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VI. PREMIERE PERFOMANCE DATA- RED AMCH17VE- PETER GRAHAM ................... ............................ A. Correspondence: ..................................... Letter from Peter Graham 9 Mar. 04 B. Reviews: ........................................... 1.4barsrest. com 10 May 2005 2. Brass Herald - May 2005 3. Tour leaflet C. Compact Disc D. Full Score - Ae Red Machine VII. PREMIERE PERFOMANCE DATA- CRIES <strong>OF</strong>LONDON- MARTIN ELLERBY ............ .................................. A. Correspondence: .................................... 1. Various emails with Martin Ellerby 2. Letter from Martin Ellerby - 24 Mar. 2005 3. Letter from Major P. D. Shannon MBE - 15 Sept. 2005 4. Fax from Major S. C. Barnwell- 15 Sept. 2005 5. Email from Keith Beniston - 14 Sept. 2005 B. Reviews: ........................................... 1. Rodney Newton - British Bandsman -01 Oct. 2005 2. Peter Bale - 4barsrest. com - 15 Sept. 2005 3. Philip Biggs - Brass Herald - Oct. 2005 C. Article: ............................................. British Bandsman - 10 Sept. 2005 97 98 99 147 148 157 162
AUTHOR DECLARATIONS During the period of registered study in which this dissertation was prepared, the author has not been registered for any other academic award or qualification. The material included in this dissertation has not been submitted, wholly, or in part for any academic award or qualification other than that for which it is now submitted. V Major Graharn 0. Jones MBE October 2005 Professor David King Supervisor School of Music, Media and Performance University of Salford. October 2005
Page 1 and 2: DOCTOR OF MUSICAL ARTS PERFORMANCE
Page 3 and 4: Copyright 0 2005 by Graham Jones Al
Page 5 and 6: CONTENTS Author Declaration .......
Page 7: V. JACOB RECORDIýG DATA ..........
Page 11 and 12: ABSTRACT MAJOR GRAHAM 0 JONES MBE O
Page 13 and 14: PROJECT FOUR The Coldstream Guards
Page 15 and 16: British Library uncovered the lost
Page 17 and 18: General Thouahts sf is merely a lea
Page 19 and 20: ass instruments and became very acc
Page 21 and 22: decide to place boards on the carpe
Page 23 and 24: playing all the time, but it does m
Page 25 and 26: The three movements, Allegro, Adagi
Page 27 and 28: their position above the choir scre
Page 29 and 30: first published in 1963, it is stil
Page 31 and 32: virtuoso concerto for band. The mai
Page 33 and 34: SECOND PREMEIRE PERFORMANCE - THE C
Page 35 and 36: The fourth movement, 'Catch that Ca
Page 37 and 38: PROJECT FOUR - PUBLIC CONCERT On 4
Page 39 and 40: DOCTOR OF MUSICAL ARTS ASSOCIATED R
Page 41 and 42: United States and he has recently b
Page 43 and 44: MEMBERSHIP OF PROFESSIONAL & OTHER
Page 45 and 46: Sound of Light - Band of the Light
Page 47 and 48: The Eley Recording Project - The Br
Page 49 and 50: SUBJECT'S NAMES Main name Variants
Page 51 and 52: DR GORDON SEPTIMUS JACOBI 895 - 198
Page 53 and 54: PETER GRAHAM 1958 - Peter Graham re
Page 55 and 56: concert programmes, hosting a range
Page 57 and 58: Twelve Select Military Pieces [1789
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Music as Performed by His Highness
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Prelude to Revelry, (Mills, 1961) S
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V4ND BAND MUSIC - MARTIN ELLERBY Cl
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(D 10 :3 U) J2 C3 < C: 0 X o E 0 E
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C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
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The Eley Project - Corrections for
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ELEY RECORDING - SEATING PLAN l', O
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BOOKLET NOTES FOR THE ELEY PROJECT
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eproductions of the vocal scores. A
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The "Adagio" (No. 3) in the second
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ST JAME'S PALACE - RECORDING SESSIO
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From: Major EM Crofton Telephone LO
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Dirpaor iy"Music Major G Ojones m.
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Eley project review I THE MUSIC OF
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T LEHIGH University Major Graham 0.
