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Extended Techniques for the Classical Guitar - Robert Lunn Composer

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The second type of glissando is <strong>the</strong> bending glissando. 3 Bending a string is a<br />

common technique found in Blues and Rock and Roll style guitar playing, but does not<br />

appear in <strong>the</strong> classical guitar literature until <strong>the</strong> 20 th century. The bending glissandi<br />

allows <strong>the</strong> per<strong>for</strong>mer to move up a half or whole step seamlessly. Bending <strong>the</strong> string<br />

allows <strong>the</strong> per<strong>for</strong>mer to move from one half-step to <strong>the</strong> next without <strong>the</strong> audible step<br />

associated with <strong>the</strong> fret glissando. Typically <strong>the</strong> bend will be up in pitch although <strong>the</strong><br />

per<strong>for</strong>mer could have <strong>the</strong> bend setup be<strong>for</strong>e striking <strong>the</strong> string, <strong>the</strong>n releasing <strong>the</strong> string.<br />

This is referred to in Rock guitar as a ghost bend. The interval limit <strong>for</strong> a pitch glissando<br />

is roughly a major second on <strong>the</strong> classical guitar because of <strong>the</strong> loose tension of <strong>the</strong><br />

strings.<br />

Fretted Glissandi<br />

Example 1.1 Glissando of a minor third in A Horse, His Name Was Hunry<br />

Fencewaver Walkins by David Bed<strong>for</strong>d., Rehearsal letter E.<br />

David Bed<strong>for</strong>d uses fretted glissandi in his A Horse, His Name Was Hunry<br />

Fencewaver Walkin written <strong>for</strong> guitar, flute, clarinet, violin, cello, double bass and piano.<br />

In this example, Bed<strong>for</strong>d has <strong>the</strong> guitarist glissando roughly <strong>the</strong> span of a minor third, or<br />

three frets on <strong>the</strong> guitar. In addition, Bed<strong>for</strong>d notates <strong>the</strong> direction of <strong>the</strong> glissando by<br />

using up and down lines that tell <strong>the</strong> guitarist whe<strong>the</strong>r <strong>the</strong> glissando should go up or down<br />

3 Ibid., 143.<br />

6

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