ABSTRACT Title of Dissertation: THE PHENOMENOLOGY OF ...
ABSTRACT Title of Dissertation: THE PHENOMENOLOGY OF ...
ABSTRACT Title of Dissertation: THE PHENOMENOLOGY OF ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
the Carp Stems the Rapids Toward the Dragon Gate, and the head-standing Hawk that<br />
Circles Like a Top. 159 McPharlin’s puppets would reinforce the richness <strong>of</strong> the script.<br />
As Bell writes, McPharlin committed his most considerable puppet designs to this<br />
performance. In his words:<br />
It is important to note that McPharlin’s approach to Chinese puppet theater was<br />
quite novel-even revolutionary-especially in comparison to the nineteenth-century<br />
European and American marionette traditions <strong>of</strong> presenting Chinese characters as<br />
clownish circus oddities. McPharlin, benefiting from the increasing volume <strong>of</strong><br />
new scholarship on Asian theater, took a Chinese play and attempted to do it<br />
justice, not by using traditional Chinese shadow puppets, but by building his own<br />
in a manner that at once respected Chinese techniques and styles but also<br />
translated them into a modern American idiom. 160<br />
There is a complicated process <strong>of</strong> integration at work in McPharlin’s puppetry, indicative<br />
<strong>of</strong> an attempt to move the field <strong>of</strong> puppetry forward by using the best <strong>of</strong> eastern and<br />
western art. Though this has been a common technique in western puppet theatre <strong>of</strong> the<br />
twentieth century, it is telling that McPharlin only chooses to commit these mature<br />
artistic strokes to the exotic Chinese shadow play.<br />
Lincoln and the Pig is a burlesque on Abraham Lincoln, “wherein Abe Lincoln is<br />
altruistic and his horse Ned isn’t,” which McPharlin co-created from an apparently “well-<br />
known legend.” 161 The satire manipulates minstrel-derived stereotyping to accord with<br />
the new eidos. It occurs in a mud-hole. Abe Lincoln enters riding his horse, Ned,<br />
Lincoln’s head “bent in thought” (3). He laments the injustice <strong>of</strong> the world to the equine<br />
159 Ibid., 312.<br />
160<br />
John Bell, Strings, Hands, Shadows: A Modern Puppet History (Detroit: The Detroit Institute<br />
<strong>of</strong> the Arts, 2000), 10.<br />
161 Edgar Caper and Paul McPharlin, Lincoln and the Pig (Birmingham, MI: Puppet Plays, Inc.,<br />
1931), 9. From this point forward, I will rely on parenthentical citations for lengthy selections from this<br />
text.<br />
121