Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
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Example 4.6 Matchsticks in Piece with Clocks by Nikita Koshkin.<br />
Page 3, system 1 .....................................................................................................46<br />
Example 4.7 Matchstick in “Clock Strikes Midnight” from Three Little<br />
ightmares by Brad Richter. Measures 1-2 ...........................................................47<br />
Example 4.8 Folded newspaper under <strong>the</strong> strings in A Horse, his ame<br />
was Hunry Fencewaver Walkins by David Bed<strong>for</strong>d. Rehearsal J ........................47<br />
Example 4.9 Using a cork in between <strong>the</strong> strings in Piece with Clocks<br />
by Nikita Koshkin. Page 15, system 2 ...................................................................48<br />
Figure 4.10 Clo<strong>the</strong>spin in “I felt a Funeral in My Brain” from Three<br />
Little ightmares by Brad Richter. Measures 1-2 .................................................48<br />
Example 4.11 Clo<strong>the</strong>spin in “I felt a Funeral in My Brain” from Three<br />
Little ightmares by Brad Richter. Measures 5-6 ................................................49<br />
Example 4.12 Playing <strong>the</strong> guitar with a bow in A Horse, his ame was<br />
Hunry Fencewaver Walkins by David Bed<strong>for</strong>d. Rehearsal L ...............................49<br />
Example 4.13 Playing <strong>the</strong> guitar with a bow in Memorias de “El Cimarrón”<br />
by Hans Werner Henze. 1 st Movement, system ...................................................50<br />
Example 4.14 Plucking <strong>the</strong> guitar with a pick in A Horse, his ame was<br />
Hunry Fencewaver Walkins by David Bed<strong>for</strong>d. Measure 5 ..................................51<br />
Example 4.15 Tremolo with a pick from <strong>the</strong> 1 st movement, “Open,”<br />
from Shadows by William Albright. Page 4, system 1 .........................................51<br />
Example 4.16 Con sordino in Piece with Clocks by Nikita Koshkin.<br />
Page 6, system 1 .....................................................................................................52<br />
Example 5.1 Rasgueado from <strong>the</strong> 7 th movement, “Tarantas,” from<br />
Shadows by William Albright. Measure 1 .............................................................54<br />
Example 5.2 Rasgueado in Couleurs by Edith Lejet. Measure 13 ....................................54<br />
Example 5.3 Rasgueado from <strong>the</strong> 3 rd movement, “De Velocite,” from<br />
3 Preludes pour “Fatum” by Charles Chaynes. Measure 5 .................................55<br />
Example 5.4 Rasgueado in Sequenza XI by Luciano Berio. Page 1, system 3 ..................55<br />
Example 5.5 Rasgueado in Sequenza XI by Luciano Berio. Page 1, system 2 ..................56<br />
Example 5.6 Rasgueado in Sequenza XI by Luciano Berio. Page 1, system 4 .................56<br />
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