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Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

Victor Hugo - The Man Who Laughs - Cosmopolitan University 2

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had sustained him. Without the storm a sail would be a rag. But his was<br />

the excessive feebleness of the rag, which the wind inflates till it<br />

tears it. He felt himself sinking. Was he about to fall without<br />

consciousness on the pavement? To faint is the resource of a woman, and<br />

the humiliation of a man. He hardened himself, but he trembled. He felt<br />

as one losing his footing.<br />

CHAPTER VIII.<br />

LAMENTATION.<br />

<strong>The</strong>y began to move forward.<br />

<strong>The</strong>y advanced through the passage.<br />

<strong>The</strong>re was no preliminary registry, no place of record. <strong>The</strong> prisons in<br />

those times were not overburdened with documents. <strong>The</strong>y were content to<br />

close round you without knowing why. To be a prison, and to hold<br />

prisoners, sufficed.<br />

<strong>The</strong> procession was obliged to lengthen itself out, taking the form of<br />

the corridor. <strong>The</strong>y walked almost in single file; first the wapentake,<br />

then Gwynplaine, then the justice of the quorum, then the constables,<br />

advancing in a group, and blocking up the passage behind Gwynplaine as<br />

with a bung. <strong>The</strong> passage narrowed. Now Gwynplaine touched the walls with<br />

both his elbows. In the roof, which was made of flints, dashed with<br />

cement, was a succession of granite arches jutting out, and still more<br />

contracting the passage. He had to stoop to pass under them. No speed<br />

was possible in that corridor. Any one trying to escape through it would<br />

have been compelled to move slowly. <strong>The</strong> passage twisted. All entrails<br />

are tortuous; those of a prison as well as those of a man. Here and<br />

there, sometimes to the right and sometimes to the left, spaces in the<br />

wall, square and closed by large iron gratings, gave glimpses of flights<br />

of stairs, some descending and some ascending.<br />

<strong>The</strong>y reached a closed door; it opened. <strong>The</strong>y passed through, and it<br />

closed again. <strong>The</strong>n they came to a second door, which admitted them; then<br />

to a third, which also turned on its hinges. <strong>The</strong>se doors seemed to open<br />

and shut of themselves. No one was to be seen. While the corridor<br />

contracted, the roof grew lower, until at length it was impossible to<br />

stand upright. Moisture exuded from the wall. Drops of water fell from<br />

the vault. <strong>The</strong> slabs that paved the corridor were clammy as an<br />

intestine. <strong>The</strong> diffused pallor that served as light became more and<br />

more a pall. Air was deficient, and, what was singularly ominous, the<br />

passage was a descent.<br />

Close observation was necessary to perceive that there was such a<br />

descent. In darkness a gentle declivity is portentous. Nothing is more<br />

fearful than the vague evils to which we are led by imperceptible<br />

degrees.<br />

It is awful to descend into unknown depths.

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