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Extended Techniques for the Classical Guitar - Robert Lunn Composer

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Example 4.2 Bouncing a spoon on strings in Serenades of <strong>the</strong> Unicorn by Einojuhani<br />

Rautavaara. 2 nd Movement, “Serenading a Pair of Giggly Nymphs (Drunk of<br />

Night). Measure 1.<br />

Einojuhani Rautavaara, in Serenades of <strong>the</strong> Unicorn, also calls <strong>for</strong> <strong>the</strong> per<strong>for</strong>mer<br />

to bounce a spoon on <strong>the</strong> strings. Rautavaara gives an approximate starting pitch and<br />

indicates <strong>the</strong> general contour of <strong>the</strong> rhythm of <strong>the</strong> bouncing spoon. In addition to that, he<br />

indicates that on <strong>the</strong> descending figure <strong>the</strong> spoon should bounce on <strong>the</strong> first two strings<br />

while on <strong>the</strong> ascending figure <strong>the</strong> spoon should bounce on <strong>the</strong> second and third strings.<br />

After <strong>the</strong> introduction, Rautavaara continues with <strong>the</strong> bouncing spoon in <strong>the</strong> right<br />

hand and adds hammer-ons 1 and glissandi in <strong>the</strong> left hand (Example 4-3).<br />

Example 4.3. 2 nd Movement, “Serenading a Pair of Giggly Nymphs (Drunk of<br />

Night)” from Serenades of <strong>the</strong> Unicorn by Einojuhani Rautavaara. Measures 2-4.<br />

1 Hammer-ons are played by hitting <strong>the</strong> fret with <strong>the</strong> left hand hard enough to get <strong>the</strong> string to activate.<br />

This is a way to play notes without plucking with <strong>the</strong> right hand fingers.<br />

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