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THE CURATOR’S VIEW: 

The Cloisters 

75th Anniversary 

Page 21 

SPRING 2013 

SEE WHAT’S 

IN BLOOM 

FOR SPRING 

Cloisters Poppy 

Necklace 

10% OFF 

your purchase. 

See page 19. 

Page 21

Earrings 

Pierced 1" diam. 

80-018062 $85 

Clip (not shown) 

1 1/2" diam. 

80-018060 $115 

Necklace Three beaded 

strands. Hook closure. 28"L. 

80-018059 $295 

Ring 1 1/2" diam. $65 

Size 6 80-018064 

Size 7 80-018065 

Size 8 80-018066 

Pin With hand enameling. 

3"L x 2 1/2"W. 

80-018063 $95 

Special Offer Set of Russian 

Imperial Verbena Pierced Earrings 

and Necklace 80-019370 $350 

2 

NEW RUSSIAN IMPERIAL 

VERBENA JEWELRY In 1872, Peter 

Carl Fabergé (Russian, 1846–1920) 

and his brother took over their father’s 

small jewelry atelier. Growing it into 

a global enterprise, they cultivated 

an elite clientele that included the 

Romanovs, the Russian Imperial 

Family. Among the workshop’s 

many exquisite creations is an 

opulent yet fanciful potted 

verbena plant of gold, silver, 

enamel, diamonds, and 

semiprecious stones, 

adapted for our charming 

jewelry suite. Produced 

in cooperation with the 

Matilda Geddings Gray 

Foundation. 18K gold 

overlay with Czech 

glass and crystals.

OUR MISSION AT THE METROPOLITAN 

MUSEUM OF ART STORE IS TO CONNECT 

PEOPLE TO THE WORLD OF ART AND 

TO THE MUSEUM EXPERIENCE. Just as 

visits to the Met are enjoyable, educational, 

and inspirational, our products evoke fond 

memories, invite moments of reflection, 

and foster day-to-day enjoyment and 

appreciation of art, artists, and cultures from 

around the globe and across the centuries. 

Continuing a tradition that began in 1870, we 

work closely with art historians and master 

craftspeople to ensure that each publication, 

reproduction, and adaptation meets the 

highest standards of design, quality, and 

value. Your purchase—whether through 

our catalogue, on our website, or in our 

stores—helps support the Museum and its 

programs. We thank you and hope that you 

will find in these pages some of the beauty 

and inspiration that grace our galleries. 

Upper left: Emma and Georgina Bloomberg Arms and Armor Court 

Right: Carroll and Milton Petrie European Sculpture Court 

IN THIS ISSUE 

The Asian Lotus, p. 4 Art Deco, p. 15 

INSPIRED 

AT THE METROPOLITAN MUSEUM OF ART 

The Curator’s View: 

The Cloisters 75th Anniversary, p. 21 

Greek & Roman, p. 25 

1.800.468.7386 | STORE.METMUSEUM.ORG 3

4 

A 

A–B. NEW JAPANESE 

LOTUS COLLECTION 

The humorous theatrical tradition 

known as Kyogen was originally 

performed as comic relief during 

intermissions in the more serious 

Noh drama. Reflecting its 

bombastic acting style, Kyogen 

costumes are noted for their 

bold, resist-dyed patterns, as 

seen in the lotus design of an 

early 19th-century suo (jacket) 

in the Museum’s collection. 

Once worn by an actor playing a 

samurai lord, it is the source for 

the striking lotus flowers on our 

jacket and shawl. Imported. 

A. Soft Jacket Draped kimono 

shaping. Open front. Silk. 

Dry clean. One size. 

