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Remembering the Socialist Past - Bad request! - University of Exeter

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Anna Saunders has noted <strong>the</strong> prevalence <strong>of</strong> <strong>the</strong> symbols and characters <strong>of</strong><br />

childhood within Ostalgie (nostalgia for East Germany), for example, <strong>the</strong> character<br />

<strong>of</strong> <strong>the</strong> Sandmann as portrayed on East German children’s television. 6 Ano<strong>the</strong>r<br />

example is <strong>the</strong> commercial success <strong>of</strong> a series <strong>of</strong> books dedicated to childhood<br />

memories <strong>of</strong> <strong>the</strong> GDR, Aufgewachsen in der DDR – Wir vom Jahrgang… (Growing up<br />

in <strong>the</strong> GDR – Born in <strong>the</strong> Year …). 7 For Russians <strong>the</strong>re are websites and online<br />

communities dedicated to Soviet childhood, in which participants share stories,<br />

photos, and multimedia recordings <strong>of</strong>, for example, Young Pioneer songs, or<br />

popular cartoons. 8 O<strong>the</strong>r examples <strong>of</strong> Russian popular culture drawing on Soviet<br />

childhood include a popular St Petersburg band, Kim & Buran, whose music derives<br />

from <strong>the</strong> sound effects <strong>of</strong> Soviet children’s TV shows, and a TV series broadcast in<br />

2008, Sinie nochi (Blue Nights), set in a Young Pioneer summer camp. 9<br />

The Primary Texts<br />

The texts chosen for analysis include narratives which are clearly defined as ei<strong>the</strong>r<br />

autobiographical or fictional, as well as several texts which are not easily<br />

categorised but which seem to have some autobiographical basis. The notion <strong>of</strong><br />

autobiographical truth and where <strong>the</strong> boundary between fictional and<br />

autobiographical narratives lies has been widely discussed and <strong>the</strong>orized. 10 This is<br />

6 Anna Saunders, ‘“Normalizing” <strong>the</strong> <strong>Past</strong>: East German Culture and Ostalgie’, in German<br />

Culture, Politics, and Literature into <strong>the</strong> Twenty-first Century: Beyond Normalization, ed. by<br />

Stuart Taberner and Paul Cooke (Rochester, NY: Camden House, 2006), pp. 89–119 (p.<br />

101). The complex nature <strong>of</strong> Ostalgie will be discussed in Chapter 2.<br />

7 The GDR series has been published by Wartberg since 2007. See <br />

[accessed 3 August 2012].<br />

8 See, for example, <strong>the</strong> livejournal community, ‘Rozhdennye v SSSR’ (‘Born in <strong>the</strong> USSR’)<br />

[accessed 3 August 2012]; and <strong>the</strong> website, ‘76–<br />

82: Entsiklopedia nashego detstvo’ (‘76–82: Encyclopedia <strong>of</strong> our Childhood’)<br />

[accessed 3 August 2012].<br />

9 On Kim & Buran see Alexei Yurchak, ‘Post-Post-Soviet Sincerity: Young Pioneers,<br />

Cosmonauts and o<strong>the</strong>r Soviet Heroes Born Today’, in What is Soviet Now?, ed. by Thomas<br />

Lahusen and Peter Solomon (Berlin: LIT, 2008), pp. 257–276 (pp. 260–62); The title, Sinie<br />

nochi, comes from <strong>the</strong> first line <strong>of</strong> a well-known Young Pioneer song. The series is referred to<br />

in Dmitrii Tikhomirov, ‘Zolotoi sovok’, Kommersant, 8 December 2008, section Den′gi<br />

[accessed 28 January 2009].<br />

10 For discussion <strong>of</strong> autobiographical truth (including generic conventions, meanings <strong>of</strong><br />

autobiography after poststructuralism, and famous cases <strong>of</strong> ‘fake’ autobiographies) see Linda<br />

R. Anderson, Autobiography, (London: Routledge, 2001); Sidonie Smith and Julia Watson,<br />

Reading Autobiography: A Guide for Interpreting Life Narratives (Minneapolis, MN: <strong>University</strong><br />

14

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