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Remembering the Socialist Past - Bad request! - University of Exeter

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Halbwachs’s <strong>the</strong>ory <strong>of</strong> collective memory was conceived primarily in relation to<br />

memory shaped by everyday and intergenerational interaction and did not give<br />

detailed consideration to how memory might be transmitted through cultural texts,<br />

artefacts and practices. 19 As will be shown fur<strong>the</strong>r below, however, his concept <strong>of</strong><br />

social frameworks <strong>of</strong> memory is relevant to consideration <strong>of</strong> how cultural objects<br />

and practices can reflect existing models <strong>of</strong> remembrance as well as, in some<br />

cases, shaping new ways <strong>of</strong> remembering <strong>the</strong> past.<br />

36<br />

The study <strong>of</strong> collective and cultural memory as it is mediated through, for<br />

example, texts, images or ritual has been advanced particularly by <strong>the</strong> work <strong>of</strong><br />

Pierre Nora and <strong>of</strong> Jan and Aleida Assmann. Nora, in fact, perceived material and<br />

symbolic forms <strong>of</strong> remembrance to be in opposition to ‘true’ memory. These<br />

symbolic forms are <strong>the</strong> lieux de mémoire (sites <strong>of</strong> memory) which Nora considered<br />

to be replacing milieux de mémoire (‘settings in which memory is a real part <strong>of</strong><br />

everyday experiences’). 20 Nora argues that we ‘create archives, mark anniversaries,<br />

organize celebrations, pronounce eulogies, and au<strong>the</strong>nticate documents’ due to <strong>the</strong><br />

disappearance <strong>of</strong> ‘spontaneous memory’. 21 He defines a lieu de mémoire as ‘any<br />

significant entity, whe<strong>the</strong>r material or non-material in nature, which by dint <strong>of</strong><br />

human will or <strong>the</strong> work <strong>of</strong> time has become a symbolic element <strong>of</strong> <strong>the</strong> memorial<br />

heritage <strong>of</strong> any community’. 22 Some aspects <strong>of</strong> Nora’s <strong>the</strong>ories have been criticized,<br />

including his understanding <strong>of</strong> milieux de mémoire which betrays a sense <strong>of</strong><br />

nostalgia for <strong>the</strong> perceived loss <strong>of</strong> a more ‘natural’ and unmediated expression <strong>of</strong><br />

memory in society. 23 Nora’s concept <strong>of</strong> lieux de mémoire or ‘sites <strong>of</strong> memory’ has,<br />

however, been very influential and has been drawn upon in more recent <strong>the</strong>ories <strong>of</strong><br />

cultural memory which study collective remembrance through locations and<br />

19<br />

The role <strong>of</strong> tradition and cultural artefacts was, however, considered in his later work, La<br />

Topographie légendaire des évangiles en terre sainte (1941). See Astrid Erll, Memory in<br />

Culture, trans. by Sara B. Young (Basingstoke: Palgrave Macmillan, 2011), p. 18.<br />

20<br />

Pierre Nora, Realms <strong>of</strong> Memory: Rethinking <strong>the</strong> French <strong>Past</strong>, ed. by Lawrence D. Kritzman,<br />

trans. by Arthur Goldhammer, 3 vols (New York: Columbia <strong>University</strong> Press, 1996), I, p. 1.<br />

21<br />

Nora, I, p. 7.<br />

22<br />

Nora, I, p. xvii.<br />

23<br />

See Stephen Legg, ‘Contesting and Surviving Memory: Space, Nation, and Nostalgia in Les<br />

Lieux de Mémoire’, Environment and Planning D: Society and Space, 23 (2005), 481–504.

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