80-018130 $150 

B. Shawl Silk. 24" x 80". 

80-018321 $125 

B 

C 

D. NEW LOTUS NOTECARDS Native to Asia as well 

as eastern North America, the lotus, which grows from 

the mud yet blooms radiantly, is a symbol of rebirth and 

purity revered in many traditions, including Hinduism, 

Buddhism, and Confucianism. It is a frequent motif 

in Asian art of many cultures and eras. Lotus images 

are prevalent throughout the Museum’s collection. 24 

notecards (6 each of 4 designs) in a keepsake box with 

25 envelopes. 4 7/8" x 6 1/4". 80-016487 $17.95 

Special Offer 2 boxes of notecards $31.41 

BUDDING 

LOTUS 

SCARF 

C. NEW BUDDING LOTUS SCARF Imported to 

China from India, the lotus—which grows from the slime 

of a pond yet blooms unsullied—is a Buddhist symbol 

of purity and rebirth, also representing the ephemeral 

nature of physical beauty. Our lovely scarf adapts a 

detail from Lotus and Water Birds (ca. 1300), two 

hanging scrolls in the Museum’s collection, highlighting 

a midsummer scene of budding lotus flowers. Silk crêpe 

de chine. Imported. 18" x 66". 80-018137 $65 

D 

E 

Detail from a Chinese hanging scroll

NEW JAVANESE LOTUS JEWELRY 

Due to its position on major trade routes 

between India and China, the Central 

Javanese kingdom was the most powerful 

Southeast Asian kingdom of its time, 

establishing the great classical style of 

Indonesian art between the 8th and the 

13th century. The bezel of a beautiful gold 

ring (late Central Javanese period) in the 

Museum’s collection displays a delicate 

lotus, a flower honored in many Asian 

traditions. Its ancient design is the 

source for our dramatic disc jewelry. 

24K gold overlay, hand enameled. 

Earrings 

Pierced 7/8" diam. 80-018116 $55 

Clip (not shown) 1 1/4" diam. 

80-018115 $65 

Necklace Toggle closure. 19"L. 

80-018113 $295 

Bracelet 8"L. 

80-018114 $135 

Special Offer Set of Javanese 

Lotus Pierced Earrings and 

Necklace 80-019502 $310 

E–F. NEW LOTUS COLLECTION 

Detail from a Japanese handscroll from 

the Kamakura period (1185–1333) in 

the Museum’s collection. 

E. Pen Gold overlay, printed lacquer. 5 1/4"L. 

80-017837 $35 

F. Framed Print Giclée print on archival paper 

in a gold wood frame. Includes hardware for 

hanging. 22"H x 31"W. 80-017864 $185 

Gift wrap not available for this item 

Special Offer Set of Lotus Notecards and Pen 

80-019509 $45 

Photographs may have been enlarged or enhanced to show detail. 

F 


Day dress of white cotton piqué embroidered with 

black soutache, American, 1862–64 

A 

A. NEW CABBAGE ROSE SATIN STRIPE 

SCARF Beginning in the mid-1860s to the mid-1880s, 

as high style became more available through readymade 

apparel, consumers clamored for the latest 

trends and the newest designs. The colorful cabbagerose 

pattern seen in a Museum piece of printed 

mohair (French or English) from this 

period is the source for the 

lavish roses on our luxurious 

striped scarf. Silk satin. 

Imported. 18" x 64". 

80-018293 $65 

B. NEW 

SCROLLING 

TRIM 

EMBROIDERED 

JACKET Soutache 

and embroidery 

became popular fashion 

embellishments in the 1860s. 

A printing stamp in the Museum’s 

collection, used to mark textiles before such 

details were added, illustrates a scroll design 

derived from the ornamentation applied to military 

uniforms. We have adapted its swirled pattern for 

the embroidery on our pretty jacket. Loop close. 

Fully lined. Polyester. Imported. Dry clean. $175 

Small (4–6) 80-018310 

Medium (8–10) 80-018311 

Large (12–14) 80-018312 

Extra Large (16) 80-018313 

6 Photographs may have been enlarged or enhanced to show detail. 

EXPLORING THE RELATIONSHIP BETWEEN FASHION AND ART, THIS ELOQUENT EXHIBITION 

looks at fashion’s role in the works of the Impressionists and their contemporaries. The time period is the 

mid-1860s to the mid-1880s, when Paris emerged as the style capital of the world, and the department 

store, fashion magazines, and the concept of ready-made wear were all on the rise. Presented are some 

75 major figure paintings interspersed with period costumes, accessories, fashion plates, photographs, and 

popular prints, illustrating how the avant-garde—from Manet, Monet, and Renoir to Baudelaire, Mallarmé, 

and Zola—turned a fresh eye to contemporary dress as the herald of la modernité. 

