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D. Martin Ellerby IV. ELEY RECORDING DATA ................................. A. Recording order B. Recording instrumentation distribution C. Recording Seating plan D. CD Track listing E. CD Booklet notes F. Session photographs G. Correspondence: ....... ............................. I. Loose minute to Regimental Adjutant 18 May 2004 2. Letter to Buckingham Palace 10 Jun. 2004 3. Letter from Buckingham Palace 22 Jun. 2004 4. Thank you letter to Buckingham Palace 5 Jul. 2004 5. Email from D. Diggs ref. performance technique H. Reviews: ............................ .............. 1. British Bandsman review - Rodney Newton (Draft) 2. Brass Herald review - Martin Ellerby (Draft) 3. Letter from David Diggs -University of Lehigh, USA. Oct. 2004 1. Articles: ............................................ 1. Brass Herald Aug. 2004 2. BrassHeraldOct. 2004 J. Compact Disc ....................... ........... .... 77 51 67 72 75
V. JACOB RECORDIýG DATA ............................... A. Recording Order B. Recording seating plan C. Compact Disc D. Correspondence: ....................... ............. 1. Email from the CD producer Mike Purton 2. Email to producer ref. USA performance of Jacob I Email from producer ref, I' edits 4. Email ref CD running order 5. Email ref. 2 nd edits 6. Email from Rodney Newton ref, Jacob family 7. Email from Dr. Geoff Ogram 8. Email to Geoff Ogram. ref, Sleeve notes E. CD Artwork - CD Sleeve notes compiled by Graham Jones F. Reviews: ................ ........................... 1. Martin Ellerby - Brass Herald Aug. 2005 2. Dr. Geoff Ogram. - British Music Society (draft) 3. Email from Margaret Jacob 78 82 93
Page 1 and 2: DOCTOR OF MUSICAL ARTS PERFORMANCE
Page 3 and 4: Copyright 0 2005 by Graham Jones Al
Page 5: CONTENTS Author Declaration .......
Page 9 and 10: AUTHOR DECLARATIONS During the peri
Page 11 and 12: ABSTRACT MAJOR GRAHAM 0 JONES MBE O
Page 13 and 14: PROJECT FOUR The Coldstream Guards
Page 15 and 16: British Library uncovered the lost
Page 17 and 18: General Thouahts sf is merely a lea
Page 19 and 20: ass instruments and became very acc
Page 21 and 22: decide to place boards on the carpe
Page 23 and 24: playing all the time, but it does m
Page 25 and 26: The three movements, Allegro, Adagi
Page 27 and 28: their position above the choir scre
Page 29 and 30: first published in 1963, it is stil
Page 31 and 32: virtuoso concerto for band. The mai
Page 33 and 34: SECOND PREMEIRE PERFORMANCE - THE C
Page 35 and 36: The fourth movement, 'Catch that Ca
Page 37 and 38: PROJECT FOUR - PUBLIC CONCERT On 4
Page 39 and 40: DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 41 and 42: United States and he has recently b
Page 43 and 44: MEMBERSHIP OF PROFESSIONAL & OTHER
Page 45 and 46: Sound of Light - Band of the Light
Page 47 and 48: The Eley Recording Project - The Br
Page 49 and 50: SUBJECT'S NAMES Main name Variants
Page 51 and 52: DR GORDON SEPTIMUS JACOBI 895 - 198
Page 53 and 54: PETER GRAHAM 1958 - Peter Graham re
Page 55 and 56: concert programmes, hosting a range
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Twelve Select Military Pieces [1789
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Music as Performed by His Highness
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Prelude to Revelry, (Mills, 1961) S
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V4ND BAND MUSIC - MARTIN ELLERBY Cl
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(D 10 :3 U) J2 C3 < C: 0 X o E 0 E
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C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
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The Eley Project - Corrections for
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ELEY RECORDING - SEATING PLAN l', O
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BOOKLET NOTES FOR THE ELEY PROJECT
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eproductions of the vocal scores. A
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The "Adagio" (No. 3) in the second
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ST JAME'S PALACE - RECORDING SESSIO
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From: Major EM Crofton Telephone LO
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Dirpaor iy"Music Major G Ojones m.
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Eley project review I THE MUSIC OF
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T LEHIGH University Major Graham 0.
