Extended Techniques for the Classical Guitar - Robert Lunn Composer

LIST OF EXAMPLES
Example 1.1 Glissando of a minor third in A Horse, His ame Was Hunry
Fencewaver Walkins by David Bedford., Rehearsal letter E ...................................6
Example 1.2 Glissando to a specific pitch. Etude o.1 for solo guitar by
Jacques Charpentier. Page 5, System 9 ...................................................................7
Example 1.3 Dialoge für Gitarre und Percussionsklänge by Siegfried Fink,
Movement 1, System 1 ............................................................................................7
Example 1.4 Etude o.1 by Jacques Charpentier, Page 5, System 3 ..................................8
Example 1.5 Highest possible pitch notated in Synchronisms o. 10 for
guitar and tape by Mario Davidovsky. Measure 240 ...............................................8
Example 1.6 Notating highest possible pitch in the 2 nd movement, “Scherzo,”
from Sonata, by Alberto Ginastera. Measure 88 .....................................................9
Example 1.7 String Bending in Dreammusic by Thomas Wilson. Measure 1 ....................9
Example 1.8 String Bending in Dreammusic by Thomas Wilson. Measure 2 ..................10
Example 1.9 String Bending in the 2 nd movement, “Serenading a Pair of
Giffly Nymphs (Drunk of Night),” from Serenades of the Unicorn
by Einojuhani Rautavaara. Measure 13 .................................................................10
Example 1.10 Bending a string found in “Chicago, IL.,” from Benjamin
Verdery’s Some Towns and Cities. Measure 48 ....................................................11
Example 1.11 Bending two at the same time in “Chicago, IL.,” from
Some Towns and Cities by Benjamin Verdery. Measure 47 ..................................11
Example 1.12 Ghost bend in “Greed” from 11 Etudes by Benjamin Verdery.
Measure 2 ...............................................................................................................12
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