C 

IMPRESSIONISM, FASHION, AND MODERNITY 

B 

MET 

C. IMPRESSIONISM, FASHION, AND MODERNITY 

edited by Gloria Groom This beautiful new catalogue to the 

Museum’s February 2013 exhibition pairs the development of 

Impressionist painting with the innovations in French fashion 

from the 1860s to the 1880s. Elegant period costumes and 

accessories, many from the Museum’s holdings, and 140 

Impressionist paintings by Degas, Monet, Manet, Morisot, 

Renoir, and Tissot highlight the era’s new consumer 

culture. 336 pages, 250 color illus. 9 1/2" x 12". 

Hardcover 80-017201 $65 

Paper 80-017202 $40 

D. NEW MADAME ALEXANDER® SUMMER 

PROMENADE DOLL The gown worn by this enchanting 

doll is a replica in miniature of an American design (1862–64) 

from the Museum’s Costume Institute, a cool cotton dress worn 

outdoors for summer strolls. Its geometric soutache borders and 

sweeping shape are typical of the period profiled in the Met’s 

fascinating exhibit Impressionism, Fashion, and Modernity, a 

revealing look at how fashion was viewed by the Impressionists. 

Imported. 10"H. AGES 14 AND OLDER. 80-018643 $195

CHARLES FREDERICK WORTH BOW 

AND PEARL JEWELRY When haute couture 

began in mid-19th-century Paris, certain fashion 

designers became both revered as artists and 

sought after as celebrities. Charles Frederick 

Worth (French, 1825–1895) was one of these, 

and his Paris shop was frequented by the great 

ladies of the day. A Worth silk evening gown 

from 1888 in the Museum’s Costume Institute is 

lavished with metallic embroidered bows adorned 

with beads and sequins. Their graceful shape has 

been adapted for our shimmering jewelry suite. 

Silver overlay with Swarovski crystals; 

some pieces with simulated glass pearls. 

Pearl Drop Earrings Pierced. Sterling 

silver posts. 1"L. 80-015853 $50 

Bow Earrings (not shown) Pierced. 

Sterling silver posts. 1"L. 

80-015852 $40 

Pearl Lariat Adjustable 

bow-hook closure. 30"L. 

80-015848 $95 

Pin 2 1/4"L x 1 1/2"W. 

80-015849 $60 

EXHIBITION 

D 

E. NEW IMPRESSIONISM, FASHION, AND MODERNITY 

NOTECARDS Images from this Museum exhibition, focusing on the 

relationship between fashion and the art of the Impressionists, are packed in 

a charming keepsake box with the look of an elegant train case. 20 scallopededge 

notecards (4 each of 5 images) with 20 envelopes. 5 1/2" x 4 1/4". 

80-018607 $17.95 


1.800.468.7386 | STORE.METMUSEUM.ORG 7 

E

8 

A 

Find other American Wing items 

at store.metmuseum.org. 

NEOCLASSICAL CIRCLE-LINK 

JEWELRY Within the furniture collection 

in the American Wing is a magnificent 

mahogany secretary-bookcase (1830), a 

masterpiece of both grandeur and scale. 

Though unsigned, it was possibly made in 

the New York workshop of cabinetmaker 

Robert Fisher (active 1824–1837). The 

design of our elegantly simple jewelry 

is taken from an interlocking circle 

motif stenciled on the front of this 

splendid piece. 24K gold overlay. 

Earrings Pierced. 1 3/4"L. 

80-013401 $60 

Necklace Hook closure. 18"L. 

80-013402 $175 

Bracelet Hook closure. 7 1/2"L. 

80-013400 $85 

Special Offer 

Set of Neoclassical 

Circle-Link Earrings 

and Necklace 

80-015454 $210 

THE 

AMERICAN 

A. LOUIS C. TIFFANY 

PEACOCK FEATHER 

SHAWL Louis C. Tiffany’s 

(American, 1848–1933) 

Favrile glass produced 

rich effects, exemplified 

by a peacock feather 

vase (ca. 1900) in the 

Museum’s collection. 

Our sumptuous 

shawl is based on the 

subtle iridescence 

and graceful 

pattern of this vase. 

Wool/viscose/silk. 


80-003563 $75

WING 

AMERICAN ARTS AND CRAFTS GRAPE CLUSTER JEWELRY An album in 

the Museum’s Department of Drawings and Prints by designer Virginia V. Blakeney 

(American, 1878–1963) reveals a graceful and elegant style with a clear Arts and 

Crafts aesthetic. Our jewelry suite is based on a beguiling sketch for a grape cluster 

pin/pendant from this album. 22K gold overlay, hand enameled, with Swarovski 

crystals and simulated glass pearls. 

