DOCTOR OF MUSICAL ARTS PERFORMANCE PORTFOLIO ...

More documents

Recommendations

Info

Hon. Treasurer: C. Hardy 25 Thirlmere Avenue, Wyke, Bradford BD 12 9DS Tel: (0 1274) 674174 NATIONAL ASSOCIATION <strong>OF</strong> BRASS BAND CONDUCTORS Major G0 Jones M BE 2 Monks Raw West HOI Road London SW18 1LW Dear Graham Parmn: AndnE Previn KBE Presidew: Dr. Roy Newsome, PhD., B. Mu&. F. R. C. O.. A. R. C. M. Chairman: Sydney Swancott, F. V. C. M. Official Organ; -The Conductor" Hon. SeCrewy. E. J. Howard 30 Havant Road. Homdean, Waterloovilic. Hampshire P08 ODT Tel: 023 9259 8162 Email: I"Iioward34@aol. com I am pleased to inform you that your application for membership of the National Association of Brass Band ConducIlors (NABBC) was accepted by the Executive Council at its recent meeting. May I welcome you as a member, and trust that you will gain benefit from this membership. You are cordially invited to join in all, or any, of the activities that the NABBC organises and so experience the comradeship of the other members as well as having the opportunity to exchange views and, hopefully, further develop your skills and knowledge. Every quarter you will receive a copy of the NABBC's magazine "the Conductor" and it is hoped that you will find the contents to be a worthwhile read. You are also encouraged to submit articles or letters for inclusion in the magazine. AJso please find enclosed a lapel badge that the NABBC encourages you to wear whenever you have the opportunity. By reason of you place of residence you will be a member of Number I Area. You will receive from your Area all of the details of activities in that Area. The Executive will send details of national events, and "The Conductor" magazine, directly to you. You are also welcome to attend events in other Areas. I look forward to meebrxj you at one of the future events but in the meantime, if you do have any queries or problems please do not hesitate to contact me either by letter, telephone or email, (290)
ý., j INTERN. 4,, Of AV Major Graham Jones Director of Music Band of Her Majesty's Coldstream Guards Wellington Barracks Birdcage Walk London SNVIE 6HQ DearMajor Jones Rotary Celebration Royal Albert Hall 29'h April 2005 Unfortunately, due to the inevitable activities immediately after the final rendering of "Land of Hope and Glory" I was unable to come backstage before you had left ... but in case there is any doubt - many, many thanks to you and all the bandsmen for a tremendous night of celebration -a night which wiH live long in the memories of all who attended: indeed the sheer number of people who wished to pass onto me their congratulations preventing my reaching you bears more than adequate testimony to the sheer delight of a night of pure enjoyment. In our discussions with Frank we were always confident that the programme would be not only varied but well balanced and so it proved. Everyone will no doubt have a favourite: though choosing would well prove difficult, particularly when considering and recognising the brilliance of the soloists and the inspired inclusion of the violinist. For myself, the rendering of Crown Imperial will forever take some beating - truly magnificent. 3 May, 2005 We can never ever successfully convey our appreciation for the contribution you and the bandsmen of the Coldstream Guards made to this tremendous evening of celebration: (281) David Liddiatt President REBI, 2001-2002 'Little Stretion' 4 Manners Drive Stoke Bishop Bristol BS9 IQJ Tel: +44(0)1179 686887 Fax: +44(0)1179 686887 E-makdavid. liddianCa lineone. net we can only hope that you all enjoyed it as much as we did - we are forever in your debt. W#'sling you and the band every success in all the years that lie ahead. Yours Sincerely /1 '; 1jt 'David tiddi- / Past Prý*ý&-t-2001-02 t'-'- Chairman R. I. B. I. Centenary Committee LIB iTte ----------- c OLý ki't-I 05
Page 1 and 2:
DOCTOR OF MUSICAL ARTS PERFORMANCE
Page 3 and 4:
Copyright 0 2005 by Graham Jones Al
Page 5 and 6:
CONTENTS Author Declaration .......
