>Newcastle</strong> Morning Herald 7 March 1964, 3 and 7 November 1966<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 46
on purchases by the director. Visitor numbers to the gallery kept increasing,<br />
indicative of public interest and support.<br />
By the mid-1960s the library, conservatorium and art gallery were outgrowing their<br />
available space and examining their future needs. 64 Much negotiation ensued. In the<br />
early 1970s the vacant Frederick Ash buildings then owned by the council were<br />
proposed for new gallery space. The government architect made a detailed<br />
investigation, drew up designs and estimated costs. 65 The ‘feasible’ proposal was<br />
made public in 1971. <strong>Two</strong> years later the State government granted $100,000 towards<br />
the conversion ‘on the recommendation of the Minister for Cultural Activities’. 66<br />
Similar Federal government assistance was foreshadowed. However, the Sydney<br />
Opera House was absorbing all money for cultural capital works and all the output of<br />
the government architects. Almost no funds or architectural services were available<br />
for provincial cultural projects for several years. 67<br />
Early in 1974 ‘expert advice’ and rising costs influenced the council to abandon the<br />
Frederick Ash conversion after almost four years of effort. A new building was<br />
proposed instead. 68 By choosing a site for it adjoining the cultural centre, the 1940s<br />
plan to concentrate public cultural activities in the block bounded by Laman, Queen<br />
and Darby Streets was revived. The corner site chosen has an interesting history that<br />
has already been summarised.<br />
Architect B Pile drew up plans in 1974 and construction began in October 1976. The<br />
successful tenderer was A W Gardiner Pty Ltd. Queen Elizabeth II opened the<br />
‘<strong>Newcastle</strong> Regional Art Gallery’ in March 1977. 69<br />
(Escalating costs are of interest. In 1971 the conversion of Fred c Ash buildings for the<br />
Art Gallery was estimated at $100,000. By 1973 the estimate was $335,000. Later<br />
that year $500,000 was indicated. It was then estimated that a new building would<br />
cost ‘about the same’. In 1974 an estimate of $630,000 for the new building was<br />
revised to $758,000. The cost in 1977 was $1.34 million. 70 )<br />
The <strong>Newcastle</strong> Region Art Gallery was shut for a year after the parapet of the<br />
neighbouring cultural centre fell through the gallery roof at the time of the <strong>Newcastle</strong><br />
Earthquake. The building was sealed and art works removed while extensive repairs<br />
were undertaken.<br />
20.3 The Library<br />
Historically libraries bring to mind the Mechanics Institute/School of Arts movement<br />
of the early 19 th century. This movement led to the formation of many private<br />
societies, which came to be supported by the government and were later brought<br />
under the administration of the Department of Education, but the movement that<br />
created the institutions entered a period of decline in the 20 th century.<br />
64 <strong>Newcastle</strong> Morning Herald Leader, 14 October 1968<br />
65 <strong>Newcastle</strong> Morning Herald 26 March 1971<br />
66 <strong>Newcastle</strong> Morning Herald 8 August 1973<br />
67 <strong>Newcastle</strong> Morning Herald 21 May 1973<br />
68 <strong>Newcastle</strong> Morning Herald 15, 16 and 19 February 1974<br />
69 <strong>Newcastle</strong> Herald 6 June 1974, <strong>Newcastle</strong> Sun 7 March 1977<br />
70 <strong>Newcastle</strong> Morning Herald, 25 March 1971, 2 March 1973, 28 February 1974, 20 September 1974,<br />
7 March 1977<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 47
A 1933 survey of Australia libraries led to the 1935 Munn-Pitt Report that<br />
recommended the establishment of a system of free public libraries provided by local<br />
councils out of rate revenue supported by the State government and staffed by trained<br />
librarians. This led to the formation of the Free Library Movement to advance the<br />
recommendations and then the passing of the Library Act of 1939, which enabled<br />
councils to set up such libraries. 71 As noted, <strong>Newcastle</strong> members of the Free Library<br />
Movement were active in working towards a cultural centre for <strong>Newcastle</strong>.<br />
When the cultural centre opened another benefactor handed over his valuable personal<br />
collection to the library. Wilfred Goold, a <strong>Newcastle</strong> businessman, had devoted the<br />
leisure hours of 30 years of his life to the study and recording of <strong>Newcastle</strong>’s early<br />
history. He was a founder of the <strong>Newcastle</strong> Historical Society and at the time<br />
‘<strong>Newcastle</strong>’s foremost historian’. In 1953, when he was made a fellow of the Royal<br />
Australian Historical Society, he was the only person outside the Sydney area to<br />
receive the honour. His collection included maps, photos, books, documents and a<br />
number of artefacts. A priceless item, and one that merits the utmost veneration, was<br />
the original commission signed by Governor King for the foundation of the settlement<br />
at <strong>Newcastle</strong>. 72<br />
By 1966 the lending section of the library had been shifted to the old School of Arts<br />
building in Hunter Street. The vacated space was immediately taken for the local<br />
history collection. The reference library was also short of space. The idea was put<br />
forward that the city library should occupy the entire building (with the local history<br />
section having an entire floor) and the conservatorium and art gallery should be<br />
housed in independent facilities. 73<br />
20.4 Performing Arts<br />
21 Ceremony and Celebration<br />
Figure 37: The Goold Building<br />
A recent facility provided by <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong><br />
as a studio for rehearsals for the local performing arts<br />
industry is the hall in Auckland Street adjoining the<br />
former Nesca House. This building was at first a<br />
meeting hall for the Oddfellows Association, and in<br />
the mid-20 th century, the furniture showrooms of the<br />
Goold family business. Performing Arts <strong>Newcastle</strong><br />
hold workshops, forums and other activities here that<br />
promote artistic talents within the <strong>Newcastle</strong><br />
community.<br />
The balcony of <strong>City</strong> Hall is traditionally used to introduce distinguished visitors to the<br />
community and Civic Park is a special place for the community to gather on these<br />
71 The Australian Encyclopaedia Volume 4 The Grolier Society of Australia 1977 p. 6, 7<br />
72 <strong>Newcastle</strong> Morning Herald 22 October 1957<br />
73 <strong>Newcastle</strong> Morning Herald, Leader, 14 October 1968<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 48
occasions. Just two years after the cultural centre opened Princess Alexandra visited<br />
<strong>Newcastle</strong> and was welcomed in this manner.<br />
Figure 38: Community<br />
welcome extended to<br />
Princess Alexandra in Civic<br />
Park in 1959<br />
Opening the cultural centre and improving the Civic Park land was accompanied by<br />
the establishment of Mattara, an annual spring festival promoting <strong>Newcastle</strong>’s<br />
cultural and commercial life. In the first year 1961 an 18-day carnival of frolic,<br />
pageantry and demonstration was planned, which would extend a hand of friendship<br />
or Mattara (in Aboriginal dialect) to visitors and showcase the city to a wide<br />
audience. The headquarters of Mattara was Civic Park, ‘hub of the city’s future<br />
Civic Square now in course of development’. On opening night a parade from<br />
<strong>Newcastle</strong> Beach to Civic Park preceded the launching ceremony and an outdoor<br />
concert. The event involved all forms of cultural expression. Performances and an art<br />
exhibition were focused in Civic Park. The winning design for a Civic Park fountain<br />
was announced.<br />
40,000 people lined the route of the procession that year, which involved 1,300<br />
participants. In following years the numbers grew. Community support in<br />
organisation and participation was willingly forthcoming. In 1983 the event was held<br />
over 8 days and more than 130,000 visitors attended.<br />
In succeeding years, balancing cultural and commercial participation in Mattara led to<br />
many debates. A downside to commercialism such as show rides in Civic Park was<br />
the damage done to the park, particularly the lawns. A downside to too many cultural<br />
events was limited appeal. Maintaining Mattara’s cultural base has been of<br />
paramount importance as well as providing interest for as wide a group of <strong>Newcastle</strong><br />
people as possible.<br />
22 1960s Civic Park Civic Fountain<br />
Staged landscape improvements for Civic Park began in the 1960s when work started<br />
on the sandstone walls surrounding a RAAF memorial grove near the Laman/Darby<br />
Streets corner. The wall was continued along Laman Street and was completed about<br />
1968.<br />
In early 1961 council called for designs for a fountain for Civic Park and the proposal<br />
submitted by Margaret Hinder of Sydney was selected in September. The work of<br />
building the fountain infrastructure commenced in 1965, the still-water pool designed<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 49
