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Extended Techniques for the Classical Guitar - Robert Lunn Composer

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Example 1.9 String Bending in <strong>the</strong> 2 nd movement, “Serenading a Pair of Giffly<br />

Nymphs (Drunk of Night),” from Serenades of <strong>the</strong> Unicorn by Einojuhani<br />

Rautavaara. Measure 13.<br />

Einojuhani Rautavaara uses string bending in Serenades of <strong>the</strong> Unicorn. Like<br />

Thomas Wilson, Rautavaara uses a slur to notate <strong>the</strong> bend. In addition, Rautavaara does<br />

not give a specific note to bend to, but instead says, “<strong>the</strong> interval will depend on <strong>the</strong><br />

instrument.” 5<br />

Ano<strong>the</strong>r way of notating a bend, although not as clear as <strong>the</strong> Wilson or<br />

Rautavaara examples, can be found in Benjamin Verdery’s piece <strong>for</strong> solo guitar titled,<br />

“Chicago, IL.,” from his group of pieces titled, Some Towns and Cities.<br />

Example 1.10 Bending a string found in “Chicago, IL.,” from Benjamin Verdery’s<br />

Some Towns and Cities. Measure 48.<br />

In Example 1.10 Verdery notates <strong>the</strong> bend by using a trill indication under <strong>the</strong> C. In <strong>the</strong><br />

per<strong>for</strong>mance notes he mentions that <strong>the</strong> C should be bent, although he does not give an<br />

indication of how far <strong>the</strong> note should be bent.<br />

It is also possible to bend more than one string at a time (Example 1.11).<br />

5 Einojuhani Rautavaara, Serenades of <strong>the</strong> Unicorn, edited by Joseph Holeček, (New York: Schirmer, Inc.,<br />

1980), 7.<br />

11

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