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ART IN THE PLANT WORLD<br />
and light. In general, leaves nearest the ground<br />
are largest, thus insuring each its supply <strong>of</strong> sun-<br />
shine.<br />
When we study ornamental design, ancient and<br />
modern, we see plant forms on all hands. The<br />
Greeks and the Moors were the only nations<br />
to be content with geometric shapes and lines<br />
and they were only content at times. All other<br />
peoples have given <strong>plants</strong> and flowers a large<br />
place in their decorative conceptions. The<br />
Egyptians and the Assyrians, who may be con-<br />
sidered the first civilized artists, used the Palm,<br />
Papyrus, Lotus and Lily. The Greeks and<br />
Romans were partial to the Acanthus, Olive,<br />
Ivy, Vine, Fir and Oak. The Gothic art <strong>of</strong><br />
Germany, France and Spain featured the Lily,<br />
Rose, Pomegranate, Oak, Maple, Iris, Buttercup,<br />
Passion Flower and Trefoil. The modern<br />
Chinese are more conservative and seek inspi-<br />
ration only from the Aster and the Peony.<br />
The Japanese use the Almond, Cherry, Wistaria<br />
and the graceful Bamboo in their art work.<br />
These various plant forms are sometimes quite<br />
conventionalized but are readily recognizable,<br />
whether they occur in architecture, carvings,<br />
Uoa3<br />
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