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ABSTRACT Title of Dissertation: THE PHENOMENOLOGY OF ...

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lack Americans. That arrow may have lead to a puppet that represents its target as a sex<br />

object, but it drew the tradition away from subhuman grotesques. Paris’s object<br />

demonstrates that racialized exaggerations are not inevitable results <strong>of</strong> depicting a race in<br />

performance. The Josephine Baker marionette proves that, for all the impact the co-<br />

present heritage <strong>of</strong> minstrelsy might have on puppeteers, there were alternatives to<br />

blackface stereotyping even in the 1930s.<br />

Paris broke with the standard categorical distinction by applying his highest<br />

artistic practices to a local blackface puppet. Granted, Josephine Baker’s European<br />

performance credits placed her vaguely outside the idea <strong>of</strong> a standard American “negro”<br />

that a marionettist might imagine. Nonetheless, she was an African American woman.<br />

Paris depicted this African American woman through a puppet, with the same<br />

realistic detail he applied to marionettes <strong>of</strong> Henie and Zorina. Other vaudeville<br />

puppeteers, among them the Lauer Sisters, manifested the distinction Paris rejected. The<br />

Lauer Sisters did so with nearly schizophrenic visibility. 233<br />

Little is known <strong>of</strong> the career <strong>of</strong> the three nightclub performers/puppeteers known<br />

as the Lauer Sisters. Sometime prior to 1937, they played an elaborate variety production<br />

that included two “Spanish Dancer” marionettes, as well as portrait puppets <strong>of</strong> the sisters<br />

themselves. These objects performed with a portrait puppet depicting popular screen<br />

actor Greta Garbo on roller skates, a Tap Dancer, a Ballerina, a Music Pr<strong>of</strong>essor at a<br />

piano, and a Seal marionette. The amusing diversity <strong>of</strong> the Lauer Sister acts and<br />

233 I am using this word in the linguistic (referring to any psychotic disorder characterized by a<br />

withdrawal from reality), rather than the medical sense (the dellusion that imaginary persons or beings<br />

communicate with the patient inside her/his head). From a medical perspective, the Lauer Sister puppets<br />

capture an artistic impression not <strong>of</strong> Schizophrenia but Multiple Personality Disorder.<br />

181

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