LA Confidential.pdf - Screenplay.com

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A beat as Exley wonders how he should interpret this. EXLEY I don't know if it's pathetic or romantic, but when this is all over I'd like to see you again. Lynn looks away, can't help an ironic smile even as she starts to cry. As Exley gives her his handkerchief... INT. <strong>LA</strong>PD - EVIDENCE ROOM - NIGHT Bud waits at the cage window as a RECORDER returns with some information. RECORDER I got your guns, Bud. Signed in April 3rd, 1950. Remember the First Western bank robbery? They were used in that. BUD I want to see them. RECORDER No can do. I can't find them. As Bud thinks, a ROOKIE-TYPE approaches. ROOKIE-TYPE Uh -- Sergeant White? WHAT? BUD ROOKIE-TYPE Dispatch just got a call for you. Lieutenant Exley wants you to meet him at the Victory Motel. EXT. VICTORY MOTEL - SUNSET Bud's Packard crests the rise looking down on the Victory. Exley's Plymouth is in the courtyard. INT. VICTORY MOTEL - ROOM 6 - SUNSET Exley in the hotseat. Sitting there thinking. At a CAR DOOR CLOSING, he goes to the door. ANOTHER ANGLE Exley opens the door as Bud approaches, toting a shotgun. The sun is down. The sky is just a dull glow.
BUD You wanted to meet here? EXLEY Me? You called it. I got a message that... As the reality sinks in, Bud and Exley hear TIRES on the GRAVEL; CARS are COMING. Being in a concavity, they don't see them yet. Then the CARS STOP. But still Bud and Exley can't see anything. They hear the CLICKS of CAR DOORS OPENING, but they don't hear them shut. There are FOOTSTEPS, MURMURED WHISPERS. More CARS PULL UP. EXLEY Shit... Come on. Exley starts for his car, but Bud holds him back. Too late. BUD A beat. Resigned, Exley nods. They retreat back to Room 6, disappear inside. A beat. There's MOVEMENT in the shadows to the left. To the right. INT. VICTORY MOTEL - ROOM 6 - NIGHT There's a big back window. Bud covers most of it with a ratty old mattress. He pumps the shotgun. He pulls a .45 automatic from his waistband. Here. BUD He throws the auto to Exley, pulls out a .38. Bud's armed for bear. EXLEY You figured this was a set-up? And you showed up anyway? BUD A lot of bad stuff happened here. It's as good a place as any for it to end. Bud switches off the light. They wait in silence. Then: EXLEY You know, all I ever wanted was to measure up to my father.
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L.A. CONFIDENTIAL by Brian Helgelan
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INT. THE MOCAMBO - NIGHT A CLUB PHO
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COHEN Bullshit. What's the charge?
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Without warning, Bud grabs Stompana
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The Actress storms off. Jack looks
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HUDGEONS Remember: you heard it fir
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MEEKS Cut me some slack. I used to
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DUDLEY This way, gentlemen. Dudley'
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DUDLEY Would you be willing to rig
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OPERATOR (V.O.) (filtered) Please h
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Cops block Exley's way. As Bud look
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EXLEY The public demands justice, s
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LOEW But my office has a stellar wi
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CLERK Edmund J. Exley to chambers.
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BUD He helped me out once. That's a
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with a gold shovel. Pierce Patchett
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EXT. McNEIL PENITENTIARY - DAY Grim
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INT. HUSH-HUSH MAGAZINE OFFICE - DA
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STENSLAND Don't look so down in the
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meat wagons cut off by the crown. A
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FLATNOSE I don't know. No one knows
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BUD What happened? EXLEY Someone he
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CHIEF Enough on that. Gentlemen, ju
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PATCHETT I am. Are you soliciting f
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PATCHETT Wait. Our deal still holds
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JACK We're looking for three colore
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BUD You use words like that, you mi
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BUD You look better than Veronica L
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EXLEY Quiet. I'm ranking officer he
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EXLEY Did one of the officers work
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EXLEY Why were you throwing clothes
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EXLEY Larry, he called you queer. H
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BUD One in six. Where's the girl? E
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EXLEY How's it going to look on you
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ELEVATOR Coates watches as the elev
Page 71 and 72: INT. STATE ASSEMBLY - CHAMBER - DAY
Page 73 and 74: DUDLEY Breaking a big case sticks y
Page 75 and 76: Yeah. JACK Jack doesn't really feel
Page 77 and 78: REYNOLDS I can't do it. HUDGEONS Ta
Page 79 and 80: INT. LYNN BRACKEN'S (1736 NOTTINGHA
Page 81 and 82: INT. AFTER HOURS CLUB - NIGHT The B
Page 83 and 84: EXLEY Until he gunned down six peop
Page 85 and 86: BUD It's like they knew they were g
Page 87 and 88: DEN Innocuous except for the smell.
Page 89 and 90: EXLEY Officer White? A sweet man. E
Page 91 and 92: EXLEY Do you make the three Negroes
Page 93 and 94: Should I? STOMPANATO BUD His file l
Page 95 and 96: They stand, kiss again. Lynn's gown
Page 97 and 98: INT. 1184 GRETNA GREEN (PATCHETT'S)
Page 99 and 100: EXLEY Miss Bracken, I'm Lieutenant
Page 101 and 102: INT. PACIFIC DINING CAR - NIGHT Jac
Page 103 and 104: LYNN Like recognizes like. I'm pret
Page 105 and 106: JACK Have you a valediction, lad? D
Page 107 and 108: EXLEY We got a dead ex-cop and a gi
Page 109 and 110: And? DUDLEY HUDGEONS In my car. Bla
Page 111 and 112: EXT. 1736 NOTTINGHAM (LYNN BRACKEN'
Page 113 and 114: EXLEY Look. Dudley and Meeks go way
Page 115 and 116: BUD There are no rules! Why the fuc
Page 117 and 118: EXT. 1736 NOTTINGHAM (LYNN BRACKEN'
Page 119 and 120: OFFICE BATHROOM Loew is at the mirr
Page 121: BUD They never made a match on the
Page 125 and 126: EXLEY I'm thinking we might walk aw
Page 127 and 128: EXLEY Something like that. DUDLEY R
Page 129 and 130: OBSERVATION ROOM Loew leans over, w
Page 131: The car moves. A turn into traffic,
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