y architects Wilson and Suters and built by <strong>Newcastle</strong> contractor E Hinds Pty Ltd. A<br />
wide pathway and central cenotaph complemented the work.<br />
Water first sprayed from the fountain in September 1966 and an opening ceremony<br />
was held in November. The fountain was named the James Cook Memorial Fountain<br />
in 1970. The fountain completed the link between <strong>City</strong> Hall and War Memorial<br />
Cultural Centre. The formal structure created by this axis is the principal organising<br />
element in the design of Civic Park and the fountain is the modern inspiration for the<br />
city’s identifying graphic icon. Refurbishment of the over 30-year old fountain is a<br />
current project.<br />
23 1960s <strong>–</strong> proposed redevelopment of Civic Theatre<br />
In 1960 the council cleared the debt on the loan borrowed in the mid-<strong>1920s</strong> to<br />
construct the Town Hall and Civic Theatre complex. Proposals were aired about<br />
securing more space for a variety of council needs including office and administrative<br />
space and public lending library facilities. The town clerk predicted that any new<br />
buildings ‘would need to climb skywards’ to use the land to best advantage. 74<br />
A redevelopment proposal was put forward in the early 1960s in response to a<br />
technical advance in the movie industry <strong>–</strong> ‘Cinerama’. From the earliest years the<br />
Civic Theatre was principally used as a cinema under lease to Hoyts Cinemas. Hoyts<br />
engaged an architect Peter Muller to design a new development for the Civic Theatre<br />
complex site, which would provide modern cinema facilities, the additional office<br />
space the council needed and other office space for lease such as to a government<br />
department. Muller, who was influenced by Chinese designs, submitted a 9-storey<br />
‘pagoda’ design. The council supported the proposed development in principal. The<br />
existing block of 14 civic shops was acknowledged as uneconomic use for a valuable<br />
city site.<br />
74 <strong>Newcastle</strong> Morning Herald 1 April 1961<br />
Figure 39: Illustration of a model of a<br />
building proposed by Sydney architect<br />
Peter Muller for erection by <strong>Newcastle</strong><br />
<strong>City</strong> <strong>Council</strong> on the corner of Wheeler<br />
Place and Hunter Street after the Civic<br />
Theatre Block had been demolished.<br />
Source: <strong>Newcastle</strong> Morning Herald 31<br />
July 1963<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 50
Reaction from the community was varied. The self-interest of Hoyts in the<br />
arrangement caused concern. Those who wanted to keep the Civic for live theatre<br />
were told that the Century Theatre at Broadmeadow was a better option.<br />
<strong>Newcastle</strong>’s architects, town planners and others came together to question the<br />
development and the process that led to it. An appeal was made for a civic<br />
masterplan for the future development of the whole area. Too much isolated<br />
development had flowed from the County Plan, it was said. The economics of the<br />
‘pagoda’ plan may have been inadequate to favour its implementation. 75 The<br />
proposal faded from view but the importance of process, planning and community<br />
involvement was dramatically highlighted.<br />
Hoyts lease of the Civic Theatre terminated in 1973. Other cinemas including the<br />
Century at Broadmeadow closed about the same time.<br />
24 1960s <strong>–</strong>a masterplan for civic development<br />
Response to the proposed and isolated ‘pagoda’ development by the <strong>Newcastle</strong><br />
divisions of the Institutes of Town Planning and Architecture included the submission<br />
for public comment of examples of what a masterplan for the whole ‘Civic Centre’<br />
might be. Taken into account were ideas from the County Plan, traffic flow and<br />
management, acquisition of land upon which were deteriorated buildings, and places<br />
for a number of suitable prestige building overlooking Civic Park as centrepiece. One<br />
of the concepts is reproduced here.<br />
Figure 40: A suggested masterplan for the development of the civic block that was presented to the<br />
public in February 1966 and reproduced in the <strong>Newcastle</strong> Morning Herald 29 February 1966<br />
The Institutes suggested setting up an advisory body comprised of representatives of a<br />
number of <strong>Newcastle</strong> professional, environmental and government organisations.<br />
75 <strong>Newcastle</strong> Morning Herald 3 March, 15 April 1964<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 51
25 Frederick Ash buildings<br />
<strong>Newcastle</strong> <strong>Council</strong> purchased all the properties of Fred c Ash Limited in 1969. The<br />
purchase provided a foundation for subsequent plans for civic development. At first<br />
the site of the Fred c Ash workshops on the Burwood/King Streets corner was chosen<br />
for the <strong>City</strong> Administration Building, which was in accord with all the masterplans to<br />
that time that focused civic buildings around Civic Park as the civic square.<br />
The Hunter Street facing Menkens designed Fred c Ash building is today recognised as<br />
a significant heritage item protected by a Permanent Conservation Order. The new<br />
Fred c Ash warehouse facing Burwood Street is also significant and both have proved<br />
pivotal to redevelopment plans for the civic precinct. Some awareness of Frederick<br />
Ash and his business and buildings is necessary to understand the part they played in<br />
the commercial history of <strong>Newcastle</strong> from which the heritage values have arisen.<br />
Frederick Ash (1832-1916) was one of <strong>Newcastle</strong>’s leading businessmen and<br />
property owners. His business included hardware, wallpaper, gas fittings and trades<br />
related to the home and commercial building industry. He was born in England in<br />
1832 and arrived in <strong>Newcastle</strong> in 1855. He started in business in a small cottage in<br />
Hunter Street and after a few years moved to larger leased premises on the<br />
King/Brown Streets corner. The business evolved into a brief partnership from 1860<br />
to 1866, then in 1887 a limited liability company.<br />
Importing was the major source of his supplies for which Ash made regular visits<br />
overseas. In the early 1900s one of his sons looked after the London office.<br />
His nephew John Ash (1850-1905) immigrated to <strong>Newcastle</strong> in 1865 and after an<br />
apprenticeship with his uncle commenced in business independently. In the 1870s<br />
John Ash established a timber yard, workshop and sawmills with a shop and dwelling<br />
on land leased from J&A Brown at the side and rear of Mrs Brown’s house and the<br />
Black Diamond Hotel. He probably leased additional land from the AA Company. In<br />
1898 John Ash purchased several portions of this land, on both sides of the Burwood<br />
coal railway and south of the allotments facing Hunter Street. 76<br />
About 1900 Frederick Ash appears to have bought land in this locality and built<br />
premises of his own. In 1901 he called tenders for a building on land that he bought<br />
from John. 77 This land was immediately behind the site of what was to become the<br />
Menkens’ designed building. He subsequently bought this latter site, which was part<br />
of William Andrew Sparke’s earlier purchase. Frederick Menkens designed the 4level<br />
shop, warehouse and office building, which was built during Ash’s absence<br />
overseas in 1904. 78<br />
This building is one of nine warehouses or bond store buildings, which Menkens<br />
designed in central <strong>Newcastle</strong> and one of three completed by him in 1905 in the<br />
Federation warehouse style. The designs of these warehouses helped establish the<br />
characteristic townscape of the commercial centre of <strong>Newcastle</strong>.<br />
John Ash died in <strong>Newcastle</strong> in 1905. 79<br />
76 Godden Mackay, ‘Frederick Ash Building Conservation Plan and Civic Site Archaeological<br />
Assessment’, draft final report, 1992 p. 23<br />
77 <strong>Newcastle</strong> Morning Herald, 15 June 1901<br />
78 An account of his visit to London is in <strong>Newcastle</strong> Morning Herald 7 February 1905<br />
79 <strong>Newcastle</strong> Morning Herald 20 and 22 May 1905<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 52
In 1909, two of Frederick Ash’s sons were among the Board of Management of the<br />
company of which Frederick was Managing Director. 80<br />
Frederick Ash died in England in 1915 aged 85 years. Three sons and 5 daughters<br />
survived him. His wife predeceased him. Her death occurred in Switzerland. At the<br />
time of his own death he was travelling to Switzerland. Further research may indicate<br />
more about his connection with Switzerland. Very few details about Frederick Ash’s<br />
life in <strong>Newcastle</strong> have been located. In 1905 he was noted for the hospitality he<br />
extended to British visitors to <strong>Newcastle</strong>. At the time of his death he was recalled as<br />
interested in technical education, having made a generous gift of technical books to<br />
the <strong>Newcastle</strong> School of Arts on his return from overseas in 1905. 81<br />
A survey plan of <strong>Newcastle</strong> city dated 1922 indicate that the Fred c Ash business<br />