Page 7 and 8:
V. JACOB RECORDIýG DATA ..........
Page 9 and 10:
AUTHOR DECLARATIONS During the peri
Page 11 and 12:
ABSTRACT MAJOR GRAHAM 0 JONES MBE O
Page 13 and 14:
PROJECT FOUR The Coldstream Guards
Page 15 and 16:
British Library uncovered the lost
Page 17 and 18:
General Thouahts sf is merely a lea
Page 19 and 20:
ass instruments and became very acc
Page 21 and 22:
decide to place boards on the carpe
Page 23 and 24:
playing all the time, but it does m
Page 25 and 26:
The three movements, Allegro, Adagi
Page 27 and 28:
their position above the choir scre
Page 29 and 30:
first published in 1963, it is stil
Page 31 and 32:
virtuoso concerto for band. The mai
Page 33 and 34:
SECOND PREMEIRE PERFORMANCE - THE C
Page 35 and 36:
The fourth movement, 'Catch that Ca
Page 37 and 38:
PROJECT FOUR - PUBLIC CONCERT On 4
Page 39 and 40:
DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 41 and 42:
United States and he has recently b
Page 43 and 44:
MEMBERSHIP OF PROFESSIONAL & OTHER
Page 45 and 46:
Sound of Light - Band of the Light
Page 47 and 48:
The Eley Recording Project - The Br
Page 49 and 50:
SUBJECT'S NAMES Main name Variants
Page 51 and 52:
DR GORDON SEPTIMUS JACOBI 895 - 198
Page 53 and 54:
PETER GRAHAM 1958 - Peter Graham re
Page 55 and 56:
concert programmes, hosting a range
Page 57 and 58:
Twelve Select Military Pieces [1789
Page 59 and 60:
Music as Performed by His Highness
Page 61 and 62:
Prelude to Revelry, (Mills, 1961) S
Page 63 and 64:
V4ND BAND MUSIC - MARTIN ELLERBY Cl
Page 65 and 66:
(D 10 :3 U) J2 C3 < C: 0 X o E 0 E
Page 67 and 68:
C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
Page 69 and 70:
The Eley Project - Corrections for
Page 71 and 72:
ELEY RECORDING - SEATING PLAN l', O
Page 73 and 74:
BOOKLET NOTES FOR THE ELEY PROJECT
Page 75 and 76:
eproductions of the vocal scores. A
Page 77 and 78:
The "Adagio" (No. 3) in the second
Page 79 and 80:
ST JAME'S PALACE - RECORDING SESSIO
Page 81 and 82:
From: Major EM Crofton Telephone LO
Page 83 and 84:
Dirpaor iy"Music Major G Ojones m.
Page 85 and 86:
Eley project review I THE MUSIC OF
Page 87 and 88:
T LEHIGH University Major Graham 0.
Page 89 and 90:
The Eley Recording Project- David B
Page 91 and 92:
DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 93 and 94:
Session four (3 hours) 1. National
Page 95 and 96:
Subj: Re: Recording Date: 27/01/05
Page 97 and 98:
TEXT CUT OFF IN ORIGINAL
Page 99 and 100:
Subj: Re: More Jacobl Date: 20/05/0
Page 101 and 102:
Subj: Re: Jacob CD Date: 04/06/05 1
Page 103 and 104:
A FESTIVAL OF MUSIC - SLEEVE NOTES
Page 105 and 106:
fugato. The vitality of the music i
Page 107 and 108:
TEXT CUT OFF IN ORIGINAL
Page 109 and 110:
CD Review by Dr Geoff Ogram "A FEST
Page 111 and 112:
Subj: Fw: Gordon Jacob CD Date: 07/
Page 113 and 114:
Major Graham Jones By email: Maio r
Page 115 and 116:
4barsrest. com I review I CDs I The
Page 117 and 118:
4barsrest. com I review I CDs I The
Page 119 and 120:
tlz -= .1,. -0 --% iýj 'Cl . %i' -
Page 121 and 122:
Piccolo Isk 2nd Flute Oboe Banow Cl
Page 123 and 124:
Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
Page 125 and 126:
Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
Page 127 and 128:
Picc. FL 1,2 Ob. Bin CL I CL 13 B.
Page 129 and 130:
FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
Page 131 and 132:
PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
Page 133 and 134:
8 ;a 04 JJjJ _____________ (117) MK
Page 135 and 136:
Picc, FL 1,2 Ob. Rsn CL I CL 2.3 &
Page 137 and 138:
PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
Page 139 and 140:
lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
Page 141 and 142:
CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
Page 143 and 144:
Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
Page 145 and 146:
Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
Page 147 and 148:
Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
Page 149 and 150:
PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
Page 151 and 152:
Pim FL 142 Ob, RM CL I CL 2.3 a. CL
