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This particular work was commissioned for the Festival of Britain in 1951 and is the largest and probably the most widely known of Jacob's works for band. It has rightly become a classic. Its eleven movements are shared by a fanfare brass group (four trumpets and three trombones) and the full band. The brass group play the odd-numbered movements (interludes), except for the Finale when both forces combine. The Interludes seem to hark back to Tudor times in character, in contrast to the movements for full band which clearly belong to the present day. The work contains much memorable music, such as the mastedy Round of Seven Parts for the brass group and the March for band which cleverly combines the March and Trio themes in the final section. The work contains plenty of good tunes and the musicians give it a sparkling performance. Finally in this collection is the arrangement, for fanfare group and band, of the National Anthem, originally conceived as an orchestral version for the Coronation in 1953. Jacob's stirring arrangement has stood the test of time and far outshines all others. It is frequently used on state and other important occasions. The recording quality is excellent. Part of the general clarity must be attributed to Jacob's sidi Is in orchestration but the recording conditions and the musicianship of conductor and band in achieving a good balance of sound all play their part. This CID is highly recommended. (95)
Subj: Fw: Gordon Jacob CD Date: 07/07/05 22: 52: 58 GMT Daylight Time From: rrfike&urton. ndo. co. uk To: MajorGrahamOaol. com CC: andydayerOaol. com Just received this from Margaret Jacob - nice to feel appreciated once in a whileH Congratulations all round, I think. Best Mike Original Message From: "Margaret Jacob" To: Sent: Thursday, July 07,2005 10: 24 PM Subject: Gordon Jacob CD " Dear Mike " It's absolutely tip top. More than you said. " Excellentl Superbl Better than possiblel " I; ve sat transfixed. Thanks for it and the other " discs; they are a great addition to our collection. "I realised, while listening to Music for a Festival in " particular, what a gigantic brain Gordon had. There " is nothing perfunctory , haphazard, or slap-dash about " any of it. It was all thought out carefully and " painstakingly. I believe, too, he really enjoyed " making such a fantastic noise. He was making a " statement about Great Britain after the war: putting " us farely and squarely on the map agian. " Well, I thought you ought to know how I have reacted " to it. > Best wishes > Margaret (Jacob Hyatt) " How much free photo storage do you get? Store your holiday " snaps for FREE with Yahoo! Photos http: //uk. photos. yahoo. com Page I ot I (96)
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DOCTOR OF MUSICAL ARTS PERFORMANCE
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Copyright 0 2005 by Graham Jones Al
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CONTENTS Author Declaration .......
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V. JACOB RECORDIýG DATA ..........
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AUTHOR DECLARATIONS During the peri
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ABSTRACT MAJOR GRAHAM 0 JONES MBE O
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PROJECT FOUR The Coldstream Guards
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British Library uncovered the lost
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General Thouahts sf is merely a lea
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ass instruments and became very acc
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decide to place boards on the carpe
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playing all the time, but it does m
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The three movements, Allegro, Adagi
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their position above the choir scre
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first published in 1963, it is stil
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virtuoso concerto for band. The mai
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SECOND PREMEIRE PERFORMANCE - THE C
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The fourth movement, 'Catch that Ca
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PROJECT FOUR - PUBLIC CONCERT On 4
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DOCTOR OF MUSICAL ARTS ASSOCIATED R
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United States and he has recently b
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MEMBERSHIP OF PROFESSIONAL & OTHER
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Sound of Light - Band of the Light
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The Eley Recording Project - The Br
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SUBJECT'S NAMES Main name Variants
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DR GORDON SEPTIMUS JACOBI 895 - 198
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PETER GRAHAM 1958 - Peter Graham re
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concert programmes, hosting a range
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Twelve Select Military Pieces [1789
Page 59 and 60: Music as Performed by His Highness
Page 61 and 62: Prelude to Revelry, (Mills, 1961) S
Page 63 and 64: V4ND BAND MUSIC - MARTIN ELLERBY Cl
Page 65 and 66: (D 10 :3 U) J2 C3 < C: 0 X o E 0 E
Page 67 and 68: C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
Page 69 and 70: The Eley Project - Corrections for
Page 71 and 72: ELEY RECORDING - SEATING PLAN l', O
Page 73 and 74: BOOKLET NOTES FOR THE ELEY PROJECT
Page 75 and 76: eproductions of the vocal scores. A
Page 77 and 78: The "Adagio" (No. 3) in the second
Page 79 and 80: ST JAME'S PALACE - RECORDING SESSIO
Page 81 and 82: From: Major EM Crofton Telephone LO
Page 83 and 84: Dirpaor iy"Music Major G Ojones m.