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The Eley Recording Project- David B
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DOCTOR OF MUSICAL ARTS ASSOCIATED R
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Session four (3 hours) 1. National
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Subj: Re: Recording Date: 27/01/05
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TEXT CUT OFF IN ORIGINAL
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Subj: Re: More Jacobl Date: 20/05/0
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Subj: Re: Jacob CD Date: 04/06/05 1
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A FESTIVAL OF MUSIC - SLEEVE NOTES
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fugato. The vitality of the music i
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TEXT CUT OFF IN ORIGINAL
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CD Review by Dr Geoff Ogram "A FEST
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Subj: Fw: Gordon Jacob CD Date: 07/
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Major Graham Jones By email: Maio r
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4barsrest. com I review I CDs I The
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4barsrest. com I review I CDs I The
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tlz -= .1,. -0 --% iýj 'Cl . %i' -
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Piccolo Isk 2nd Flute Oboe Banow Cl
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Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
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Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
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Picc. FL 1,2 Ob. Bin CL I CL 13 B.
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FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
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PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
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8 ;a 04 JJjJ _____________ (117) MK
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Picc, FL 1,2 Ob. Rsn CL I CL 2.3 &
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PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
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lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
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CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
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Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
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Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
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Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
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PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
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Pim FL 142 Ob, RM CL I CL 2.3 a. CL
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Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
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PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
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Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
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Pica. FL 1,2 Ob. Bzn CL I CL Z3 B.
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Picr. FL 1.2 Ob. 894 CL I CL 2,3 &
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42 P. Cc. Fl. 1,2 Ob. Bsn ci 1 CL 2
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W6 - - . ok (AcA. U LAJ V, 0 kv,. a
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Dea ý WL-VA ý, VýAk M4, eýv peo
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Martin Ellerby FLCM FTCL FVCM FRSA
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From: Major PD Shannon MBE CAMUS Ch
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Subj: Re last Night Date: 14/09/200
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2 ) p. 4barsrest. corn I review I c
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4barsrest. com I review I concert I
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Coldstream Guards Band ý)erform co
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World Premier The Cries of London M
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I oh ( m I B6 CI& 2 Bý Bass Cl. 6
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I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
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Bý BýB Eý A. BýT DB FH FH Bý B
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Pm ký. -F0F -- 11.111 .I. fLy.
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10 6.4. Oh I rA" 1 F Harns 3.4 Trbs
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ErtJrrri U LU L 4J "1 _____________
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RIM tr rI- i-igi is kkTIJ i. F. fv
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16 Ei A. Sam 1.2 Bi TexL SwL D Bar.
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is ý0ý p irr tttr Fi_____ !4A 015
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I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
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I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
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24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
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26 (189) Male Vocal 1 Flum oboe Bk
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28 vocal I FIL 2 12 -p legato quasi
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30 vocol FIL I Bý CIL 2 Bb Bau CL
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vocal Bý CIL 2 Bb Bau CL D A. SUL
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& A. San 1.2 Bk Tem Sax. D Bar. Sax
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Ek A. Saxs. 1.2 Bi Ten. Sax. D Bar.
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40 (203) Fý A. Saxs. 1.2 Bý Tem S
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42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
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44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
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I Flutes 2 Oboe I Dý Clarinets 2 3
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I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
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Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
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Bý Ten. Sax. D Bar. SajL BO Tpm 1.
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Bý Ten. Sax. D Bar. Sm Bý TptL 1.
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I Ob. Bý CIL 2 Bý Bass a. & A. Sa
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I FIL Ob. I Bý CIL 2 Bý Bass Cl.
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fwith, hmoue IIFý oo 1 a! Ri .IIII
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I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
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Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
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72 I Flutes 2 Oboe B- Chaineu 2 Bý
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74 I 2 Ob. Bý CIL 2 Bý Bass CL I
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I Bý CIL 2 Bý Bass CL Eo A. Sam 6
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78 I S. Ob. Ob CW 2 Bk Bars CL I F.
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IE JJ F JJ IU 1L- L. LJ I LJ ' ____
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82 wp regato rr ________ -fles-0 rr
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84 (247)
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UNIVERSITY OF SALFORD - PREMIERE CO
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251 immediately resigned. There was
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253 He also performed the Weber, Cl
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Suite in Eb Holst. 255 " At the tur
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257 " In 1924 Vaughan Williams publ
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Alleluia Laudamus Te 259 " The seve
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4barsrest. com I review I concert I
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University of Salford - Premiere Co
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_Profile Galloping Major wants to r
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Profile - Ma'oi 6raham Jones MBF, D
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I , ooldstrearn .., uards Band 43lo
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BR. t R.. eviewl SS It's that time
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22 else', argued Schallehn, a music
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Conducting . Preparing for the Conc
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8 1!!! j a as Major Graham Jones Wh
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The Royal Society of Musicians of G
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ý., j INTERN. 4,, Of AV Major Grah
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Journal Articles; Biggs, Philip. "C
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