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ABSTRACT Title of Dissertation: THE PHENOMENOLOGY OF ...

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perhaps the beginning puppeteer, who may move on to more sophisticated designs at a<br />

later date.<br />

One more sophisticated design provided by McPharlin is “Nounou,” a puppet<br />

sketch for a play called Witch Moon (figure 26). Nounou is a colloquial French term for a<br />

Fig. 26. Paul McPharlin. “Witch Moon.” Unpublished Collection Sketch (Detroit:<br />

Detroit Institute <strong>of</strong> the Arts, 1915-1948).<br />

nanny. A Witch Moon is what some pagan traditionalists call a harvest moon. Though<br />

no copy <strong>of</strong> the corresponding playtext is extant, McPharlin may have derived the plot<br />

from New Orleans folklore, and/or from the nature religion referred to as Voodou, given<br />

the combination <strong>of</strong> French terminology and blackface characterization. In any case, this<br />

image speaks <strong>of</strong> McPharlin’s distinction between the blackface roles <strong>of</strong> minstrelsy and<br />

other clowning traditions, and more serious plays derived from American folktales. From<br />

the scarf upon the nanny’s head, and her large hoop style earring, to the unusually<br />

flowing and wide dress, the sketch suggests the ceremonial garb <strong>of</strong> a voodou witch. The<br />

118

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