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DOCTOR OF MUSICAL ARTS PERFORMANCE PORTFOLIO ...

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playing all the time, but it does mean<br />

9 demand a larger proportion of brass<br />

writing than is usual in the orchestra.<br />

Towards the end of his life Jacob wrote more for wind or brass than for<br />

orchestra because there was much more demand for such works, particularly in the<br />

United States. Jacob's band music represents a significant and important part of his<br />

output adding significant and useful pieces to the repertoire.<br />

This recording has received critical acclaim from Dr Geoff Ogram, an expert<br />

on the life and music of Jacob, and also from Jacob's widow [see appendix VY-2/31.<br />

It is also the first recording made by a British military band devoted entirely to the<br />

music of Jacob and as such is an important addition for any serious collector of<br />

British wind band music recordings.<br />

REPERTOIRE<br />

An Original Suite was Jacob's first work for military band, having been<br />

completed in 1928. The word Original in the title is believed to have been used to<br />

distinguish the composition from the transcriptions (from orchestra to band) which<br />

made up the majority of the military band's repertoire in the early part of the<br />

twentieth century. Jacob may also have wanted audiences to know that the "folk<br />

song" sections were in fact original material. The score is dated I January 1928, but<br />

no records appear to exist about the work's first performance.<br />

The suite is divided into three movements: a brilliant March that includes four<br />

themes introduced by a solo snare drum, a beautiful Intermezzo featuring a lyrical solo<br />

for alto saxophone<br />

and a robust Finale, reminiscent of the first movement.<br />

9 Gordon Jacob, The Composer and his Art. (London: Greenwood Publishing group,<br />

1955), 66- 67.<br />

10

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