Earrings Pierced. 1 1/2"L. 80-015823 $65 

Torsade Three nesting strands. Hand knotted. Hook closure. 18 1/4"L. 80-015821 $250 

Pin 2 1/2"L x 2 1/4"W. 80-015822 $75 

Special Offer Set of American Arts and Crafts Grape Cluster Earrings and Torsade 

80-017489 $280 

Photographs may have been enlarged or enhanced to show detail. 1.800.468.7386 | STORE.METMUSEUM.ORG 9

10 

On model: 

NEW PEARL ROSETTE JEWELRY During a career that spanned 

six decades, Louis C. Tiffany (American, 1848–1933) embraced 

virtually every artistic and decorative medium, designing and directing 

his studios to produce leaded-glass windows, mosaics, lamps, glass, 

pottery, metalwork, enamels, jewelry, and interiors. In 1914, Meta K. 

Overbeck became head designer of his “art jewelry” department. The 

design for this enchanting rosette suite is based on a drawing from a 

surviving volume of her distinctive designs. Produced in cooperation 

with The Charles Hosmer Morse Museum of American Art, 

Winter Park, Florida. 18K gold overlay, simulated glass 

pearls, and glass cabochons. 


Necklace Lobster claw closure. 18"L with 2" extender and 2 3/4" drop. 

80-018173 $125 

C. NEW LOUIS C. TIFFANY: PEACOCK PLAQUE Among all 

of Louis C. Tiffany’s endeavors, his work in leaded glass brought him 

the greatest recognition. Favrile glass was the perfect medium for 

expressing his unique blending of nature and exoticism, embodied 

by the peacock, a favorite subject. This luminous plaque re-creates a 

favorite of the artist’s stained-glass windows. Giclée print mounted on 

wood. Includes hardware for hanging. 32"H x 24"W. 80-018764 $195 

Gift wrap not available for this item. 


C 

A 

B 

A–B. NEW AMERICAN BRIOLETTE 

JEWELRY “Art jewelry,” popular in the 

early part of the 20th century, was 

notable for its use of semiprecious 

stones and enamel. The source for 

these elegant pieces is a drawing for a 

stunning briolette pendant found in a 

rare book of designs by Meta K. Overbeck, who 

supervised Louis C. Tiffany’s jewelry design and fabrication 

between 1914 and 1933. Produced in cooperation with 

The Charles Hosmer Morse Museum of American Art, 

Winter Park, Florida. 18K gold overlay with glass and resin. 

A. Earrings Pierced. 2 1/4"L. 80-018074 $95 

B. Necklace Lobster claw closure. 18"L with 4" drop. 

80-018073 $135 

Special Offer Set of American Briolette Earrings 

and Necklace 80-019504 $210

E 

D. AUGUSTUS 

SAINT-GAUDENS: 

DIANA Architect Stanford 

White commissioned Augustus 

Saint-Gaudens (American, 1848– 

1907), one of the greatest sculptors 

of his day, to create a weather vane 

for the tower of Madison Square 

Garden. White thought the original 

18-foot gilded bronze figure, erected 

in 1891, was too large, and a year later 

it was replaced with a smaller version 

that towered over the New York skyline 

until the building was razed in 1925. 

Later on, Saint-Gaudens created three 

reduced variant editions of Diana 

and our gleaming figure reproduces 

one of these smaller versions, a 

jewel of the Museum’s American 

Wing. Bonded bronze, hand 

patinated. 15 1/4"H x 11 1/2"L 

x 5 1/4"W, including base. 

80-004695 $575 


D 

MAGNOLIA 

BLOSSOMS SCARF 

E. NEW LOUIS C. TIFFANY MAGNOLIA BLOSSOMS 

SCARF Louis C. Tiffany’s innovations in glass became the 

cornerstone of his legacy. His signature Favrile glass allowed 

him to “paint” with glass, achieving both great vibrancy 

and great subtlety, nowhere more evident than in 

his glorious Magnolias and Irises window 

(ca. 1908) in the Museum’s American 

Wing. Our luxurious scarf captures 

the nuanced colorations of this 

masterpiece. Silk crêpe de chine. 

