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WIND BAND MUSIC - GORDON SEPTRAUS JACOB Across the Sea, [March] (unpublished, 1974) Alexandra Palace, (G&M Brand re-published, 2002) All-4foot, (Studio Music, 1984) Balladfor Band, (unpublished, 1984) Barber of9eville Goes to the Devil, Ae, (Oxford, arr. O'Brien) Blow the Man Down, (R. Smith) Cameosfor Bass Trombone & Band, (Emerson edition, 1986) Celebration Overture, (Boosey & Hawkes, 1984) Ceremonial Musicfor Band & Fanfare Group, (Boosey & Hawkes, 1970) Concertofor Trombone and Band, (Emerson edition, 1977) Concertofor Band, (Boosey & Hawkes, 1970) Double Concertofor Clarinet, (unpublished, 1979) Essex Suite, An, (Molenaar, arr. Ham) Fantasiafor Euphonium and band, (Boosey & Hawkes, 1973) Fantasia on an English Folk Song, (R. Smith, 1984) Fantasia on the Alleluia Hymn, (Chappell Journal, 75) F7ag ofStars, (Boosey & Hawkes, (QMB Journal, 224,1956) Giles Farnaby Suite, (Boosey & Hawkes, QMB Journal, 356) Miscellaniesfor Alto Sax & wind Band, (Emerson edition, 1973) Musicfor a Festival, (Boosey & Hawkes, 195 1) Old Wine in New Bottles, (Oxford, 1960) Original Suitefor Military BandAn, (BooseY, Journal 155 no. 5,1924) Prelude to Comedy, (Jensen, 1932) 47
Prelude to Revelry, (Mills, 1961) Second Suite, (Molenaar, arr. Ham) Suite in Bb, (Jensen, 1979) Swedish Rhapsody, A, (Pressen) Sweet Nightingale, (R. Smith, 1984) Symphonyfor BandA. D. 78 ( R. Smith, 1978) Tribute to Canterbury, (Boosey & Hawkes, 1977) William Byrd Suite, (Boosey, Journal 149 No. 3,192 1) 49
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DOCTOR OF MUSICAL ARTS PERFORMANCE
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Copyright 0 2005 by Graham Jones Al
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CONTENTS Author Declaration .......
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V. JACOB RECORDIýG DATA ..........
Page 9 and 10: AUTHOR DECLARATIONS During the peri
Page 11 and 12: ABSTRACT MAJOR GRAHAM 0 JONES MBE O
Page 13 and 14: PROJECT FOUR The Coldstream Guards
Page 15 and 16: British Library uncovered the lost
Page 17 and 18: General Thouahts sf is merely a lea
Page 19 and 20: ass instruments and became very acc
Page 21 and 22: decide to place boards on the carpe
Page 23 and 24: playing all the time, but it does m
Page 25 and 26: The three movements, Allegro, Adagi
Page 27 and 28: their position above the choir scre
Page 29 and 30: first published in 1963, it is stil
Page 31 and 32: virtuoso concerto for band. The mai
Page 33 and 34: SECOND PREMEIRE PERFORMANCE - THE C
Page 35 and 36: The fourth movement, 'Catch that Ca
Page 37 and 38: PROJECT FOUR - PUBLIC CONCERT On 4
Page 39 and 40: DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 41 and 42: United States and he has recently b
Page 43 and 44: MEMBERSHIP OF PROFESSIONAL & OTHER
Page 45 and 46: Sound of Light - Band of the Light
Page 47 and 48: The Eley Recording Project - The Br
Page 49 and 50: SUBJECT'S NAMES Main name Variants
Page 51 and 52: DR GORDON SEPTIMUS JACOBI 895 - 198
Page 53 and 54: PETER GRAHAM 1958 - Peter Graham re
Page 55 and 56: concert programmes, hosting a range
Page 57 and 58: Twelve Select Military Pieces [1789
Page 59: Music as Performed by His Highness
Page 63 and 64: V4ND BAND MUSIC - MARTIN ELLERBY Cl
Page 65 and 66: (D 10 :3 U) J2 C3 < C: 0 X o E 0 E
Page 67 and 68: C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
Page 69 and 70: The Eley Project - Corrections for
Page 71 and 72: ELEY RECORDING - SEATING PLAN l', O
Page 73 and 74: BOOKLET NOTES FOR THE ELEY PROJECT
Page 75 and 76: eproductions of the vocal scores. A
Page 77 and 78: The "Adagio" (No. 3) in the second
Page 79 and 80: ST JAME'S PALACE - RECORDING SESSIO
Page 81 and 82: From: Major EM Crofton Telephone LO
Page 83 and 84: Dirpaor iy"Music Major G Ojones m.
Page 85 and 86: Eley project review I THE MUSIC OF
Page 87 and 88: T LEHIGH University Major Graham 0.
