LA Confidential.pdf - Screenplay.com
LA Confidential.pdf - Screenplay.com
LA Confidential.pdf - Screenplay.com
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INT. HUSH-HUSH MAGAZINE OFFICE - DAY<br />
Sid Hudgeons sits behind his desk, answers the phone.<br />
HUDGEONS<br />
Hush-Hush. Off the record and on<br />
the Q.T.<br />
JACK (V.O.)<br />
Sid, it's Vincennes.<br />
HUDGEONS<br />
Jackie, are you back on Narco? I<br />
need copy.<br />
INTERCUT WITH Jack at his desk:<br />
JACK<br />
No. But I've got something going<br />
with Ad Vice.<br />
HUDGEONS<br />
Something good?<br />
JACK<br />
Don't know. I'm chasing picture<br />
books. Fuck shots, but the posers<br />
don't look like junkies. It's<br />
well done stuff. I thought you<br />
might have heard something.<br />
Hudgeons reaches into a stack of papers, pulls out a<br />
magazine like the one Jack has.<br />
Not a word.<br />
HUDGEONS<br />
JACK<br />
What about Fleur-de-Lis? Their<br />
slogan's 'Whatever you desire.'<br />
HUDGEONS<br />
No. No, I've heard bupkis. Jack,<br />
I'll talk to you later. Call me<br />
when you get something I can use.<br />
Smut's from hunger. For sad sacks<br />
who can't get their ashes hauled<br />
The LINE CLICKS off. Jack hesitates a moment before<br />
cradling the receiver. Something's not right here.<br />
EXT. HOLYWOOD STATION - PARKING LOT - TWILIGHT<br />
As Exley pulls in, his two-way drones:
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