Page 153 and 154:
Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
Page 155 and 156:
PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
Page 157 and 158:
Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
Page 159 and 160:
Pica. FL 1,2 Ob. Bzn CL I CL Z3 B.
Page 161 and 162:
Picr. FL 1.2 Ob. 894 CL I CL 2,3 &
Page 163 and 164:
42 P. Cc. Fl. 1,2 Ob. Bsn ci 1 CL 2
Page 165 and 166:
W6 - - . ok (AcA. U LAJ V, 0 kv,. a
Page 167 and 168:
Dea ý WL-VA ý, VýAk M4, eýv peo
Page 169 and 170:
Martin Ellerby FLCM FTCL FVCM FRSA
Page 171 and 172:
From: Major PD Shannon MBE CAMUS Ch
Page 173 and 174:
Subj: Re last Night Date: 14/09/200
Page 175 and 176:
2 ) p. 4barsrest. corn I review I c
Page 177 and 178:
4barsrest. com I review I concert I
Page 179 and 180:
Coldstream Guards Band ý)erform co
Page 181 and 182:
World Premier The Cries of London M
Page 183 and 184:
I oh ( m I B6 CI& 2 Bý Bass Cl. 6
Page 185 and 186:
I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
Page 187 and 188:
Bý BýB Eý A. BýT DB FH FH Bý B
Page 189 and 190:
Pm ký. -F0F -- 11.111 .I. fLy.
Page 191 and 192:
10 6.4. Oh I rA" 1 F Harns 3.4 Trbs
Page 193 and 194:
ErtJrrri U LU L 4J "1 _____________
Page 195 and 196:
RIM tr rI- i-igi is kkTIJ i. F. fv
Page 197 and 198:
16 Ei A. Sam 1.2 Bi TexL SwL D Bar.
Page 199 and 200:
is ý0ý p irr tttr Fi_____ !4A 015
Page 201 and 202:
I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
Page 203 and 204:
I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
Page 205 and 206:
24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
Page 207 and 208:
26 (189) Male Vocal 1 Flum oboe Bk
Page 209 and 210:
28 vocal I FIL 2 12 -p legato quasi
Page 211 and 212:
30 vocol FIL I Bý CIL 2 Bb Bau CL
Page 214 and 215:
vocal Bý CIL 2 Bb Bau CL D A. SUL
Page 216 and 217:
& A. San 1.2 Bk Tem Sax. D Bar. Sax
Page 218:
Ek A. Saxs. 1.2 Bi Ten. Sax. D Bar.
Page 221 and 222:
40 (203) Fý A. Saxs. 1.2 Bý Tem S
Page 223 and 224:
42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
Page 225:
44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
Page 228 and 229:
I Flutes 2 Oboe I Dý Clarinets 2 3
Page 230 and 231:
I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
Page 232 and 233:
Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
Page 234 and 235:
Bý Ten. Sax. D Bar. SajL BO Tpm 1.
Page 236 and 237:
Bý Ten. Sax. D Bar. Sm Bý TptL 1.
Page 238 and 239:
I Ob. Bý CIL 2 Bý Bass a. & A. Sa
Page 240 and 241:
I FIL Ob. I Bý CIL 2 Bý Bass Cl.
Page 242:
fwith, hmoue IIFý oo 1 a! Ri .IIII
Page 246 and 247:
I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
Page 250 and 251: Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
Page 253 and 254: 72 I Flutes 2 Oboe B- Chaineu 2 Bý
Page 255 and 256: 74 I 2 Ob. Bý CIL 2 Bý Bass CL I
Page 257 and 258: I Bý CIL 2 Bý Bass CL Eo A. Sam 6
Page 259 and 260: 78 I S. Ob. Ob CW 2 Bk Bars CL I F.
Page 261 and 262: IE JJ F JJ IU 1L- L. LJ I LJ ' ____
Page 263 and 264: 82 wp regato rr ________ -fles-0 rr
Page 265 and 266: 84 (247)
Page 267 and 268: UNIVERSITY OF SALFORD - PREMIERE CO
Page 269 and 270: 251 immediately resigned. There was
Page 271 and 272: 253 He also performed the Weber, Cl
Page 273 and 274: Suite in Eb Holst. 255 " At the tur
Page 275 and 276: 257 " In 1924 Vaughan Williams publ
Page 277 and 278: Alleluia Laudamus Te 259 " The seve
Page 279 and 280: 4barsrest. com I review I concert I
Page 281 and 282: University of Salford - Premiere Co
Page 283 and 284: _Profile Galloping Major wants to r
Page 285 and 286: Profile - Ma'oi 6raham Jones MBF, D
Page 287 and 288: I , ooldstrearn .., uards Band 43lo
Page 289 and 290: BR. t R.. eviewl SS It's that time
Page 291 and 292: 22 else', argued Schallehn, a music
Page 293 and 294: Conducting . Preparing for the Conc
Page 295 and 296: 8 1!!! j a as Major Graham Jones Wh
Page 297: The Royal Society of Musicians of G
Page 301: Journal Articles; Biggs, Philip. "C
show all

DOCTOR OF MUSICAL ARTS PERFORMANCE PORTFOLIO ...

Create successful ePaper yourself

Delete template?

Save as template?