DOCTOR OF MUSICAL ARTS PERFORMANCE PORTFOLIO ...

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Major Graham 0 Jones MBE MAlus FTCL ARCM psm Director of Music Coldstream Guards Wellington Barracks Birdcage Walk London SWIE 6HQ 24"' March 2005 Dear Major Jones, Martin Ellerby FLCM FTCL FVCM FRSA 7 Templeton Drive Altrincham Cheshire WA14 4UU Tel/Fax: 0161928 1977 e-mail: martinellerby@theloop. demon. co. uk I am writing to thank you for the kind invitation bestowed on me to visit the Royal Mifitary Academy aýSandhurst last week and view the Band of Her Majesty's Coldstream Guards in one of their official capacities. I return home further enlightened, with an ever-growing respect for the whole ensemble, and indeed institution, that holds such a famous and illustrious name. I am proud to have been commissioned by the band to write what turned out to be The Cries ofLondon and remain certain that this will develop into a mutually beneficial and rewarding collaboration over a longer period of time. With the SRC recording on the inunediate horizon and the Polyphonic project to be confirmed there's already much planned on the recording front. I have, to date, thoroughly enjoyed my visits to your band room and would like to express my appreciation to all concerned with regard to their dedication during those rehearsals. I very much look forward to a return visit. With every best wish and respect to your command. Yours, r (153)
From: Major PD Shannon MBE CAMUS Chief Instructor ARMY RMSM/1 095 The Royal Military School of Music Kneller Hall, TWICKENHAM Middlesex, TW2 7DU Telephone: Civil: London (020) 8744 8623 Facsimile: Civil: London (020) 8898 7906 e mail: www: ci@rmsm. mod. uk Major G0 Jones MBE MMus ARCM psm CAMUS Director of Music Band of the Coldstream Guards Wellington Barracks Birdcage Walk LONDON SW1 E 6HQ cc;. Li 15 September 2005 I am writing to thank you for the kind invitation to attend your superb concert last night in St. John's Smith Square. The band was really on form and their playing was absolutely first-rate. The precision and sense of ensemble produced was a tremendous example of how it should be done, so much so, that the Student Bandmasters and Foundation Course personnel were absolutely knocked out by the occasion. Rarely do we have the forum to play whole works of such magnitude these days and the band seemed to relish the chance to demonstrate their sheer professionalism. What a pity more people didn't turn up to enjoy such an historic occasion. Well done for initiating 'The Cries of London. ' It is a wonderful addition to the wind band repertoire and I particularly liked the addition of 'London Bridge is Failing Down, ' beautifully sung by LCpI Scott. Please pass on to the members of the band how impressed we were and if in the future you are staging a similar event, we will all be there! Once again, thank you for your kindness by inviting me to the drinks at half time. It was good to meet up with Mike Purton, Martin Grant and Tim Reynish. co, ýd. 4 "'C su. ý a-7 L); d A fta . -MA 6 (154)
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DOCTOR OF MUSICAL ARTS PERFORMANCE
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Copyright 0 2005 by Graham Jones Al
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CONTENTS Author Declaration .......
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V. JACOB RECORDIýG DATA ..........
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AUTHOR DECLARATIONS During the peri
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ABSTRACT MAJOR GRAHAM 0 JONES MBE O
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PROJECT FOUR The Coldstream Guards
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British Library uncovered the lost
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General Thouahts sf is merely a lea
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ass instruments and became very acc
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decide to place boards on the carpe
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playing all the time, but it does m
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The three movements, Allegro, Adagi
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their position above the choir scre
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first published in 1963, it is stil
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virtuoso concerto for band. The mai
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SECOND PREMEIRE PERFORMANCE - THE C
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The fourth movement, 'Catch that Ca
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PROJECT FOUR - PUBLIC CONCERT On 4
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DOCTOR OF MUSICAL ARTS ASSOCIATED R
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United States and he has recently b
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MEMBERSHIP OF PROFESSIONAL & OTHER
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Sound of Light - Band of the Light
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The Eley Recording Project - The Br
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SUBJECT'S NAMES Main name Variants
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DR GORDON SEPTIMUS JACOBI 895 - 198
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PETER GRAHAM 1958 - Peter Graham re
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concert programmes, hosting a range
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Twelve Select Military Pieces [1789
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Music as Performed by His Highness
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Prelude to Revelry, (Mills, 1961) S
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V4ND BAND MUSIC - MARTIN ELLERBY Cl
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(D 10 :3 U) J2 C3 < C: 0 X o E 0 E
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C .0 - c CD F= U) 0 0 .0 0 C: 0 c E
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The Eley Project - Corrections for
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ELEY RECORDING - SEATING PLAN l', O
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BOOKLET NOTES FOR THE ELEY PROJECT
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eproductions of the vocal scores. A
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The "Adagio" (No. 3) in the second
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ST JAME'S PALACE - RECORDING SESSIO
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From: Major EM Crofton Telephone LO
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Dirpaor iy"Music Major G Ojones m.
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Eley project review I THE MUSIC OF
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T LEHIGH University Major Graham 0.
