Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
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Example 1.21 Mixed vibrato in Las Seis Cuerdas by Alvaro Company. Measures 23-<br />
24<br />
The next example (Example 1.21) begins with a slow vibrato and <strong>the</strong>n speeds up<br />
to a normal vibrato, followed by a rapid vibrato and ending with no vibrato.<br />
Example 1.22 Bi-tones in “Start Now” from 11 Etudes by Benjamin Verdery.<br />
Measure 2<br />
The final vibrato example from Las Seis Cuerdas (Example 1.22) begins slowly,<br />
accelerates to a rapid vibrato be<strong>for</strong>e ending with a slow vibrato.<br />
It should be noted that <strong>the</strong>re is no standard way to notate vibrato effects in <strong>the</strong><br />
guitar literature. It is recommended that whatever system is used, it is fully explained in<br />
<strong>the</strong> per<strong>for</strong>mance notes.<br />
1.5 Bi-Tones<br />
19