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Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

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Why object to such manners? Cynicism is at least as good as hypocrisy.<br />

Nowadays England, whose Loyola is named Wesley, casts down her eyes a<br />

little at the remembrance of that past age. She is vexed at the memory,<br />

yet proud of it.<br />

<strong>The</strong>se fine ladies, moreover, knew Latin. From the 16th century this had<br />

been accounted a feminine accomplishment. Lady Jane Grey had carried<br />

fashion to the point of knowing Hebrew. <strong>The</strong> Duchess Josiana Latinized.<br />

<strong>The</strong>n (another fine thing) she was secretly a Catholic; after the manner<br />

of her uncle, Charles II., rather than her father, James II. James II.<br />

had lost his crown for his Catholicism, and Josiana did not care to risk<br />

her peerage. Thus it was that while a Catholic amongst her intimate<br />

friends and the refined of both sexes, she was outwardly a Protestant<br />

for the benefit of the riffraff.<br />

This is the pleasant view to take of religion. You enjoy all the good<br />

things belonging to the official Episcopalian church, and later on you<br />

die, like Grotius, in the odour of Catholicity, having the glory of a<br />

mass being said for you by le Père Petau.<br />

Although plump and healthy, Josiana was, we repeat, a perfect prude.<br />

At times her sleepy and voluptuous way of dragging out the end of her<br />

phrases was like the creeping of a tiger's paws in the jungle.<br />

<strong>The</strong> advantage of prudes is that they disorganize the human race. <strong>The</strong>y<br />

deprive it of the honour of their adherence. Beyond all, keep the human<br />

species at a distance. This is a point of the greatest importance.<br />

When one has not got Olympus, one must take the Hôtel de Rambouillet.<br />

Juno resolves herself into Araminta. A pretension to divinity not<br />

admitted creates affectation. In default of thunderclaps there is<br />

impertinence. <strong>The</strong> temple shrivels into the boudoir. Not having the power<br />

to be a goddess, she is an idol.<br />

<strong>The</strong>re is besides, in prudery, a certain pedantry which is pleasing to<br />

women. <strong>The</strong> coquette and the pedant are neighbours. <strong>The</strong>ir kinship is<br />

visible in the fop. <strong>The</strong> subtile is derived from the sensual. Gluttony<br />

affects delicacy, a grimace of disgust conceals cupidity. And then woman<br />

feels her weak point guarded by all that casuistry of gallantry which<br />

takes the place of scruples in prudes. It is a line of circumvallation<br />

with a ditch. Every prude puts on an air of repugnance. It is a<br />

protection. She will consent, but she disdains--for the present.<br />

Josiana had an uneasy conscience. She felt such a leaning towards<br />

immodesty that she was a prude. <strong>The</strong> recoils of pride in the direction<br />

opposed to our vices lead us to those of a contrary nature. It was the<br />

excessive effort to be chaste which made her a prude. To be too much on<br />

the defensive points to a secret desire for attack; the shy woman is not<br />

strait-laced. She shut herself up in the arrogance of the exceptional<br />

circumstances of her rank, meditating, perhaps, all the while, some<br />

sudden lapse from it.<br />

It was the dawn of the eighteenth century. England was a sketch of what<br />

France was during the regency. Walpole and Dubois are not unlike.

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