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LA Confidential.pdf - Screenplay.com

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FORENSICS COP<br />

We got an I.D. on one of the<br />

victims, sir... I think it's Dick<br />

Stensland.<br />

Exley and Dudley react, look at each other.<br />

EXT. VICTORY MOTEL - DAWN<br />

Set in a no-man's-land of bulldozed homes. A sign<br />

proudly announces the impending arrival of the freeway.<br />

The motel is surrounded by a barbed-wire fence.<br />

Abandoned but for a pair of <strong>LA</strong>PD cars and a light burning<br />

in room 6.<br />

An unmarked pulls up and Exley and Dudley step out. They<br />

start forward, but a SCREAM inside 6 stops Exley short.<br />

DUDLEY<br />

With Mickey Cohen in prison, Los<br />

Angeles is organized crime free.<br />

The Chief wants it to stay that<br />

way, Edmund. The means are not<br />

for the weak-hearted.<br />

INT. VICTORY MOTEL - ROOM 6 - DAWN<br />

Bare. A table and chair bolted to the floor. A tough<br />

F<strong>LA</strong>T-NOSED GANGSTER is cuffed to the hot seat. On the<br />

table are a .45 and a fat roll of $100 bills.<br />

Breuning and Carlisle watch as Bud White delivers a<br />

couple of short, stiff body shots. Flatnose is not used<br />

to being on the receiving end. All the same, we get the<br />

idea Bud's a bit reluctant.<br />

Bud's back is to Dudley and Exley who enter behind him.<br />

DUDLEY<br />

Come, Wendell, you can do better<br />

than that.<br />

Bud turns, sees Exley and Dudley. A beat. As Bud looms<br />

over Flatnose, the gangster babbles. Snitch-frenzied.<br />

F<strong>LA</strong>TNOSE<br />

I know things. I hear things.<br />

Like with the Mick inside, things<br />

are on this weird slowdown.<br />

These shooter teams, bang bang<br />

bang, they're 86-ing Mickey<br />

Cohen's men.<br />

DUDLEY<br />

We know all that, lad. Tell us,<br />

who do these shooters work for?

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