Imported. 18" x 64". 80-018270 $65 

On model: 

NEW AMERICAN ARTS AND CRAFTS BEADED JEWELRY Within the 

Museum’s Department of Drawings and Prints is an album of original jewelry 

designs by Virginia V. Blakeney (American, 1878–1963), a Dayton, Ohio, resident 

who designed jewelry for large jewelry houses as well as for prominent Dayton 

families. Works of art in themselves, her delicate sketches reveal a clear Arts and 

Crafts aesthetic. A drawing from this album for a leaf-motif beaded pendant is 

the source for our graceful jewelry. 18K gold overlay with reconstituted beads. 


Necklace Lobster claw closure. Pendant 2"L x 2"W; 18"L with 2" extender. 

80-018175 $95 


Louis C. Tiffany, Magnolias and Irises, ca. 1908

EGYPTIAN SNAKE 

LARIAT After Egypt 

came under the rule of the 

Hellenistic Greeks, the snake 

became an important jewelry 

motif, well suited to coiling 

around the neck and wrist, 

and valued for its association 

with Asclepius, a god of 

healing. A gold snake bracelet 

in the Museum’s collection 

from the Macedonian and 

Ptolemaic period (332–30 

B.C.) has been adapted for 

our dramatic lariat with an 

adjustable snake. 24K gold 

overlay. Lobster claw closure. 

20"L. 80-013283 $225 

12 

C 

A 

C. EGYPTIAN NEFER 

NECKLACE TOP Several 

beautifully crafted broad collars 

in the Museum’s collection 

were gifts from the great king 

Thutmose III to his wives. One 

of these (New Kingdom, Dynasty 

18, ca. 1504–1450 B.C.) is made 

of gold palmettes and nefer 

hieroglyphs, nefer meaning 

“good” or “beautiful.” Bringing 

beauty to the wearer, this radiant 

collar is the source for our 

distinctive top. Three-quarter 

sleeves. Classic fit. Cotton/ 

spandex. Imported. 

Machine wash. $45 

Small (4–6) 80-016302 

Medium (8–10) 80-016303 

Large (12–14) 80-016304 

Extra Large (16) 80-016305 

Photographs may have been enlarged 

or enhanced to show detail. 

B 

A–B. NEW PRINCESS 

SITHATHORYUNET 

TEARDROP JEWELRY 

The Museum’s collection 

includes a colorful necklace of 

teardrop-shaped gold, carnelian, 

lapis, feldspar, and amethyst 

beads (Middle Kingdom, Dynasty 

12, ca. 1887–1813 B.C.). It 

once belonged to Princess 

Sithathoryunet, who lived during 

the reigns of Senwosret II and 

Amenemhat III. This ancient 

strand is the source for our 

simple yet elegant beaded 

jewelry. 18K gold overlay, dyed 

turquoise-colored howlite, and 

amethyst. Necklaces also include 

carnelian and dyed lapis. 

A. 36" Necklace Hook closure. 

80-018163 $135 

18" Necklace (not shown) 

Hook closure. 80-018165 $95 

B. Earrings Pierced. 2"L. 

80-018166 $35 

EGY

NEW MIDDLE KINGDOM 

CYLINDRICAL BEAD JEWELRY Ancient 

Egyptian jewelers had access to a wide array 

of semiprecious stones and metals. Gold, 

silver, turquoise, carnelian, and amethyst 

were mined in Egypt and Sinai, and lapis 

traveled along trade routes from Afghanistan. 

A section of a necklace (Middle Kingdom, 

Dynasty 12, ca. 1878–1840 B.C.) in the 

Museum’s collection features cylindrical 

beads of gold, lapis, and turquoise, the 

basis for this striking suite. 18K gold 

overlay with reconstituted turquoise 

and reconstituted lapis. Necklaces 

are strung on leather cords. 

Earrings Pierced. 1 1/4" diam. 

80-018057 $50 

18" Necklace Hook closure. 

With 3" extender. 

80-018055 $125 

Bangles Matching set of 3. 

8" inner circ. 

80-018056 $110 

36" Necklace (not shown) 

Hook closure. 

80-018054 $275 

TIANARTISTRY 

D. NEW EGYPTIAN CAT PIN 

Cats were domesticated in Egypt by at 

least Dynasty 12 (just after 2000 B.C.) and 

seen some 550 years later in Dynasty 18 

tombs at Thebes, depicted as pets. They 

also appear as motifs in jewelry, as in 

a dramatic pair of cuff bracelets in the 

Museum's collection with recumbent cats 

in gold and carnelian. Our delightful pin is 

based on these ancient felines. 22K matte 

gold overlay. 1 5/8"L x 1 1/4"W. 