occupied a complex of buildings on a significant part of the land between Burwood<br />
and Darby, and Burwood and Hunter Streets. 82 All the buildings between Hunter and<br />
Burwood Streets joined to form an enclosed yard, part of which was ‘covered’.<br />
Between Burwood and Darby Street Fred c Ash had another complex of buildings and<br />
yards.<br />
In September 1925 two Fred c Ash Burwood Street buildings, one of 7-storeys and the<br />
other of 3 or 4 storeys, were destroyed by fire. Property loss was about £80,000.<br />
This was the city’s worst fire since 1908 when the David Cohen warehouse in Scott<br />
Street was lost.<br />
Amid other damage, the walls of the 7-storey building sequentially fell in and the<br />
mass of shattered brickwork strewed Burwood Street for its entire width blocking the<br />
colliery railway line. The fall of the massive counter-weight of the lift in this building<br />
was another ‘awe-inspiring spectacle’. Exploding drums of oil and paint threw out<br />
gushes of ‘polychromatic flame’. Sparks and ashes threatened to set alight a number<br />
of lesser buildings in the vicinity. After the fire, the remaining parts of the buildings<br />
were pulled down.<br />
The city lost a ‘conspicuous structural feature of the city’ - a red brick 7-storey<br />
landmark structure.<br />
The fire led to an inquiry and various reports into the performance of the buildings’<br />
structures, materials used, lifts and so on, and apparently enabled the modification of<br />
building regulation.<br />
A 5-storey rendered brick warehouse facing Burwood Street, known as the ‘new’<br />
Fred c Ash Building, was the work of Pitt and Merewether and erected followed the<br />
1925 fire. Architectural and structural comparison with the fire-destroyed 7-storey<br />
building (well described in the reports at the time of the fire) would be an interesting<br />
study for the evolution of building standards and the <strong>1920s</strong>-1930s approach to fire<br />
risk management. A description of this building in the Godden Mackay report notes<br />
that the interiors reflect ‘comparatively advanced construction’. 83<br />
By 1930 the company had a number of factories in the <strong>Newcastle</strong> district and<br />
branches in Wollongong, Cessnock, Sydney (Leichhardt, Marrickville), and London.<br />
80 Godden Mackay, p. 24<br />
81 <strong>Newcastle</strong> Morning Herald 7 February 1905, 31 October and 1 November 1916<br />
82 Local Studies Library map of <strong>Newcastle</strong> showing buildings and their use LHM B 690/1-4<br />
83 Godden Mackay, …, card 11 of 11, Appendix, not paginated<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 53
(Later a branch opened at Lismore.) For the next 30 years the business flourished and<br />
it was said that ‘nowhere else was there such a comprehensive hardware store’. 84<br />
The business appears to have specialised in shop fronts and shop fittings in the years<br />
up to the 1930s. This era saw the growth of suburbs and suburban shopping centres<br />
with modern shop fronts reflecting up-to-date marketing trends. The Fred c Ash-<br />
Menkens building itself was significantly altered by the installation of one of these<br />
modern shop fronts. The entrance door was set further into the building and a<br />
showcase window constructed on either side of the created space. Ceramic tiles were<br />
added to the façade and an awning suspended over the footpath. 85<br />
In 1969 the company was take over and became a wholly owned subsidiary of Swans<br />
Limited. Following 1969 all the Fred c Ash properties were sold to <strong>Newcastle</strong> <strong>City</strong><br />
<strong>Council</strong>. Shortly after, the adjoining Hunter Street property was purchased also.<br />
From this time, a number of proposals for new uses for the Fred c Ash building<br />
(Hunter Street) have been put forward. The first was for the relocation of the<br />
<strong>Newcastle</strong> Art Gallery (1972-1974). Next (in 1979/80) was a redevelopment proposal<br />
for offices with a mall in the demolished sports store. In this proposition, a bank<br />
(Commonwealth) and the council were to occupy the ground floor the rear of which<br />
was to connect with the <strong>City</strong> Administration Building. The upper floors were to be<br />
available for commercial lease. <strong>Council</strong> already utilised the building for furniture<br />
storage, the council’s print plant, and records storage.<br />
By 1980, the heritage qualities of the building had been recognised, which restricted<br />
the site redevelopment options. In 1985 the National Trust upgraded the heritage<br />
classification of the building from a ‘recorded’ listing to ‘classified’ because of its<br />
association with Frederick Menkens and its outstanding contribution to the built<br />
environment of <strong>Newcastle</strong>.<br />
In 1987 a hotel was proposed for the Fred c Ash site, retaining only the building’s<br />
façade. This was part of Stage 2 of a development that comprised a hotel, office<br />
block and retail development. (Stage One was the Taxation Office). Demolition of<br />
the body of the Fred c Ash building was not permissible under the Heritage Act and an<br />
interim conservation order was placed on the building. A year later a modified plan<br />
for the hotel development won Heritage <strong>Council</strong> approval. However, no progress<br />
eventuated for the Stage 2 work.<br />
Meanwhile in May 1989 a Permanent Conservation Order was issued for the 1905<br />
building and the National Trust additionally recognised this and the adjoining<br />
buildings as contributing to a distinctive early 20 th century streetscape.<br />
In 1991, a group of <strong>Newcastle</strong> University students proposed that vacant inter city<br />
office blocks and warehouses, including Fred c Ash, could be reused as student<br />
accommodation, which would additionally help revitalise the CBD.<br />
In the 1990s the building was restored for office use, which is described later.<br />
The heritage values assigned to the Fred c Ash buildings have played a significant part<br />
in redevelopment proposals since 1970. It was unclear at various times what was to<br />
be preserved <strong>–</strong> the Hunter Street façade only, the façade plus a number of bays of the<br />
warehouse, the entire warehouse, and the Burwood Street building. The item was cast<br />
84 Godden Mackay … p. 25<br />
85 Godden Mackay, … p. 33<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 54
in opposing light in a lengthy debate over retaining traditional streetscape qualities, or<br />
providing opportunities for total commercial renewal.<br />
26 1970s <strong>–</strong> <strong>City</strong> Administration Building<br />
The Greater <strong>Newcastle</strong> Act 1937 led to the amalgamation of eleven municipal<br />
councils and parts of two shires to form the Greater <strong>Newcastle</strong> <strong>Council</strong> in 1938.<br />
Although the business of the ESD moved to Nesca House in 1939, the function of the<br />
<strong>Newcastle</strong> District Abattoir Board was transferred to council and the extra<br />
administrative work this entailed overtaxed available space in the <strong>City</strong> Hall.<br />
Departments were regularly dispersed in nearby accommodation.<br />
From the 1950s the need for a new council administration building was recognised.<br />
Consideration was given to adding a third floor to the <strong>City</strong> Hall. Provision had been<br />
made for this option when built in 1929.<br />
The proposed multi storeyed ‘pagoda’ redevelopment of the Civic Theatre complex in<br />
the early 1960s would have provided <strong>Newcastle</strong> <strong>Council</strong> with much needed additional<br />
office space. This did not eventuate. <strong>Council</strong>’s need for additional office<br />
accommodation continued even though the Abattoir Department removed to Waratah.<br />
The town clerk investigated the possibility of buying the land on the Burwood/King<br />
Street corner, then occupied by Fred c Ash workshops, for a new office building. After<br />
several years of negotiations, in 1969 a sale of the entire Fred c Ash property was<br />
secured, the company leasing back their required space for the rest of their period of<br />
occupancy. The purchase gave the council the opportunity to implement the<br />
masterplan concept for a substantial civic square. The great enhancement of Civic<br />
Park undertaken in the 1960s provided a centrepiece for a new prestige civic building,<br />
which was approved in 1970.<br />
The <strong>City</strong> Administration Centre was built to a design by architects Romberg and<br />
Boyd in association with local architects Wilson and Suters, who had also supervised<br />
previously the Cook Memorial Fountain in Civic Park. Work commenced in 1972<br />
and was completed in 1977. 86<br />
The ‘well-constructed’ Fred c Ash Burwood Street<br />
warehouse was seen as a most favourable acquisition of<br />
significant advantage. By linking it to the new building<br />
valuable space for storage and other purposes would be<br />
provided.<br />
Figure 41: Civic Administration Building, 1977<br />
86 Extracted from the Invitation to the Official Opening 23 June 1977<br />
The large circular multi-storeyed concrete cone was of<br />
a vastly different design to other large <strong>Newcastle</strong><br />