Page 85 and 86: Eley project review I THE MUSIC OF
Page 87 and 88: T LEHIGH University Major Graham 0.
Page 89 and 90: The Eley Recording Project- David B
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Page 93 and 94: Session four (3 hours) 1. National
Page 95 and 96: Subj: Re: Recording Date: 27/01/05
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Page 99 and 100: Subj: Re: More Jacobl Date: 20/05/0
Page 101 and 102: Subj: Re: Jacob CD Date: 04/06/05 1
Page 103 and 104: A FESTIVAL OF MUSIC - SLEEVE NOTES
Page 105 and 106: fugato. The vitality of the music i
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Page 109: CD Review by Dr Geoff Ogram "A FEST
Page 113 and 114: Major Graham Jones By email: Maio r
Page 115 and 116: 4barsrest. com I review I CDs I The
Page 117 and 118: 4barsrest. com I review I CDs I The
Page 119 and 120: tlz -= .1,. -0 --% iýj 'Cl . %i' -
Page 121 and 122: Piccolo Isk 2nd Flute Oboe Banow Cl
Page 123 and 124: Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
Page 125 and 126: Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
Page 127 and 128: Picc. FL 1,2 Ob. Bin CL I CL 13 B.
Page 129 and 130: FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
Page 131 and 132: PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
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Page 135 and 136: Picc, FL 1,2 Ob. Rsn CL I CL 2.3 &
Page 137 and 138: PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
Page 139 and 140: lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
Page 141 and 142: CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
Page 143 and 144: Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
Page 145 and 146: Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
Page 147 and 148: Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
Page 149 and 150: PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
Page 151 and 152: Pim FL 142 Ob, RM CL I CL 2.3 a. CL
Page 153 and 154: Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
Page 155 and 156: PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
Page 157 and 158: Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
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Picr. FL 1.2 Ob. 894 CL I CL 2,3 &
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Martin Ellerby FLCM FTCL FVCM FRSA
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From: Major PD Shannon MBE CAMUS Ch
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Subj: Re last Night Date: 14/09/200
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2 ) p. 4barsrest. corn I review I c
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4barsrest. com I review I concert I
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Coldstream Guards Band ý)erform co
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World Premier The Cries of London M
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I oh ( m I B6 CI& 2 Bý Bass Cl. 6
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I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
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Bý BýB Eý A. BýT DB FH FH Bý B
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I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
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I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
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24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
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26 (189) Male Vocal 1 Flum oboe Bk
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28 vocal I FIL 2 12 -p legato quasi
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30 vocol FIL I Bý CIL 2 Bb Bau CL
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vocal Bý CIL 2 Bb Bau CL D A. SUL
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& A. San 1.2 Bk Tem Sax. D Bar. Sax
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Ek A. Saxs. 1.2 Bi Ten. Sax. D Bar.
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40 (203) Fý A. Saxs. 1.2 Bý Tem S
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42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
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44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
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I Flutes 2 Oboe I Dý Clarinets 2 3
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I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
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Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
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Bý Ten. Sax. D Bar. SajL BO Tpm 1.
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Bý Ten. Sax. D Bar. Sm Bý TptL 1.
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I Ob. Bý CIL 2 Bý Bass a. & A. Sa
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I FIL Ob. I Bý CIL 2 Bý Bass Cl.
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fwith, hmoue IIFý oo 1 a! Ri .IIII
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I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
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Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
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72 I Flutes 2 Oboe B- Chaineu 2 Bý
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74 I 2 Ob. Bý CIL 2 Bý Bass CL I
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78 I S. Ob. Ob CW 2 Bk Bars CL I F.
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UNIVERSITY OF SALFORD - PREMIERE CO
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251 immediately resigned. There was
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253 He also performed the Weber, Cl
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Suite in Eb Holst. 255 " At the tur
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257 " In 1924 Vaughan Williams publ
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Alleluia Laudamus Te 259 " The seve
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4barsrest. com I review I concert I
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University of Salford - Premiere Co
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_Profile Galloping Major wants to r
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Profile - Ma'oi 6raham Jones MBF, D
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I , ooldstrearn .., uards Band 43lo
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BR. t R.. eviewl SS It's that time
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22 else', argued Schallehn, a music
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Conducting . Preparing for the Conc
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8 1!!! j a as Major Graham Jones Wh
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The Royal Society of Musicians of G
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ý., j INTERN. 4,, Of AV Major Grah
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Journal Articles; Biggs, Philip. "C
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