Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
Extended Techniques for the Classical Guitar - Robert Lunn Composer
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Example 1.9 String Bending in <strong>the</strong> 2 nd movement, “Serenading a Pair of Giffly<br />
Nymphs (Drunk of Night),” from Serenades of <strong>the</strong> Unicorn by Einojuhani<br />
Rautavaara. Measure 13.<br />
Einojuhani Rautavaara uses string bending in Serenades of <strong>the</strong> Unicorn. Like<br />
Thomas Wilson, Rautavaara uses a slur to notate <strong>the</strong> bend. In addition, Rautavaara does<br />
not give a specific note to bend to, but instead says, “<strong>the</strong> interval will depend on <strong>the</strong><br />
instrument.” 5<br />
Ano<strong>the</strong>r way of notating a bend, although not as clear as <strong>the</strong> Wilson or<br />
Rautavaara examples, can be found in Benjamin Verdery’s piece <strong>for</strong> solo guitar titled,<br />
“Chicago, IL.,” from his group of pieces titled, Some Towns and Cities.<br />
Example 1.10 Bending a string found in “Chicago, IL.,” from Benjamin Verdery’s<br />
Some Towns and Cities. Measure 48.<br />
In Example 1.10 Verdery notates <strong>the</strong> bend by using a trill indication under <strong>the</strong> C. In <strong>the</strong><br />
per<strong>for</strong>mance notes he mentions that <strong>the</strong> C should be bent, although he does not give an<br />
indication of how far <strong>the</strong> note should be bent.<br />
It is also possible to bend more than one string at a time (Example 1.11).<br />
5 Einojuhani Rautavaara, Serenades of <strong>the</strong> Unicorn, edited by Joseph Holeček, (New York: Schirmer, Inc.,<br />
1980), 7.<br />
11