80-018088 $45 

E. NEW EGYPTIAN LOTUS COLUMN 

SCARF During the Museum’s Egyptian 

Expedition from 1907 to 1937, graphic 

artists made precise colored copies of 

decorations found in the tombs of western 

Thebes. Among these is a scene from the 

New Kingdom tomb of Amenhotep III, ninth 

pharaoh of Dynasty 18 (ca. 1390–1353 B.C.). 

Our vivid scarf reproduces the banded 

columns and stylized lotus capitals seen 

in this facsimile. Silk crêpe de chine. 

Imported. 18" x 64". 80-016234 $75 

D 


E

14 

A 

A. RUSSIAN IMPERIAL GRAND DUCHESS WATCH 

Under Peter Carl Fabergé’s leadership, the jewelry business 

his father had founded produced dazzling objets d’art. The 

refined design of our watch is adapted from a frame of gold, 

diamonds, rock crystal, and guilloché enamel that held a 

photo of Grand Duchess Elizabeth Feodorovna (1864–1918). 

Produced in cooperation with the British Royal Collection. 18K 

gold overlay case, hand enameled, with Czech crystals. Suede 

strap. Quartz movement. Case 1 1/2" diam. 80-007506 $150 

B. RUSSIAN DRAGONFLY PIN A sparkling 

adaptation of a whimsical brooch of platinum, 

diamonds, emeralds, and a pearl. The original 

illustrates a favorite subject for Russian jewelers 

of the early 20th century. Produced in cooperation 

with the Moscow Kremlin Museums. 22K gold and 

silver overlay, hand enameled, with Swarovski 

crystals and a cultured freshwater pearl. 

2 1/4"L x 3"W. 80-003142 $90 


NEW RUSSIAN IMPERIAL GORDONIA JEWELRY 

As artisan and jeweler Peter Carl Fabergé (Russian, 

1846–1920) grew his father’s little jewelry atelier, his most 

famous client became the Russian Imperial Family, for whom 

the House of Fabergé made designs of breathtaking opulence 

and exquisite workmanship. Among these is a fanciful potted 

gordonia, a tropical plant, crafted in gold and semiprecious 

stones, the basis for our delightful jewelry suite. Produced in 

cooperation with the Matilda Geddings Gray Foundation. 18K 

gold overlay, hand enameled, with simulated glass pearls. 

Earrings 

Pierced 1" diam. 80-018084 $85 

Clip (not shown) 1 1/2" diam. 80-018085 $95 

Torsade Five strands. With frosted glass pearls. 

Hook-and-eye closure. 19"L. 80-018083 $325 

Cuff 5" inner circ.; 2"W. 80-018086 $175 

Pin 2 1/2"L x 1 1/2"W. 80-018087 $85 

Special Offer Set of Russian Imperial Gordonia 

Pierced Earrings and Torsade 

80-019368 

$375 

Find more Russian Imperial 

items at store.metmuseum.org. 

B

H G 

H. ROHDE DECO WATCH In the early 

1930s, designer Gilbert Rohde (American, 

1894–1944) was hired by the Herman 

Miller Furniture Company to create a line of 

sophisticated yet affordable furnishings in the 

popular Art Deco style. Among Rohde’s designs 

was a clock of chrome and rosewood veneer, 

now in the Museum’s collection, and the basis for 

our sleek watch. Alloy and stainless-steel case, a 

silicone strap, and quartz movement. $70 each 

Women’s 

Case 1 1/2"L x 1 1/4"W. 80-007518 

Men’s (not shown) 

Case 1 3/4"L x 1 1/2"W. 80-006140 

D 

Discover our full 

selection of Art 

Deco items at 

store.metmuseum.org. 

E 

C. NIGHT OWL PIN Based on a 

19th-century French design created by the 

House of Robin as part of a collection called 

Fantaisies—jewelry combining historic and 

romantic themes with motifs from nature. 

Produced in cooperation with the Musée des 

Arts décoratifs, Paris. Sterling silver, lightly 

antiqued, with onyx and Swarovski crystals. 