buildings. There was an echo of the ‘pagoda’ concept<br />
in as much as the upper levels projected over the lower<br />
levels. The ‘<strong>Newcastle</strong> <strong>City</strong> Administration Building’,<br />
as it was named, had 9 floors above the ground and<br />
three levels below the ground that were provided for car<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 55
parking. Its circular form enabled the building to relate to every aspect from which it<br />
was viewed. This quality enabled the building to relate to Civic Park, but equally to<br />
<strong>City</strong> Hall, Wheeler Place and the as yet unidentified precinct later called ‘Civic site’.<br />
Wheeler Place separated the new building from the <strong>City</strong> Hall and was adapted as a<br />
pedestrian plaza. The vacated <strong>City</strong> Hall was seen as an available space for the Art<br />
Gallery, or the Conservatorium of Music, or a professional live theatre. However,<br />
redevelopment for a first-class convention centre with three function rooms, a banquet<br />
room and a concert hall was determined upon. Providing such facilities in the civic<br />
area led to awareness of the desirability of a nearby first-class hotel.<br />
Refurbishment of <strong>City</strong> Hall progressed during 1980-1981 and the governor of New<br />
South Wales opened the new work, which was awarded Royal Australian Institute of<br />
Architect honours, in May 1981.<br />
The <strong>City</strong> Administration Building has proved costly to maintain and has been recently<br />
proposed for alternative uses. Apart from hotel and casino purposes, residential use<br />
has been lately suggested.<br />
27 Civic development proposals since 1977<br />
Some observers have noted that the masterplan concept having Civic Park as the<br />
focus of a civic square surrounded by prestige civic buildings began to be changed<br />
after the completion of the <strong>City</strong> Administration Building. The retirement of the town<br />
clerk who had overseen the work of the previous few decades was also identified as a<br />
factor in this changed perspective. 87<br />
The opportunity to consolidate civic and government functions around the civic<br />
square received a setback in 1978 when the State government chose a site in Bull<br />
Street for a major office block that was completed in 1983. 88<br />
About this time the Federal government indicated its need for a large office block in<br />
<strong>Newcastle</strong> and called tenders for a site or building package in the inner city. 89 In<br />
response, council bought several more properties in the precinct surrounding the Fred c<br />
Ash property and negotiated for others. The land was an asset for negotiations about<br />
the Federal offices, said to be a $10 million development, and a hotel. However, no<br />
immediate progress was made.<br />
28 1980s <strong>–</strong> an international standard hotel<br />
Revitalisation of the city’s business core was a high priority in the 1980s following<br />
many years of population shift and new shopping patterns focused in the suburbs.<br />
Many strategies, including tourism and related opportunities, were put forward.<br />
In 1981 the concept of a 13-storey (45 m high) 250-room hotel on the Fred c Ash site<br />
that incorporated Heritage <strong>Council</strong> guidelines for the warehouse restoration, was<br />
made public (Figure 42). At the time the proposed hotel was the largest between<br />
Sydney and Brisbane and likely cost was about $27 million. Negotiations involved a<br />
87 Brian Cogan ‘Lost Vision of Civic Park’, <strong>Newcastle</strong> Morning Herald 13 March 1978<br />
88 Barry Maitland, Architecture <strong>Newcastle</strong>, p. 169<br />
89 <strong>Newcastle</strong> Herald 1 May 1991<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 56
financier and lessee. Many jobs would be available in the building phase and in the<br />
subsequent staffing stage, thereby assisting employment opportunities in the district. 90<br />
The town clerk was reported to have said that council’s role was to act as a catalyst<br />
and that council was considering having equity in the development that would provide<br />
an income stream in the future. 91<br />
<strong>Two</strong> years later, in December 1983, it was apparent that up-to-date economic analysis<br />
of the proposal had made it unlikely to proceed. 92<br />
Figure 42: This concept for a 13-storey hotel for the Fred c Ash site was published in the <strong>Newcastle</strong><br />
Morning Herald 30 September 1981<br />
In 1984 an administrator replaced <strong>Newcastle</strong>’s elected council. During 1985, the<br />
administrator and town clerk continued to investigate opportunities for development<br />
of the council-owned land and, it was reported, approved a development application<br />
for a 12-storey tower, hotel and shopping complex, to occupy the block bounded by<br />
Hunter, King and Burwood Streets and Wheeler Place. 93 In this scheme the <strong>City</strong><br />
Administration Building was marked for a future casino, the council offices moving<br />
to the new tower. The Sydney interest involved in this project was named ‘Tavolan<br />
Pty Ltd’ and this company secured an 18-month option on the land to be occupied by<br />
the development. The negotiations progressed through several designs without much<br />
public input or opportunity for open discussion. 94<br />
By the time an elected council returned to the council chambers in September 1986,<br />
the scheme had grown from earlier cost estimates of $25 million and $40 million to a<br />
new estimate of $70 million. The envisaged site had expanded to encompass<br />
Burwood Street and most of the wedge bounded by King and Darby Streets. In<br />
addition to the international hotel were two multi-storeyed office blocks of 12 and 8<br />
storeys, a major department store and shops and a pedestrian mall. <strong>Newcastle</strong><br />
<strong>Council</strong> would occupy space in one new office building and the <strong>City</strong> Administration<br />
Building would be linked to the hotel and converted to a casino.<br />
When the cost of resumption of businesses operating on the northern part of the<br />
Burwood/Darby Street wedge was estimated, and found costly, the site was modified.<br />
Providing sufficient parking for a hotel, shops and offices was always a major item<br />
90 <strong>Newcastle</strong> Morning Herald 30 September, 12 December 1981<br />
91 <strong>Newcastle</strong> Herald 30 September 1981<br />
92 <strong>Newcastle</strong> Sun 13 December 1983<br />
93 <strong>Newcastle</strong> Star 9 April 1986<br />
94 <strong>Newcastle</strong> Herald, Editorial, 16 October 1986<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 57
for analysis in any development ideas and usually found wanting. The council<br />
planner briefed the new aldermen about the effects of the height and scale of the<br />
proposed buildings in relation to the existing cityscape, and the wind and shade<br />
effects on Civic Park. He thought a model should be prepared so that the community<br />
could understand the effects the proposal would have on the civic and cultural<br />
precinct. Public debate was called for too, but it appeared, at first, that it was too late<br />
as the negotiations with the council through the administrator had progressed too<br />
far. 95 The development, said to be the biggest since BHP steelworks set up, had been<br />
approved, with a number of conditions.<br />
95 <strong>Newcastle</strong> Morning Herald 16 October 1986<br />
96 <strong>Newcastle</strong> Herald 11 June 1987<br />
Figure 43: This<br />
drawing depicts the<br />
proposed 1986<br />
development and was<br />
published in the<br />
<strong>Newcastle</strong> Morning<br />
Herald 5 October 1986<br />
During 1987, the Federal government<br />
confirmed that it would lease a building<br />
for a Taxation Office. Negotiations<br />
favoured the site bound by Burwood,<br />
King and Darby Streets. The council<br />
owned some of the land and the rest a<br />
private owner and the Department of<br />
Housing. Tavolan Pty Ltd ‘part of the<br />
Neeta Group of companies’ won the<br />
tender to provide the office block, which<br />
was called ‘Stage One’ of the overall<br />
plan. The value of the office block built<br />
was $30 million. 96 The contractor was<br />
Jennings Industries Limited. The project<br />
was completed in 1989.<br />
Figure 44: illustration of the 1988 proposal for<br />
the civic site development including the Taxation<br />
Office (Stage One) and Stage <strong>Two</strong>, for a hotel,<br />
shopping, and other government purposes.<br />
Concept as published in the <strong>Newcastle</strong> Morning<br />
Herald 20 November 1987<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 58
Stage <strong>Two</strong> was planned to be the hotel (and possibly the second office block and<br />
retail development), on the other side of Burwood Street behind the <strong>City</strong><br />
Administration Building and incorporating ‘the façade of the Fred c Ash building’.<br />
When this became publicly known, it was apparent that the design did not meet the<br />
requirements of the building’s heritage status. Stage <strong>Two</strong> did not go ahead. It is<br />
difficult to evaluate whether economic realities, heritage issues or both were the<br />
determinants. The proposed buildings conformed to council’s height code of 45m.<br />
