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LA Confidential.pdf - Screenplay.com

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BUD<br />

You wanted to meet here?<br />

EXLEY<br />

Me? You called it. I got a<br />

message that...<br />

As the reality sinks in, Bud and Exley hear TIRES on the<br />

GRAVEL; CARS are COMING. Being in a concavity, they<br />

don't see them yet. Then the CARS STOP. But still Bud<br />

and Exley can't see anything. They hear the CLICKS of<br />

CAR DOORS OPENING, but they don't hear them shut. There<br />

are FOOTSTEPS, MURMURED WHISPERS. More CARS PULL UP.<br />

EXLEY<br />

Shit... Come on.<br />

Exley starts for his car, but Bud holds him back.<br />

Too late.<br />

BUD<br />

A beat. Resigned, Exley nods. They retreat back to Room<br />

6, disappear inside. A beat. There's MOVEMENT in the<br />

shadows to the left. To the right.<br />

INT. VICTORY MOTEL - ROOM 6 - NIGHT<br />

There's a big back window. Bud covers most of it with a<br />

ratty old mattress. He pumps the shotgun.<br />

He pulls a .45 automatic from his waistband.<br />

Here.<br />

BUD<br />

He throws the auto to Exley, pulls out a .38. Bud's<br />

armed for bear.<br />

EXLEY<br />

You figured this was a set-up?<br />

And you showed up anyway?<br />

BUD<br />

A lot of bad stuff happened here.<br />

It's as good a place as any for it<br />

to end.<br />

Bud switches off the light. They wait in silence. Then:<br />

EXLEY<br />

You know, all I ever wanted was to<br />

measure up to my father.

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