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Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

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"In the first place," said Master Nicless, "there is no king at present.<br />

We are not living under a king. Guess who got into the carriage with the<br />

duchess."<br />

"Jupiter," said Ursus.<br />

<strong>The</strong> hotel-keeper replied,--<br />

"Tom-Jim-Jack!"<br />

Gwynplaine, who had not said a word, broke silence.<br />

"Tom-Jim-Jack!" he cried.<br />

<strong>The</strong>re was a pause of astonishment, during which the low voice of Dea was<br />

heard to say,--<br />

"Cannot this woman be prevented coming."<br />

CHAPTER VIII.<br />

SYMPTOMS OF POISONING.<br />

<strong>The</strong> "apparition" did not return. It did not reappear in the theatre, but<br />

it reappeared to the memory of Gwynplaine. Gwynplaine was, to a certain<br />

degree, troubled. It seemed to him that for the first time in his life<br />

he had seen a woman.<br />

He made that first stumble, a strange dream. We should beware of the<br />

nature of the reveries that fasten on us. Reverie has in it the mystery<br />

and subtlety of an odour. It is to thought what perfume is to the<br />

tuberose. It is at times the exudation of a venomous idea, and it<br />

penetrates like a vapour. You may poison yourself with reveries, as with<br />

flowers. An intoxicating suicide, exquisite and malignant. <strong>The</strong> suicide<br />

of the soul is evil thought. In it is the poison. Reverie attracts,<br />

cajoles, lures, entwines, and then makes you its accomplice. It makes<br />

you bear your half in the trickeries which it plays on conscience. It<br />

charms; then it corrupts you. We may say of reverie as of play, one<br />

begins by being a dupe, and ends by being a cheat.<br />

Gwynplaine dreamed.<br />

He had never before seen Woman. He had seen the shadow in the women of<br />

the populace, and he had seen the soul in Dea.<br />

He had just seen the reality.<br />

A warm and living skin, under which one felt the circulation of<br />

passionate blood; an outline with the precision of marble and the<br />

undulation of the wave; a high and impassive mien, mingling refusal with<br />

attraction, and summing itself up in its own glory; hair of the colour<br />

of the reflection from a furnace; a gallantry of adornment producing in

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