Some opinion thought that they were squat and bulky and occupied too much of the<br />
site.<br />
In response, <strong>Newcastle</strong> <strong>Council</strong> then engaged a Sydney architect Philip Cox to<br />
prepare an Urban Design Study for the council owned land. This study, made public<br />
in March 1988, recommended a new height code that allowed a more flexible<br />
approach such as a limited number of slim, up to 23-storey tower blocks (>90m) on<br />
the site. <strong>Council</strong> retained Philip Cox to review the second stage and Tavolan Pty Ltd<br />
also sought his expertise in revised design work.<br />
Figure 45: When Philip Cox’s recommendations were made public this is how an artist depicted a<br />
possible design for a tower on the civic site. <strong>Newcastle</strong> Herald 23 March 1988<br />
In November 1987 Tavolan Pty Ltd made a development inquiry to council for a<br />
much larger proposal for the further development of the civic land. The new costing<br />
was about $100 million and comprised a triple cinema, another government office<br />
block, a private office block, a department store and other retail shops and a 200-bed<br />
international standard hotel. These buildings would occupy the rest of the section<br />
bounded by King, Darby and Hunter Streets and Wheeler Place and require the<br />
elimination of Burwood Street, the line of the old coal railway. Several freestanding<br />
buildings were proposed, the largest 16-storeys high (>60m). 97 This tower,<br />
conforming to Philip Cox’s recommendations and possibly designed by him in<br />
association with Tavolan, was said to have enabled some open space to be provided,<br />
as well as a satisfactory financial return to the investors. The only existing buildings<br />
97 <strong>Newcastle</strong> Herald 12 November 1987<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 59
to remain in the precinct in this plan were the <strong>City</strong> Administration Building and (part<br />
of) the Fred c Ash building.<br />
A few months later, in April 1988, a more extensive concept was made public. The<br />
Fred c Ash building was again incorporated into an international hotel, which was to be<br />
flanked on the east by a low-line retail and cinema complex, and a 34-storey (>120m)<br />
office and retail tower at the Darby Street corner. <strong>Council</strong> now owned all but three<br />
properties within the block between Darby and Hunter Streets and Wheeler Place,<br />
designated for this development.<br />
Figure 46: Plan showing arrangement of Stage <strong>Two</strong><br />
buildings on the civic land<br />
Public meetings, petitions, green bans, and a<br />
challenge in the Land and Environment Court<br />
followed the initial community reaction to the 31storey<br />
tower proposal. <strong>Newcastle</strong> Trades Hall<br />
<strong>Council</strong>, the <strong>Newcastle</strong> Division of the Royal<br />
Australian Institute of Architects, the National<br />
Trust and a coalition of resident action groups led the counteraction.<br />
The tower scheme won the approval of the council in June 1988. The proposal<br />
appears to have been expanded in scope again because in October 1988, a new<br />
company ‘Babiya Constructions’ presented a revised scheme. The development<br />
remained the same but the new overall scheme also included the Town Hall, Nesca<br />
House and the <strong>City</strong> Administration Building.<br />
Community groups called upon the Minister for Planning to institute a public inquiry<br />
into the development consent granted to Babiya. 98 Amid other considerations it was<br />
said that the publicly owned civic land was being developed without calling public<br />
tenders. By December 1988 the anti-tower petition carried over 6000 signatures.<br />
Figure 47: The 31-storey tower would be higher than the Hill plus the Cathedral plus the Town Hall.<br />
This impression was published in the <strong>Newcastle</strong> Morning Herald 17 June 1988<br />
Meanwhile, geo-technical considerations brought about the need to significantly<br />
lower the planned tower to 23 storeys. The presence of old coal workings beneath the<br />
ground led to this alteration.<br />
98 <strong>Newcastle</strong> Herald 18 October 1988<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 60
(<strong>Part</strong> of the civic site is about 20 metres (variable) above the Yard coal seam and<br />
about 60 metres above the Borehole coal seam, both of which were worked in the 19 th<br />
century. Any building over three storeys in height needs concrete infill of the Yard<br />
seam to satisfy Mines Subsidence Board requirements. This was the case with the<br />
Australian Taxation Office. Any building over 20 storeys needed geo-technical<br />
investigation of the status of the Borehole seam workings. 99 )<br />
In June 1989, under legal challenge in the Land and Environment Court, Babiya<br />
agreed to surrender the approval for the controversial development and the option<br />
over the site subsequently expired. 100 No more plans would be considered, it was<br />
said, until the State government and the <strong>Newcastle</strong> <strong>Council</strong> undertook a major joint<br />
‘city centre’ study.<br />
Three months later it was announced that council had bought additional properties<br />
between Burwood and Darby Streets thereby affirming its commitment to the redevelopment<br />
of an extended site. 101<br />
29 Civic site since the <strong>Newcastle</strong> Earthquake December 1989<br />
The <strong>Newcastle</strong> Earthquake December 1989 interrupted many things including the site<br />
study proposed by the State government. The event caused varying degrees of<br />
damage to many buildings. To some people the earthquake provided an opportunity<br />
to demolish buildings seen as of little economic use. Other people challenged the<br />
haste to demolish familiar city buildings without more thorough investigation into the<br />
need to do so.<br />
The city’s commercial interests looked forward to a new <strong>Newcastle</strong>, <strong>post</strong>-earthquake,<br />
with high rise, high profile landmark buildings. 102 <strong>Council</strong> also saw advantage in<br />
removing all the old civic land buildings that were bought for precinct redevelopment,<br />
with the exception of the Fred c Ash building, which was protected by a Permanent<br />
Conservation Order.<br />
Concerned for the preservation of the heritage values of the city, the National Trust<br />
however acted in February 1990 to recognise and list numerous items hitherto<br />
unrecorded but now under threat, including those in the civic block marked for<br />
demolition and all the buildings in the ‘Fred c Ash group’. The National Trust also<br />
appealed for demolitions to be <strong>post</strong>poned until new development applications were<br />
approved. However, council who now owned all the buildings between Darby Street<br />
and Wheeler Place except for the Brown Derby Café, which had been purchased by<br />
the company that had proposed the 34-storey tower and associated development103 wanted to enhance the land package for development. Demolition of three of the<br />
listed buildings between the Clarendon Hotel and the Hunter/Burwood Streets corner<br />
was sanctioned and carried out in July 1990. 104 Conservation groups regretted the<br />
destruction of the horizontal perspective of the civic streetscape.<br />
99 ‘Civic Site Prospectus’, 1992, p 34<br />
100 <strong>Newcastle</strong> Herald 20 June 1989<br />
101 <strong>Newcastle</strong> Herald 6 September 1989<br />
102 <strong>Newcastle</strong> Herald 5 January 1990<br />
103 <strong>Newcastle</strong> Herald 23 June 1990<br />
104 Buildings demolished were the NBS building, the Israel building, and the Commercial Retail<br />
Building (Nos 323 to 333 Hunter Street) and No 10 Burwood Street<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 61
Intention to demolish more of the newly listed council owned Hunter Street facing<br />
buildings including the Clarendon Hotel provoked further protests. Demolition was<br />
seen as destroying a practical option for redevelopment, one that conserved the early<br />
20 th century design and scale of Hunter Street.<br />
Others believed that a cleared and vacant site was desirable. Commercial interests<br />
additionally favoured demolition of the buildings so that the land could be made<br />
available for car parking, pending the major development. 105 Lack of car parking in<br />
the CBD was said to be the biggest obstacle to the revitalisation of the city centre.<br />
Figure 48: buildings between the Clarendon Hotel and Burwood Street prior to demolition<br />
In the <strong>post</strong>-earthquake period <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong> was again in need of additional<br />
office space. The round design of the <strong>City</strong> Administration Building had proved less<br />
practical than more conventional offices designs. Some council owned buildings had<br />
sustained earthquake damage. Leased temporary office space in Hunter Street was<br />
expensive. Consideration was given to buying back Nesca House, and to buying<br />
another Darby Street property (the former Joint Coal board building) for a new office<br />
building. Converting the Fred c Ash building for office accommodation was an option<br />
discussed in 1991, although opposed by some councillors as a ‘waste of money’. 106<br />
