Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Verdery identifies three different ways to hit <strong>the</strong> instrument: <strong>the</strong> thumb “taps on <strong>the</strong><br />
bridge,” <strong>the</strong> left hand finger “taps behind <strong>the</strong> bridge,” and <strong>the</strong> middle finger of <strong>the</strong> right<br />
hand “taps behind <strong>the</strong> bridge.” 10<br />
Example 3.19 Tremolo on <strong>the</strong> wood of <strong>the</strong> guitar in A Sad Humoresque by Phyllis<br />
Tate. Measure 38.<br />
The final example comes from A Sad Humoresque by Phyillis Tate. In this<br />
example <strong>the</strong> per<strong>for</strong>mer per<strong>for</strong>ms a tremolo on <strong>the</strong> wood of <strong>the</strong> guitar with <strong>the</strong> nails. The<br />
nails will give this a brighter sound.<br />
10 Benjamin Verdery, 11 Etudes (Québec: Les Éditions Doberman-Yppan, 2005), 7.<br />
42