Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
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per<strong>for</strong>mance notes he gives a diagram of a guitar with an explanation on <strong>the</strong> locations of<br />
<strong>the</strong>se spots (Figure 3.4):<br />
Figure 3.4 Percussion diagram in Royal Winter Music by Hans Werner Henze.<br />
Example 3.18 Hitting <strong>the</strong> wood of <strong>the</strong> guitar in “III- Worry Knot” from 11 Etudes<br />
by Benjamin Verdery. Measures 35-36.<br />
Benjamin Verdery, in, “Worry Knot,” from 11 Etudes, asks <strong>the</strong> guitarist to<br />
per<strong>for</strong>m percussive effects at various points on <strong>the</strong> guitar. Instead of having a diagram of<br />
a guitar and pointing to spots like Henze did in <strong>the</strong> previous example, Verdery assigns<br />
different locations on <strong>the</strong> staff to indicate where <strong>the</strong> percussive effect should happen<br />
(Figure 3.5).<br />
Figure 3.5 “Worry Knot” from 11 Etudes by Benjamin Verdery.<br />
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