Buying more property provoked the Secretary of Trades Hall <strong>Council</strong> to reproach the<br />
council for its apparent lack of an integrated strategic plan for the civic redevelopment<br />
and its own accommodation problems. The wisdom of buying even more buildings<br />
was questioned. (<strong>Council</strong> had already acquired 15 properties in the Civic block at a<br />
cost of over $11 million.) Adaptive reuse of the Fred c Ash building was said to be a<br />
practical plan. There were plenty of good examples of recycled warehouses in<br />
<strong>Newcastle</strong> converted into quality office space. 107<br />
105 <strong>Newcastle</strong> Herald 7 February 1990<br />
106 <strong>Newcastle</strong> Herald 18 June 1991<br />
107 <strong>Newcastle</strong> Herald 2 July 1991, letter from Peter Barrack Secretary <strong>Newcastle</strong> Trades Hall <strong>Council</strong><br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 62
30 1992 Civic Prospectus<br />
In June 1991, a development consultant was appointed to the council’s earthquake<br />
renewal unit. The task was to ‘draw together’ differing views on the future of the<br />
civic site, as proposed just prior to the earthquake, and reach a much needed<br />
consensus about future development. Also, a Conservation Plan was commissioned<br />
for the Fred c Ash building, which made recommendations about how the building<br />
could be conserved. 108 Conservation of the whole structure was the preferred option<br />
but others options were identified. 109<br />
The outcome was a draft Prospectus, which suggested options for the whole site and<br />
guidelines for building height, land use and development intensity. A period of<br />
community consultation followed. <strong>Two</strong> workshops were held in July 1992 and over<br />
20 written submissions were received, which documented every public concern. The<br />
Fred c Ash Conservation Plan options were included for discussion in the workshops.<br />
In December 1992 the Prospectus, the workshop outcomes and submissions, and<br />
other information was put together into a Civic Site Prospectus and Information<br />
Package. A special publication The Civic Site was prepared, which invited interested<br />
developers to consider the suggested and preferred options for the site and financing<br />
options as well.<br />
Community voices suggested encouraging small developers to acquire small portions<br />
of land to house their own businesses, creating a village-like precinct of two or three<br />
storey buildings housing services and clean manufacturing, adhering to a streetscape<br />
conservation design.<br />
The best financial return to both council and financier was said to be a scheme that<br />
included two office towers. However, council was also seeking civic benefits for the<br />
whole community.<br />
(The town clerk retired in February 1992 replaced by a general manager.)<br />
In response to the Prospectus, from three design and tender proposals council selected<br />
Peddle Thorpe /Walker (architect/planner) and John Holland Construction and<br />
Engineering (builder) in December 1993 as submitting the best concepts. By August<br />
1994, no outward progress had been made but the proposals did progress through a<br />
lengthy process involving representatives of the community through a Civic Site<br />
Reference Group. Issues that occupied the negotiations included the financial<br />
arrangements for the work and the processes involved in implementation. The<br />
proposals of the 1980s had involved private sector financing. Those in response to<br />
the Prospectus sought council financing in a ‘design and construct’ exercise. Finding<br />
an acceptable solution to the restoration and reuse of the Fred c Ash building was time<br />
consuming and the entire site redevelopment was seen as long-term. However, the<br />
restored Fred c Ash building would form the centrepiece of a creative urban renewal<br />
project and an enhanced civic plaza would create public spaces for cultural<br />
expression.<br />
108 Fred c Ash Building Conservation Plan and Civic Site Archaeological Assessment, by Godden<br />
Mackay, prepared for the Planning Workshop, Rankin and Hill and the <strong>Council</strong> of the <strong>City</strong> of<br />
<strong>Newcastle</strong>, July 1992<br />
109 At the same time a (draft) ‘<strong>Newcastle</strong> Central Area Strategy’ document was prepared in August<br />
1991, which provided for future development in a number of identified precincts in the city, of which<br />
the civic site was one. The civic site was allowed buildings of height 45 m, which was the maximum<br />
between the extremes of <strong>Newcastle</strong> East and <strong>Newcastle</strong> West (see page 29 of the Strategy)<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 63
The Peddle Thorpe/Walker and Holland Constructions plan was refined and in<br />
October 1994 an acceptable design solution was arrived at for the Fred c Ash building,<br />
which would be kept in its continuous length and adaptively reused for offices. A<br />
walkway through the building formed by opening up two bays was agreed to. This<br />
allowed direct access between Wheeler Place and Burwood Street and opened up land<br />
for further public space. Restoration that preserved the historic features according to<br />
Burra Charter conservation guidelines was subsequently undertaken. The rear section<br />
and upper floors were available for council office space and negotiations with<br />
Westpac brought the bank into the front section on the ground floor as a tenant. In<br />
October 1997 the Fred c Ash building reopened for business as Westpac Civic Branch.<br />
(The tenancy was terminated in February 2000 and the space was taken for additional<br />
council purposes.)<br />
In 1995, <strong>Council</strong> engaged heritage consultants Godden Mackay Pty Ltd to prepare a<br />
Heritage Impact Statement for the remaining early 20 th century buildings on the<br />
<strong>Newcastle</strong> Civic Site. 110<br />
Restoration of the Clarendon Hotel and the construction of a new extension for<br />
accommodation occurred in 1997 and 1998 and the hotel reopened in December 1999.<br />
A new building that opened onto Wheeler Place was erected at the rear of the Bennett<br />
building.<br />
A new office building (called the part round building) was proposed to replace the<br />
new Fred c Ash warehouse but the scheme was not implemented. Instead, in 1999<br />
council approached three architecture companies to submit adaptive reuse designs for<br />
the warehouse. Their ideas included premium residential, affordable residential,<br />
public use, hotel accommodation and commercial offices. Cost estimates indicated<br />
that all adaptive reuses would need subsidisation by council. Demolition or façade<br />
retention only opportunities were not analysed. 111<br />
In the Peddle Thorpe/Holland plan, new two or three storey buildings on the vacant<br />
land between the Clarendon Hotel and Burwood Street were designed to maintain the<br />
scale of the Hunter Street streetscape and step up to taller buildings on the Burwood<br />
Street corner and the Darby Street corner.<br />
In 1997/8 the opportunity arose to build an office block for lease to Telstra. The<br />
corner site of Darby and Burwood Streets (the former Royal Hotel and <strong>City</strong> Motel)<br />
was chosen. New technology and building methods enabled safe foundation for this<br />
low-rise stepped building, which is constructed above historic coalmines. 112<br />
Recently the cleared site (used for car parking since 1992) on the corner of Hunter and<br />
Burwood Streets has been offered for sale by public tender, inviting development of<br />
this vacant area guided by the plan. 113<br />
31 Wheeler Place <strong>–</strong> celebration ceremony and performance<br />
Wheeler Place was named for Harry Lambert Wheeler (1889-1982) who was mayor<br />
of <strong>Newcastle</strong> <strong>Council</strong> from 1928 to 1929, when the Town Hall and Civic Theatre<br />
110 Heritage Impact Statement for the <strong>Newcastle</strong> Civic Site, Godden Mackay 1996<br />
111 <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong> Minutes Item 143 of 17 August 1999<br />
112 <strong>Newcastle</strong> Herald 11 December 1996<br />
113 <strong>Newcastle</strong> Herald 19 August 1999<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 64
complex was completed. A solicitor, he joined the partnership Harris Wheeler in<br />
1919, after distinguished service in World War One.<br />
The design of the Town Hall/Civic Theatre complex allowed for a new road linking<br />
Hunter and King Street. Wheeler Place was formerly the site of J&A Brown’s<br />
historic Black Diamond Hotel, known to seafarers from around the world. Occupying<br />
land near the Black Diamond Hotel was John Ash and Sons timber yard, later<br />
destroyed by fire. This site was chosen by many visiting circuses for their<br />
entertainments114 , which echoes today’s use of the space as a place of performances.<br />
<strong>Council</strong> built a shop on the new corner, which was first used as the ESD showroom.<br />
By the 1940s, as the illustration shows, Simpson’s Drapery occupied the building,<br />
which apparently the council sold when the electricity showroom moved to a site<br />
behind Nesca House. The Bank of New South Wales replaced this shop in the mid-<br />
