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Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

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night, which is called power. He carries a dark lantern in his hand. He<br />

lights up the spot he wishes, and remains in darkness himself. What he<br />

seeks with his lantern is not a man, it is a fool. What he finds is the<br />

king.<br />

Kings do not like to see those about them pretend to greatness. Irony<br />

aimed at any one except themselves has a charm for them. <strong>The</strong> talent of<br />

Barkilphedro consisted in a perpetual dwarfing of the peers and princes<br />

to the advantage of her Majesty's stature, thus increased in proportion.<br />

<strong>The</strong> master-key held by Barkilphedro was made with two sets of wards, one<br />

at each end, so as to open the inner apartments in both Josiana's<br />

favourite residences--Hunkerville House in London, Corleone Lodge at<br />

Windsor. <strong>The</strong>se two houses were part of the Clancharlie inheritance.<br />

Hunkerville House was close to Oldgate. Oldgate was a gate of London,<br />

which was entered by the Harwich road, and on which was displayed a<br />

statue of Charles II., with a painted angel on his head, and beneath his<br />

feet a carved lion and unicorn. From Hunkerville House, in an easterly<br />

wind, you heard the peals of St. Marylebone. Corleone Lodge was a<br />

Florentine palace of brick and stone, with a marble colonnade, built on<br />

pilework, at Windsor, at the head of the wooden bridge, and having one<br />

of the finest courts in England.<br />

In the latter palace, near Windsor Castle, Josiana was within the<br />

queen's reach. Nevertheless, Josiana liked it.<br />

Scarcely anything in appearance, everything in the root, such was the<br />

influence of Barkilphedro over the queen. <strong>The</strong>re is nothing more<br />

difficult than to drag up these bad grasses of the court--they take a<br />

deep root, and offer no hold above the surface. To root out a<br />

Roquelaure, a Triboulet, or a Brummel, is almost impossible.<br />

From day to day, and more and more, did the queen take Barkilphedro into<br />

her good graces. Sarah Jennings is famous; Barkilphedro is unknown. His<br />

existence remains ignored. <strong>The</strong> name of Barkilphedro has not reached as<br />

far as history. All the moles are not caught by the mole-trapper.<br />

Barkilphedro, once a candidate for orders, had studied a little of<br />

everything. Skimming all things leaves naught for result. One may be<br />

victim of the _omnis res scibilis_. Having the vessel of the Danaïdes in<br />

one's head is the misfortune of a whole race of learned men, who may be<br />

termed the sterile. What Barkilphedro had put into his brain had left it<br />

empty.<br />

<strong>The</strong> mind, like nature, abhors vacuum. Into emptiness nature puts love;<br />

the mind often puts hate. Hate occupies.<br />

Hate for hate's sake exists. Art for art's sake exists in nature more<br />

than is believed. A man hates--he must do something. Gratuitous<br />

hate--formidable word! It means hate which is itself its own payment.<br />

<strong>The</strong> bear lives by licking his claws. Not indefinitely, of course. <strong>The</strong><br />

claws must be revictualled--something must be put under them.<br />

Hate indistinct is sweet, and suffices for a time; but one must end by<br />

having an object. An animosity diffused over creation is exhausting,<br />

like every solitary pleasure. Hate without an object is like a<br />

shooting-match without a target. What lends interest to the game is a<br />

heart to be pierced. One cannot hate solely for honour; some seasoning

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