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LA Confidential.pdf - Screenplay.com

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What work?<br />

BUD<br />

DUDLEY<br />

I've long been involved in<br />

containing hard crime in such a<br />

way that myself and a few<br />

colleagues might someday enjoy a<br />

profit dispensation. That day<br />

will soon be here and you'll share<br />

handsomely. Grand means will be<br />

in our hands, Wendell.<br />

Imagine crime limited to the<br />

criminal element who perpetrate<br />

it. Imagine the means to keep the<br />

nigger filth sedated. But don't<br />

stop there. Extrapolate. Imagine<br />

the police in control. It's big,<br />

lad.<br />

BUD<br />

You lost me, Dudley. I don't know<br />

what you're talking about.<br />

DUDLEY<br />

You have your extracurricular<br />

secrets, I have mine. We'll hold<br />

a clarification session soon. For<br />

now, I need your fearsome old<br />

habits at the Victory Motel.<br />

We're going to brace a man who may<br />

know who killed Jack Vincennes.<br />

Can I count on you?<br />

BUD<br />

Sure, boss. Sure you can.<br />

INT. FORENSICS <strong>LA</strong>B - DAY<br />

Pinker looks up as Exley enters.<br />

EXLEY<br />

I want to know what you and Jack<br />

Vincennes talked about last night.<br />

Anything and everything. Start<br />

with the I.D. on the corpse.<br />

A put-upon Pinker sighs.<br />

PINKER<br />

An ex-cop. Buzz Meeks. I pulled<br />

his police academy photo.<br />

Pinker goes to his desk for a twenty-year-old photo of<br />

Meeks. He hands it to Exley, whose wheels are turning.

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