1960s with a substantial building for a Civic Branch.<br />
For many years Wheeler Place was a thoroughfare. After the <strong>City</strong> Administration<br />
Building opened, a landscaped pedestrian plaza was formed between this and the <strong>City</strong><br />
Hall, which was then beautified with artwork. The concept of altering the nature of<br />
Wheeler Place appears to have arisen in the 1980s amid ideas for the Civic Theatre<br />
restoration. The ‘civic square’ concept shifted from Civic Park (a rest and recreation<br />
place) to Wheeler Place or Plaza (a performance space and focus for public life).<br />
As part of the Peddle Thorpe/Holland design, the demolition of the Westpac Bank<br />
Civic Branch was proposed not only to enlarge Wheeler Place but also to open a view<br />
corridor to the harbour. In August 1996 council agreed to purchase the bank building<br />
and demolition occurred in early 1998.<br />
This enabled the erection of a steel art wall (30 m x 9.2 m) along the western<br />
elevation of the Fred c Ash building and the installation of several sculptural works. In<br />
1997, for the <strong>Newcastle</strong> bicentenary celebrations, Wheeler Place was a festival zone<br />
venue for many artistic performances. This new civic/cultural square provides a<br />
public space where large-scale open-air events and festivals can reinforce the cultural<br />
component of <strong>Newcastle</strong>’s civic precinct. The space is the key link between the<br />
cultural and civic precincts and the Honeysuckle site.<br />
32 1990s -Honeysuckle<br />
The Honeysuckle project was initiated in the early 1990s to assist in revitalising<br />
<strong>Newcastle</strong>’s central business district and is one of the largest urban renewal projects<br />
presently occurring in Australia. Public funding for planning and infrastructure laid<br />
the foundation for private sector investment. About 50 ha of former industrial land<br />
(government owned) beside the harbour is presently undergoing sale and development<br />
for residential, commercial, recreation and leisure purposes, initiating a great change<br />
in this part of the city.<br />
The 1991 Honeysuckle Development Masterplan or Concept was independent from a<br />
planning perspective of the precincts identified in the <strong>Newcastle</strong> Central Area<br />
Strategy 1991. However, the Honeysuckle Masterplan was relevant to the civic site in<br />
providing a linkage between Civic Park and the harbour.<br />
114 Article by F A Cadell, <strong>Newcastle</strong> Morning Herald 18 September 1937<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 65
Management of the civic site and the Honeysuckle land has progressed in parallel<br />
during the 1990s with complementary outcomes. In 1995, an Urban Design Plan for<br />
<strong>Newcastle</strong> Civic Area was produced by Allen Jack + Cottier and others. The plan<br />
identifies twelve special precincts in the Honeysuckle-Civic area and suggests designs<br />
for access, heritage, landscaping, paving, street furniture, lighting, public art,<br />
activities and so on. The outcome was to create a framework that would allow a<br />
unified approach to environmental enhancement.<br />
As noted, the Honeysuckle precinct extends the civic focus to the harbour.<br />
Harbourside land has proved more appropriate for the desired hotel development and<br />
also for another large office block. The enlarged Wheeler Place has provided<br />
important view corridors between the harbour and the landmark buildings surrounding<br />
Civic Park. Landscape designs, such as those of Allen Jack + Cottier, have guided the<br />
integration of the two areas. An example of the work done to date to achieve<br />
integration includes using uniform paving materials in new streetscapes.<br />
The many design concepts for the Civic Site and links with Honeysuckle can be seen<br />
in the several reports prepared by the abovementioned consultants.<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 66
33 Acknowledgment of Sources<br />
Books:<br />
PA Pemberton, Pure Merinos and Others, Australian National University Archives of<br />
Business and labour, 1986<br />
Peter Armstrong, From <strong>Council</strong> to Corporation, Peter Armstrong, <strong>Newcastle</strong>, 2002<br />
W J Goold, The Borough of <strong>Newcastle</strong>, <strong>Newcastle</strong> and Hunter District Historical<br />
Society Publication No 6<br />
D Hartley, Men of their Time, Aquila Agribusiness Pty Ltd, North Arm Cove, 1995<br />
Ron Parsons, The Black Diamond Line of Collier, Ron Parsons, Magill SA, 1972<br />
Thomas Scottowe, The Scottowe Manuscript, facsimile edition edited by T Bonyhady,<br />
David Ell Press and Horden House, 1988<br />
John Turner Who was Who in the Hunter Valley Towns in 1888, Hunter History<br />
Publications, Sydney, 1984<br />
G W Walker, A History of St Andrew’s Presbyterian Church <strong>Newcastle</strong>, St Andrew’s<br />
Presbyterian Church <strong>Newcastle</strong>, <strong>Newcastle</strong>, 1990<br />
Elizabeth Mary Dangar, William Dangar of Turanville, Scone Historical Society<br />
Monograph No 1, Scone and Upper Hunter historical Society, 1968<br />
C E Smith, Dr James Mitchell, <strong>Newcastle</strong> History Monographs No 1, <strong>Newcastle</strong><br />
Public Library, <strong>Newcastle</strong>, 1966<br />
Barry Maitland, Architecture <strong>Newcastle</strong>, RAIA <strong>Newcastle</strong> Division, <strong>Newcastle</strong>, 1997<br />
Kenneth Wiseman, From Park to Palace - the <strong>Newcastle</strong> Conservatorium of Music<br />
1952-1986, <strong>Newcastle</strong>, 1988<br />
Grolier Society of Australia The Australian Encyclopaedia 1977 Volume 4<br />
Illustrations<br />
‘<strong>Newcastle</strong> 1874’ by Samuel Calvert Reproduced from an engraving in the <strong>Newcastle</strong><br />
Public Library by Hunter History Publications, printed by Davies and<br />
Cannington Pty Ltd <strong>Newcastle</strong> nd<br />
<strong>Newcastle</strong> 1889 by A Scott Broad reproduced from the lithograph in the <strong>Newcastle</strong><br />
Public Library by Hunter History Publications, printed by Davies and<br />
Cannington Pty Ltd <strong>Newcastle</strong> nd.<br />
Reports<br />
Godden Mackay, ‘Fred c Ash Building Conservation Plan and Civic Site<br />
Archaeological Assessment’, draft final report, 1992<br />
Forsite Landscape Architects and Planners, ‘<strong>Newcastle</strong> Civic Park Plan of<br />
Management’, <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong>, 1989<br />
<strong>Newcastle</strong> <strong>City</strong> Centre Urban Design and Heritage (Draft) Guidelines, <strong>Newcastle</strong><br />
<strong>City</strong> <strong>Council</strong>, 1989<br />
<strong>Newcastle</strong> Central Area Strategy <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong> 1991<br />
The Civic Site, registration of interest document, <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong> 1992<br />
Civic Site Prospectus 25 September 1992 (91S305/91098)<br />
Civic Site Prospectus and information package <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong> 1992<br />
<strong>Newcastle</strong> Civic Site Tender, John Holland Construction and Engineering Pty Ltd and<br />
Peddle Thorpe Architects, November 1993-February 1994<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 67
<strong>Newcastle</strong> Civic Site Heritage Impact Statement, Godden Mackay Pty Ltd, January 1996<br />
Urban Design Plan <strong>Newcastle</strong> Civic Area, Allen Jack + Cottier and others,<br />
Honeysuckle Development <strong>Newcastle</strong>, 1995<br />
Other resources<br />
<strong>Newcastle</strong> Region Public Library Local Studies<br />
Interview, Brian Eastoe September 2002<br />
Selected Business Papers, <strong>Newcastle</strong> <strong>City</strong> <strong>Council</strong><br />
Newspapers<br />
<strong>Newcastle</strong> Morning Herald <strong>Newcastle</strong> Herald<br />
<strong>Newcastle</strong> Sun <strong>Newcastle</strong> Star<br />
Maitland Mercury<br />
Sources of illustrations used<br />
Abbreviations: NPL = <strong>Newcastle</strong> Public Library<br />
NB = Photo used by Norm Barney<br />
Figure Description Source<br />
Figure 1 Early plan of <strong>Newcastle</strong> showing the inclined plane from<br />
the AA Company mine. The locations of early municipal<br />
premises were within the town area. Plan redrawn from<br />
Henry Dangar’s survey<br />
(?NPL)<br />
Figure 2 Former municipal buildings prior to 1929 a) ?Snowball photo (?NB)<br />
b) Snowball photo (?NB)<br />
c) NPL 16300\16300761<br />
d) NPL (Moore)<br />
09300\09300385<br />
e) C Hunter<br />
Figure 3 Signalman’s cottage at the junction of the AA and NPL photobank<br />
Burwood coal companies’ lines<br />
16300\16302099<br />
Figure 4 <strong>Part</strong> of engraving ‘<strong>Newcastle</strong> in 1874’ by Samuel Calvern<br />
showing the intersecting coal railways in today’s Civic<br />
Park, Thomas Cook’s home Lucerna to the right, and G E<br />
Darby’ home to the back left. The line of Darby Street and<br />
Hunter Street can be discerned. Coal loading into sailing<br />
ships was by way of the multiple staithes by the water side<br />
NPL<br />
Figure 5 Oliver Hillier’s shop is today the car park adjacent to<br />
<strong>Newcastle</strong> Region Art Gallery on the corner of Darby and<br />
Laman Streets<br />
NPL<br />
Figure 6 Allotments and buildings along Laman, Darby and Queen<br />