Page 89 and 90: The Eley Recording Project- David B
Page 91 and 92: DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 93 and 94: Session four (3 hours) 1. National
Page 95 and 96: Subj: Re: Recording Date: 27/01/05
Page 97 and 98: TEXT CUT OFF IN ORIGINAL
Page 99 and 100: Subj: Re: More Jacobl Date: 20/05/0
Page 101 and 102: Subj: Re: Jacob CD Date: 04/06/05 1
Page 103 and 104: A FESTIVAL OF MUSIC - SLEEVE NOTES
Page 105 and 106: fugato. The vitality of the music i
Page 107 and 108: TEXT CUT OFF IN ORIGINAL
Page 109 and 110: CD Review by Dr Geoff Ogram "A FEST
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Subj: Fw: Gordon Jacob CD Date: 07/
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Major Graham Jones By email: Maio r
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4barsrest. com I review I CDs I The
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4barsrest. com I review I CDs I The
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tlz -= .1,. -0 --% iýj 'Cl . %i' -
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Piccolo Isk 2nd Flute Oboe Banow Cl
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Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
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Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
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Picc. FL 1,2 Ob. Bin CL I CL 13 B.
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FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
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PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
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8 ;a 04 JJjJ _____________ (117) MK
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Picc, FL 1,2 Ob. Rsn CL I CL 2.3 &
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PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
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lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
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CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
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Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
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Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
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Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
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PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
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Pim FL 142 Ob, RM CL I CL 2.3 a. CL
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Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
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PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
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Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
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Pica. FL 1,2 Ob. Bzn CL I CL Z3 B.
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Picr. FL 1.2 Ob. 894 CL I CL 2,3 &
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42 P. Cc. Fl. 1,2 Ob. Bsn ci 1 CL 2
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W6 - - . ok (AcA. U LAJ V, 0 kv,. a
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Dea ý WL-VA ý, VýAk M4, eýv peo
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Martin Ellerby FLCM FTCL FVCM FRSA
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From: Major PD Shannon MBE CAMUS Ch
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Subj: Re last Night Date: 14/09/200
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2 ) p. 4barsrest. corn I review I c
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4barsrest. com I review I concert I
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Coldstream Guards Band ý)erform co
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World Premier The Cries of London M
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I oh ( m I B6 CI& 2 Bý Bass Cl. 6
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I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
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Bý BýB Eý A. BýT DB FH FH Bý B
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Pm ký. -F0F -- 11.111 .I. fLy.
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10 6.4. Oh I rA" 1 F Harns 3.4 Trbs
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ErtJrrri U LU L 4J "1 _____________
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RIM tr rI- i-igi is kkTIJ i. F. fv
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16 Ei A. Sam 1.2 Bi TexL SwL D Bar.
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is ý0ý p irr tttr Fi_____ !4A 015
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I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
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I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
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24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
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26 (189) Male Vocal 1 Flum oboe Bk
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28 vocal I FIL 2 12 -p legato quasi
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30 vocol FIL I Bý CIL 2 Bb Bau CL
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vocal Bý CIL 2 Bb Bau CL D A. SUL
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& A. San 1.2 Bk Tem Sax. D Bar. Sax
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Ek A. Saxs. 1.2 Bi Ten. Sax. D Bar.
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40 (203) Fý A. Saxs. 1.2 Bý Tem S
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42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
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44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
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I Flutes 2 Oboe I Dý Clarinets 2 3
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I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
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Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
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Bý Ten. Sax. D Bar. SajL BO Tpm 1.
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Bý Ten. Sax. D Bar. Sm Bý TptL 1.
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I Ob. Bý CIL 2 Bý Bass a. & A. Sa
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I FIL Ob. I Bý CIL 2 Bý Bass Cl.
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fwith, hmoue IIFý oo 1 a! Ri .IIII
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I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
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Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
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72 I Flutes 2 Oboe B- Chaineu 2 Bý
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74 I 2 Ob. Bý CIL 2 Bý Bass CL I
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I Bý CIL 2 Bý Bass CL Eo A. Sam 6
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78 I S. Ob. Ob CW 2 Bk Bars CL I F.
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IE JJ F JJ IU 1L- L. LJ I LJ ' ____
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82 wp regato rr ________ -fles-0 rr
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84 (247)
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UNIVERSITY OF SALFORD - PREMIERE CO
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251 immediately resigned. There was
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253 He also performed the Weber, Cl
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Suite in Eb Holst. 255 " At the tur
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257 " In 1924 Vaughan Williams publ
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Alleluia Laudamus Te 259 " The seve
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4barsrest. com I review I concert I
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University of Salford - Premiere Co
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_Profile Galloping Major wants to r
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Profile - Ma'oi 6raham Jones MBF, D
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I , ooldstrearn .., uards Band 43lo
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BR. t R.. eviewl SS It's that time
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22 else', argued Schallehn, a music
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Conducting . Preparing for the Conc
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8 1!!! j a as Major Graham Jones Wh
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The Royal Society of Musicians of G
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ý., j INTERN. 4,, Of AV Major Grah
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Journal Articles; Biggs, Philip. "C
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