Oct 2008 - Morrison's Academy
Oct 2008 - Morrison's Academy
Oct 2008 - Morrison's Academy
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Page 96 The Morrisonian | 07/08 Co-Curricular<br />
Drama<br />
“The Monster That Ate 3b”<br />
by Randall Lewton (adapted by<br />
Patrick O’Kane)<br />
What a splendid rollercoaster of a<br />
show this was: from the relative calm<br />
of pre-show canapés (courtesy of Mrs<br />
Maguire) and the opening sequence<br />
of an Italian boy (Lindsay Duncan)<br />
asleep in front of a fishing rod, to the<br />
first “appearance” of the monster<br />
(cue: music from “Jaws”), the<br />
madcap journey of the English<br />
teenagers (to the strains of the<br />
“William Tell” overture by Rossini) and<br />
the denouement that was reminiscent<br />
of the final scene from “Swan Lake”<br />
where evil is defeated and good<br />
prevails. The tableau of the billowing<br />
ocean with the monster being<br />
defeated by Tommy and Otto (with<br />
the help of a black pudding) was<br />
certainly one of the highlights of the<br />
evening.<br />
Indeed, what was especially clever<br />
about this production was the way<br />
that the director (Mr O’Kane) had<br />
taken an uneven script and infused it<br />
with life, particularly through the<br />
medium of sound effects, music and<br />
mime. For instance, who would have<br />
thought that Verdi’s music for “La<br />
Traviata” could be used so effectively<br />
to accompany a stylized fight<br />
between English and Italian kids?<br />
That is not to say that I did not enjoy<br />
the dialogue but I feel that without<br />
the clever embellishments this would<br />
have been merely a good show as<br />
opposed to being a knockout<br />
success.<br />
The plot was simple enough. A group<br />
of “Bash Street Kids” and their<br />
teachers embark upon a cultural trip<br />
to Italy. Unfortunately, their town of<br />
choice has been plagued by a sea<br />
monster for many years and, in any<br />
case, the Italian youngsters are not<br />
particularly friendly but, you guessed<br />
it, the young English tourists are<br />
instrumental in ridding the place of<br />
the monster and the play ends in<br />
general merriment but for the<br />
appearance of the monster’s spawn,<br />
brought to life by Erin O’Kane. (Do you<br />
think your Dad was trying to tell you<br />
something, Erin?)<br />
And what of the performances? Well,<br />
there wasn’t a weak link in the entire<br />
cast and it was so good to witness a<br />
group of young people working as a<br />
team to realize their producer’s vision<br />
as opposed to the proverbial upstaging<br />
that is the bane of many a<br />
theatrical undertaking!<br />
I particularly enjoyed the interaction<br />
between the English schoolboys: Otto<br />
(played by Douglas Guthrie), George<br />
(played by Ciaran O’Kane), Fletch<br />
(played by Gregor Gray) and Tommy<br />
(played by Stephen Lafferty). There<br />
was a certain Marcel Marceau<br />
quality about Douglas’ portrayal of<br />
fitness fanatic Otto that was funny<br />
and endearing at the same time<br />
(“Black Pudding, anyone?”), while<br />
Ciaran’s George was delightfully “far<br />
out” (“Any cheese going?”): he<br />
reminded me of Slash from “Guns and<br />
Roses”, all hair and not quite<br />
connected to reality! Congratulations<br />
are also due to Gregor Gray and<br />
Stephen Lafferty who gave very<br />
convincing performances as naïve<br />
Fletch and dependable Tommy. In<br />
my opinion these were more difficult<br />
parts to pull off than those played by<br />
Douglas and Ciaran but pull them off<br />
they did! Well done! I also liked<br />
Rachael Jones’ Nora who let us listen<br />
into her diary of the trip. She had a<br />
certain quiet dignity that proved to be<br />
a welcome contrast to the mayhem<br />
that was going on around her.<br />
The three members of staff, played by