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Personality of plants

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ART IN THE PLANT WORLD<br />

and light. In general, leaves nearest the ground<br />

are largest, thus insuring each its supply <strong>of</strong> sun-<br />

shine.<br />

When we study ornamental design, ancient and<br />

modern, we see plant forms on all hands. The<br />

Greeks and the Moors were the only nations<br />

to be content with geometric shapes and lines<br />

and they were only content at times. All other<br />

peoples have given <strong>plants</strong> and flowers a large<br />

place in their decorative conceptions. The<br />

Egyptians and the Assyrians, who may be con-<br />

sidered the first civilized artists, used the Palm,<br />

Papyrus, Lotus and Lily. The Greeks and<br />

Romans were partial to the Acanthus, Olive,<br />

Ivy, Vine, Fir and Oak. The Gothic art <strong>of</strong><br />

Germany, France and Spain featured the Lily,<br />

Rose, Pomegranate, Oak, Maple, Iris, Buttercup,<br />

Passion Flower and Trefoil. The modern<br />

Chinese are more conservative and seek inspi-<br />

ration only from the Aster and the Peony.<br />

The Japanese use the Almond, Cherry, Wistaria<br />

and the graceful Bamboo in their art work.<br />

These various plant forms are sometimes quite<br />

conventionalized but are readily recognizable,<br />

whether they occur in architecture, carvings,<br />

Uoa3<br />

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