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Oct 2008 - Morrison's Academy

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Page 96 The Morrisonian | 07/08 Co-Curricular<br />

Drama<br />

“The Monster That Ate 3b”<br />

by Randall Lewton (adapted by<br />

Patrick O’Kane)<br />

What a splendid rollercoaster of a<br />

show this was: from the relative calm<br />

of pre-show canapés (courtesy of Mrs<br />

Maguire) and the opening sequence<br />

of an Italian boy (Lindsay Duncan)<br />

asleep in front of a fishing rod, to the<br />

first “appearance” of the monster<br />

(cue: music from “Jaws”), the<br />

madcap journey of the English<br />

teenagers (to the strains of the<br />

“William Tell” overture by Rossini) and<br />

the denouement that was reminiscent<br />

of the final scene from “Swan Lake”<br />

where evil is defeated and good<br />

prevails. The tableau of the billowing<br />

ocean with the monster being<br />

defeated by Tommy and Otto (with<br />

the help of a black pudding) was<br />

certainly one of the highlights of the<br />

evening.<br />

Indeed, what was especially clever<br />

about this production was the way<br />

that the director (Mr O’Kane) had<br />

taken an uneven script and infused it<br />

with life, particularly through the<br />

medium of sound effects, music and<br />

mime. For instance, who would have<br />

thought that Verdi’s music for “La<br />

Traviata” could be used so effectively<br />

to accompany a stylized fight<br />

between English and Italian kids?<br />

That is not to say that I did not enjoy<br />

the dialogue but I feel that without<br />

the clever embellishments this would<br />

have been merely a good show as<br />

opposed to being a knockout<br />

success.<br />

The plot was simple enough. A group<br />

of “Bash Street Kids” and their<br />

teachers embark upon a cultural trip<br />

to Italy. Unfortunately, their town of<br />

choice has been plagued by a sea<br />

monster for many years and, in any<br />

case, the Italian youngsters are not<br />

particularly friendly but, you guessed<br />

it, the young English tourists are<br />

instrumental in ridding the place of<br />

the monster and the play ends in<br />

general merriment but for the<br />

appearance of the monster’s spawn,<br />

brought to life by Erin O’Kane. (Do you<br />

think your Dad was trying to tell you<br />

something, Erin?)<br />

And what of the performances? Well,<br />

there wasn’t a weak link in the entire<br />

cast and it was so good to witness a<br />

group of young people working as a<br />

team to realize their producer’s vision<br />

as opposed to the proverbial upstaging<br />

that is the bane of many a<br />

theatrical undertaking!<br />

I particularly enjoyed the interaction<br />

between the English schoolboys: Otto<br />

(played by Douglas Guthrie), George<br />

(played by Ciaran O’Kane), Fletch<br />

(played by Gregor Gray) and Tommy<br />

(played by Stephen Lafferty). There<br />

was a certain Marcel Marceau<br />

quality about Douglas’ portrayal of<br />

fitness fanatic Otto that was funny<br />

and endearing at the same time<br />

(“Black Pudding, anyone?”), while<br />

Ciaran’s George was delightfully “far<br />

out” (“Any cheese going?”): he<br />

reminded me of Slash from “Guns and<br />

Roses”, all hair and not quite<br />

connected to reality! Congratulations<br />

are also due to Gregor Gray and<br />

Stephen Lafferty who gave very<br />

convincing performances as naïve<br />

Fletch and dependable Tommy. In<br />

my opinion these were more difficult<br />

parts to pull off than those played by<br />

Douglas and Ciaran but pull them off<br />

they did! Well done! I also liked<br />

Rachael Jones’ Nora who let us listen<br />

into her diary of the trip. She had a<br />

certain quiet dignity that proved to be<br />

a welcome contrast to the mayhem<br />

that was going on around her.<br />

The three members of staff, played by

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