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The Eley Recording Project- David B
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DOCTOR OF MUSICAL ARTS ASSOCIATED R
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Session four (3 hours) 1. National
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Subj: Re: Recording Date: 27/01/05
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TEXT CUT OFF IN ORIGINAL
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Subj: Re: More Jacobl Date: 20/05/0
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Subj: Re: Jacob CD Date: 04/06/05 1
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A FESTIVAL OF MUSIC - SLEEVE NOTES
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fugato. The vitality of the music i
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TEXT CUT OFF IN ORIGINAL
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CD Review by Dr Geoff Ogram "A FEST
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Subj: Fw: Gordon Jacob CD Date: 07/
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Major Graham Jones By email: Maio r
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4barsrest. com I review I CDs I The
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4barsrest. com I review I CDs I The
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Page 121 and 122: Piccolo Isk 2nd Flute Oboe Banow Cl
Page 123 and 124: Pim FL 1.2 Ob. Bso CL I CL 2.3 RCL
Page 125 and 126: Pim FL 1,2 Ob. Bsn CL I Cl. Z3 B. C
Page 127 and 128: Picc. FL 1,2 Ob. Bin CL I CL 13 B.
Page 129 and 130: FL 1,2 Ob. Bsn CL I CL 2.3 &CL A, S
Page 131 and 132: PiCIL FL L2 Ob. Bsu CL I CL 2.3 B.
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Page 137 and 138: PiCL FL 1,2 Ob. Bso CL I CL X3 B. C
Page 139 and 140: lpim FL 1.2 Oh BM CL I CL 2.3 RCL A
Page 141 and 142: CL I CL 2,3 RCL A. S. L 1.2 T. Sm B
Page 143 and 144: Picc, FL 1.2 Ob. BM CL I CL2.1 B. C
Page 145 and 146: Piet. FL 1.2 OIL Bin CL I CL 2.3 RC
Page 147 and 148: Pam FL 1,2 Ob. am CL I CL 2,3 RCL A
Page 149 and 150: PWO. FL 1.2 Ob. Bsn CL I CL 2,3 B.
Page 151 and 152: Pim FL 142 Ob, RM CL I CL 2.3 a. CL
Page 153 and 154: Pim FL 1.2 Ob. Bso CL I CLX3 B. CL
Page 155 and 156: PICL FL 1.2 Ob. BSU Cl. I CL 2,3 R
Page 157 and 158: Pk. L FL 1.2 Ob. B90 I CL 2.3 & CL
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Page 167 and 168: Dea ý WL-VA ý, VýAk M4, eýv peo
Page 169: Martin Ellerby FLCM FTCL FVCM FRSA
Page 173 and 174: Subj: Re last Night Date: 14/09/200
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Page 177 and 178: 4barsrest. com I review I concert I
Page 179 and 180: Coldstream Guards Band ý)erform co
Page 181 and 182: World Premier The Cries of London M
Page 183 and 184: I oh ( m I B6 CI& 2 Bý Bass Cl. 6
Page 185 and 186: I FIL 2 Ob. I Bý CIL 2 Bb Bau CL B
Page 187 and 188: Bý BýB Eý A. BýT DB FH FH Bý B
Page 189 and 190: Pm ký. -F0F -- 11.111 .I. fLy.
Page 191 and 192: 10 6.4. Oh I rA" 1 F Harns 3.4 Trbs
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Page 201 and 202: I 20 I FIL 2 & A- Saxs. 1.2 BkTm Sm
Page 203 and 204: I 22 I FIL 2 Ob. I Bý CiL 2 Bý Ba
Page 205 and 206: 24 FlL I 2 Ob. Bi CIL 2 Bý Bass CL
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Page 214 and 215: vocal Bý CIL 2 Bb Bau CL D A. SUL
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40 (203) Fý A. Saxs. 1.2 Bý Tem S
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42 Bo Ban CL Bsm 5 A. Saft 1.2 Bý
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44 D A. Saxs. 1.2 Bi Ten. Sax. & Ba
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I Flutes 2 Oboe I Dý Clarinets 2 3
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I FI& 2 Ob. I Bý OL 2 Bý Bass C3.
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Bý Ten. Sax. 5 Bar. Sax. Bý Tpts.
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Bý Ten. Sax. D Bar. SajL BO Tpm 1.
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Bý Ten. Sax. D Bar. Sm Bý TptL 1.
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I Ob. Bý CIL 2 Bý Bass a. & A. Sa
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I FIL Ob. I Bý CIL 2 Bý Bass Cl.
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fwith, hmoue IIFý oo 1 a! Ri .IIII
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I FIL Ob. I Bý CIL 2 3 Bb BuS CL B
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Bk CIL 2 Ob. V 3 Bi Ban CL D A. S&x
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72 I Flutes 2 Oboe B- Chaineu 2 Bý
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74 I 2 Ob. Bý CIL 2 Bý Bass CL I
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I Bý CIL 2 Bý Bass CL Eo A. Sam 6
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78 I S. Ob. Ob CW 2 Bk Bars CL I F.
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84 (247)
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UNIVERSITY OF SALFORD - PREMIERE CO
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251 immediately resigned. There was
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253 He also performed the Weber, Cl
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Suite in Eb Holst. 255 " At the tur
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257 " In 1924 Vaughan Williams publ
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Alleluia Laudamus Te 259 " The seve
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4barsrest. com I review I concert I
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University of Salford - Premiere Co
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_Profile Galloping Major wants to r
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Profile - Ma'oi 6raham Jones MBF, D
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I , ooldstrearn .., uards Band 43lo
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BR. t R.. eviewl SS It's that time
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22 else', argued Schallehn, a music
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Conducting . Preparing for the Conc
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8 1!!! j a as Major Graham Jones Wh
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The Royal Society of Musicians of G
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ý., j INTERN. 4,, Of AV Major Grah
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Journal Articles; Biggs, Philip. "C
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