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The Eley Recording Project- David B
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DOCTOR OF MUSICAL ARTS ASSOCIATED R
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Session four (3 hours) 1. National
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Subj: Re: Recording Date: 27/01/05
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TEXT CUT OFF IN ORIGINAL
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Subj: Re: More Jacobl Date: 20/05/0
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Subj: Re: Jacob CD Date: 04/06/05 1
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A FESTIVAL OF MUSIC - SLEEVE NOTES
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fugato. The vitality of the music i
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TEXT CUT OFF IN ORIGINAL
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CD Review by Dr Geoff Ogram "A FEST
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Subj: Fw: Gordon Jacob CD Date: 07/
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Major Graham Jones By email: Maio r
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4barsrest. com I review I CDs I The
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4barsrest. com I review I CDs I The
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tlz -= .1,. -0 --% iýj 'Cl . %i' -
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Piccolo Isk 2nd Flute Oboe Banow Cl
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Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
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Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
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Picc. FL 1,2 Ob. Bin CL I CL 13 B.
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FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
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PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
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8 ;a 04 JJjJ _____________ (117) MK
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Picc, FL 1,2 Ob. Rsn CL I CL 2.3 &
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PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
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lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
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CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
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Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
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Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
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Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
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PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
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Pim FL 142 Ob, RM CL I CL 2.3 a. CL
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Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
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PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
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Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
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Pica. FL 1,2 Ob. Bzn CL I CL Z3 B.
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Picr. FL 1.2 Ob. 894 CL I CL 2,3 &
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42 P. Cc. Fl. 1,2 Ob. Bsn ci 1 CL 2
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W6 - - . ok (AcA. U LAJ V, 0 kv,. a
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Dea ý WL-VA ý, VýAk M4, eýv peo
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Martin Ellerby FLCM FTCL FVCM FRSA
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From: Major PD Shannon MBE CAMUS Ch
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Subj: Re last Night Date: 14/09/200
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2 ) p. 4barsrest. corn I review I c
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4barsrest. com I review I concert I
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Coldstream Guards Band ý)erform co
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World Premier The Cries of London M
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I oh ( m I B6 CI& 2 Bý Bass Cl. 6
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I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
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Bý BýB Eý A. BýT DB FH FH Bý B
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Pm ký. -F0F -- 11.111 .I. fLy.
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10 6.4. Oh I rA" 1 F Harns 3.4 Trbs
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ErtJrrri U LU L 4J "1 _____________
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RIM tr rI- i-igi is kkTIJ i. F. fv
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16 Ei A. Sam 1.2 Bi TexL SwL D Bar.
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is ý0ý p irr tttr Fi_____ !4A 015
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I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
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I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
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24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
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26 (189) Male Vocal 1 Flum oboe Bk
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28 vocal I FIL 2 12 -p legato quasi
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30 vocol FIL I Bý CIL 2 Bb Bau CL
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vocal Bý CIL 2 Bb Bau CL D A. SUL
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& A. San 1.2 Bk Tem Sax. D Bar. Sax
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Ek A. Saxs. 1.2 Bi Ten. Sax. D Bar.
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40 (203) Fý A. Saxs. 1.2 Bý Tem S
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42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
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44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
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I Flutes 2 Oboe I Dý Clarinets 2 3
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I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
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Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
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Bý Ten. Sax. D Bar. SajL BO Tpm 1.
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Bý Ten. Sax. D Bar. Sm Bý TptL 1.
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I Ob. Bý CIL 2 Bý Bass a. & A. Sa
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I FIL Ob. I Bý CIL 2 Bý Bass Cl.
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fwith, hmoue IIFý oo 1 a! Ri .IIII
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I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
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Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
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72 I Flutes 2 Oboe B- Chaineu 2 Bý
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74 I 2 Ob. Bý CIL 2 Bý Bass CL I
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I Bý CIL 2 Bý Bass CL Eo A. Sam 6
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78 I S. Ob. Ob CW 2 Bk Bars CL I F.
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IE JJ F JJ IU 1L- L. LJ I LJ ' ____
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82 wp regato rr ________ -fles-0 rr
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84 (247)
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UNIVERSITY OF SALFORD - PREMIERE CO
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251 immediately resigned. There was
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253 He also performed the Weber, Cl
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Suite in Eb Holst. 255 " At the tur
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257 " In 1924 Vaughan Williams publ
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Alleluia Laudamus Te 259 " The seve
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4barsrest. com I review I concert I
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University of Salford - Premiere Co
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_Profile Galloping Major wants to r
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Profile - Ma'oi 6raham Jones MBF, D
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I , ooldstrearn .., uards Band 43lo
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BR. t R.. eviewl SS It's that time
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22 else', argued Schallehn, a music
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Conducting . Preparing for the Conc
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8 1!!! j a as Major Graham Jones Wh
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The Royal Society of Musicians of G
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ý., j INTERN. 4,, Of AV Major Grah
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Journal Articles; Biggs, Philip. "C
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