Streets about 1947<br />
NPL<br />
Figure 7 <strong>Part</strong> of plan 1896. A complete photo of Thomas Cook’s NPL<br />
home Lucerna is unavailable but this plan indicates its<br />
position, also that of St Andrew’s Presbyterian Church and<br />
manse, the signalman’s cottage and the intersecting coal<br />
railways<br />
LHM C 919.443<br />
Figure 8 Webland, the home of A B Sparke NPL Snowball<br />
00101\00101096<br />
Figure 9 In the background of this 1890 photo of John Brown’s<br />
carriage is the home of Mrs Brown senior (centre) and the<br />
NPL<br />
Snowball photo<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 68
Black Diamond Hotel (right). <strong>Part</strong> of Weblands can be<br />
seen on the far left.<br />
NPL00104\00104746<br />
Figure 10 Photo of the Black Diamond Hotel (left) and another<br />
building owned by J&A Brown<br />
?NB/NH/?Snowball<br />
Figure 11 The former Black Diamond Hotel prior to demolition, and<br />
Brown residence adjoining<br />
?NB/NH/Snowball<br />
Figure 12 Town Hall and Municipal Theatre concept in 1925 prior to NCC and<br />
completion of design by architect Mr H E White. This <strong>Newcastle</strong> Sun 30 July<br />
plan is of interest for indicating the location of J&A<br />
Brown’s property, Rodger’s land and the Engineers and<br />
Colliers Supplies site. The plan was drawn by council<br />
engineer J Shine and published in the <strong>Newcastle</strong> Sun 30<br />
July 1925. A number of small shops are proposed facing<br />
Hunter Street and the new roadway (Wheeler Place)<br />
1925<br />
Figure 13 Plan of civic precinct c1870: <strong>Part</strong> of a plan published by R An original copy in<br />
C Knaggs and Co <strong>Newcastle</strong>, Government Printing Office. possession of C Hunter<br />
This plan, which indicates allotments, streets and<br />
(Government Printing<br />
landform, can be studied in association with the illustration<br />
<strong>Newcastle</strong> 1974. The landform is clearer in the plan than<br />
in the illustration, for example the elevated ridge called<br />
Cook’s Hill, which made the southern side of Laman<br />
Street desirable for residences and later for major cultural<br />
buildings<br />
Office)<br />
Figure 14 Clarendon Hotel, rebuilt 1884 (the first hotel was built in<br />
1876) and replaced c.1940<br />
NPL<br />
Figure 15 Northumberland Permanent Building Investment Land and<br />
Loan Society occupied the Burwood/Hunter street corner<br />
from 1886 to c.1940<br />
NPL<br />
Figure 16 Demolition of former Post Office Hotel, 1927. The former NPL photobank<br />
Black Diamond Hotel and adjoining building has already<br />
been demolished. Mrs Brown’s home is still standing.<br />
Webland has been replaced by the Fredc Ash building<br />
16300\16301599<br />
Figure 17 Crowds and a procession in Hunter Street in 1901 on the NPL Cadell<br />
occasion of the visit of the Duke and Duchess of York.<br />
The 1884 Clarendon Hotel is on the right<br />
01900\01900066<br />
Figure 18 Baptist Tabernacle, built 1890 NCC<br />
Souvenir of Civic Week<br />
1929<br />
Figure 19 St Andrew’s Presbyterian Church, view from King Street, NPL photobank<br />
at the time of building the Mackies Furniture Warehouse in<br />
1923<br />
16300\16301135<br />
Figure 20 1934 view of western side of Civic Park. St Andrew’s Government Printing<br />
Presbyterian Church and Manse are central to the scene,<br />
also the signalman’s cottage, Burwood coal railway line<br />
and tunnel under Laman Street. Salvation Army Men’s<br />
Hostel is on the right and Baptist Tabernacle on the left<br />
Office photo<br />
Figure 21 Salvation Army’s Men’s Hostel 1929 NCC<br />
Souvenir of Civic Week<br />
1929<br />
Figure 22 Drawing of <strong>Newcastle</strong> Town Hall 1929 NCC<br />
Souvenir of Civic Week<br />
1929<br />
Figure 23 Civic Theatre complex in 1929 NCC<br />
Souvenir of Civic Week<br />
1929<br />
Figure 24 <strong>Part</strong> of lithograph of <strong>Newcastle</strong> in 1889. Darby Street is<br />
diagonally placed. The land section bounded by Darby,<br />
NPL<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 69
Hunter, Auckland and King Streets is represented as well<br />
built upon and for diverse uses. Larger buildings face<br />
Hunter Street. The eastern part of Civic Park is fenced but<br />
not yet industrialised. A coal train passes along Burwood<br />
Street towards Hunter Street<br />
Figure 25 The accompanying plan with allotments numbered, and<br />
this summary of acquisition, is from the Report of the<br />
Town Clerk No 24 of 7 November 1978, moved to<br />
<strong>Newcastle</strong> Region Public Library in April 1986<br />
Figure 26 Early beautification of Civic Park included an avenue of<br />
fig trees along the Burwood coal railway line<br />
Figure 27 Photo shows paths and palm planting in the space between<br />
the Town Hall and Nesca building, also planting in Civic<br />
Park<br />
Figure 28 Image of the ESD showroom adjoining the Bennett and<br />
Wood building Hunter Street<br />
Figure 29 Nesca House. This image is probably earlier than Figure<br />
27, as indicated by the landscaping of Christie Park<br />
Figure 30 The 1937 Australian Provincial Association Building, west<br />
of the civic shops, now Civic Arcade<br />
Figure 31 Hunter Street streetscape between Wheeler Place and<br />
Burwood Street. To the right of the Fredc Ash building is<br />
the Bennett and Wood building, and to the left is the 1940s<br />
Clarendon Hotel. Photo taken on day of demolition of<br />
buildings east of the Clarendon. The bank, right, has also<br />
been demolished, for an enlarged Wheeler Place<br />
Figure 32 Parkinson’s 1945 plan as reported in the <strong>Newcastle</strong><br />
Morning Herald 20 October 1945<br />
Figure 33 Northumberland County <strong>Council</strong> Plan as published in<br />
<strong>Newcastle</strong> Sun 20 May 1949<br />
NCC<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 70<br />
NPL<br />
(old <strong>post</strong>card copy in<br />
possession of C Hunter)<br />
(<strong>Newcastle</strong> Herald and<br />
Norm Barney)<br />
NPL Cadell<br />
01900\01900188<br />
C Hunter<br />
C Hunter<br />
NCC and<br />
<strong>Newcastle</strong> Morning<br />
Herald 20 October 1945<br />
NCC and<br />
<strong>Newcastle</strong> Sun 20 May<br />
1949<br />
C Hunter<br />
Figure 34 Former offices and crest of the Northumberland County<br />
<strong>Council</strong><br />
Figure 35 Proposed landscape plan for Civic Park in 1957, as NCC and<br />
published in the <strong>Newcastle</strong> Morning Herald 22 October <strong>Newcastle</strong> Morning<br />
1957<br />
Herald 22 October 1957<br />
Figure 36 1960s aerial view of the civic precinct NPL photobank<br />
16300\16301933<br />
Figure 37 The Goold Building C Hunter<br />
Figure 38 Community welcome extended to Princess Alexandra in NPL photobank<br />
Civic Park in 1959<br />
00401\00401080<br />
Figure 39 Illustration of a model of a building proposed by Sydney ?NCC and<br />
architect Peter Muller for erection by <strong>Newcastle</strong> <strong>City</strong> <strong>Newcastle</strong> Morning<br />
<strong>Council</strong> on the corner of Wheeler Place and Hunter Street<br />
after the Civic Theatre Block has been demolished.<br />
Source: <strong>Newcastle</strong> Morning Herald 31 July 1963<br />
Herald 31 July 1963<br />
Figure 40 A suggested masterplan for the development of the civic <strong>Newcastle</strong> Morning<br />
block that was presented to the public in February 1966<br />
and reproduced in the <strong>Newcastle</strong> Morning Herald 29<br />
February 1966<br />
Herald 29 February 1966<br />
Figure 41 Civic Administration Building, 1977 (C Hunter)<br />
Figure 42 This concept for a 13-storey hotel for the Fredc Ash site <strong>Newcastle</strong> Morning<br />
was published in the <strong>Newcastle</strong> Morning Herald 30 Herald 30 September<br />
September 1981<br />
1981<br />
Figure 43 This drawing depicts the proposed 1986 development and<br />
was published in the <strong>Newcastle</strong> Morning Herald 5 October<br />
<strong>Newcastle</strong> Morning<br />
Herald 5 October 1986
1986<br />
Figure 44 Illustration of the 1988 proposal for the civic site<br />
development including the Taxation Office (Stage One)<br />
and Stage <strong>Two</strong>, for a hotel and other government purposes.<br />
Concept as published in the <strong>Newcastle</strong> Morning Herald 20<br />
November 1987<br />
Figure 45 When Philip Cox’s recommendations were made public<br />
this is how an artist depicted a possible design for a tower<br />
on the civic site. <strong>Newcastle</strong> Herald 23 March 1988<br />
Figure 46 Plan showing arrangement of Stage <strong>Two</strong> buildings on the<br />
civic land<br />
Figure 47 The 31-storey tower would be higher that the Hill plus the<br />
Cathedral plus the Town Hall. This impression was<br />
published in the <strong>Newcastle</strong> Morning Herald 17 June 1988<br />
Figure 48 Buildings between the Clarendon Hotel and Burwood<br />
Street prior to demolition<br />
<strong>Newcastle</strong> Morning<br />
Herald 20 November<br />
1987<br />
<strong>Newcastle</strong> Herald 23<br />
March 1988<br />
<strong>Newcastle</strong> Morning<br />
Herald<br />
<strong>Newcastle</strong> Morning<br />
Herald 17 June 1988<br />
C Hunter<br />
<strong>Newcastle</strong> Civic and Cultural Precinct History ~ Cynthia Hunter ~ January 2003 page 71