1 5/8"L x 1 3/4"W. 09-098484 $135 

ART DECODESIGNS 

E–F. FRENCH DECO COLLECTION In the Museum’s 

Costume Institute are original copies of Gazette du bon ton: 

art, modes & frivolités, a luxury periodical published in 

Paris from 1912 to 1925. This gathering of elegant fashions 

utilized the technique of pochoir (hand-colored stenciling) 

to reproduce creations by top designers of the day. Our 

watch and magnifier are based on whimsical illustrations 

of jewelry and accessories from this publication. 

E. NEW Flexible Harlequin Watch Stainless-steel 

and rhodium overlay case and coil bracelet, hand 

enameled. Quartz movement. Case 1"L x 3/4"W; 

adjustable fit. 80-018167 $175 

F. Magnifier Pendant Silver overlay, hand 

enameled, with jet glass faceted beads. 

Pendant 4"L; chain 36"L. 80-015762 $155 

G. FRENCH EVENING WATCH This Museum 

best seller is based on a 19th-century French design, 

now in the Musée des Arts décoratifs, Paris. Rhodium 

overlay, hand enameled, with Swarovski crystals. 

Fabric cord band. Quartz movement. Case 7/8"W; 7"L 

with 1" removable extender link. 09-028127 $145 

C 

D. ART DECO GEOMETRIC SHAWL Multitalented and 

enigmatic, artist Sarah Lipska (Polish, 1882–1973) moved in 

1912 to France, where she sketched costumes and sets for 

Léon Bakst and the Ballets Russes. She later devoted herself 

to fashion, interiors, and sculpture. The Museum’s collection 

includes a rare Lipska wool textile with an Art Deco design 

embroidered in subtly light-reflective materials. Our 

stunning burnout shawl re-creates its intricate pattern. 

Silk/viscose. Imported. 21" x 70". 80-016354 $95 


F

D 

16 



A 

D. FRENCH COUTURE 

PEACOCK WATCH 

With its graceful contours, 

iridescent hues, and overall 

exoticism, the peacock 

feather was embraced 

as a design motif by the 

Aesthetic and Art Nouveau 

movements. A 1910 satin 

and chiffon gown in the 

Museum’s Costume Institute 

by the French fashion house 

of Weeks displays lavish 

peacock feather embroidery, 

the source for our distinctive 

watch. 24K gold overlay. 

Hand enameled with a 

mother-of-pearl dial. Quartz 

movement. Case 1"L x 3/4"W; 

adjusts from 7 1/4"L to 

7 7/8"L with a removable 

extender link. 

80-009146 $150 

Explore more Art Nouveau items 

at store.metmuseum.org. 

A. PEACOCK FEATHER VELVET BURNOUT JACKET 

Exotic, luminous, and defined by fluid lines and alluring curves, 

the peacock feather was embraced as a motif by the Art Nouveau 

movement. Our cropped, loosely draped jacket in rich burnout velvet 

is based on stylized peacock feathers depicted in two color pochoir 

(stencil) prints in Combinaisons Ornementales, an exceptional portfolio 

of patterns and designs in the Museum’s collection. Open front. 

Viscose/silk. Imported. Dry clean. One size. 80-016223 $125 

B–C. PARISIAN PEACOCK FEATHER JEWELRY 

The elegant swirls and iridescent colorations of the peacock feather 

are seen throughout the 1901 portfolio Combinaisons Ornementales, 

which is considered the bible of Art Nouveau decorative elements. 

Stylized peacock feathers from a pochoir (stencil) print in this Museum 

volume have been adapted for our dramatically shaped, exquisitely 

hued jewelry. 24K gold overlay, hand enameled. 

B. Necklace Hook-and-eye closure. 16"L with 2" extender. 

80-015803 $275 

C. Earrings Pierced. 2"L. 80-015802 $95 

Special Offer Set of Parisian Peacock Feather Earrings and Necklace 

80-016976 $340 

ART NOUVEAU 

French evening dress, 1910 

Gift of the Brooklyn Museum, 2009 

B–C

ART NOUVEAU FLORAL JEWELRY 

The “New Art” movement reached its 

pinnacle in 1900 with the Paris exposition. 

The following year, three artists published 

what became the bible of Art Nouveau 

design, Combinaisons Ornementales. This 

comprehensive portfolio presents hundreds 

of decorative elements, illustrating the curves 

and complexities of the Art Nouveau style. Our 

sumptuous jewelry is adapted from a pochoir 

(stencil) print in this Museum album. 

24K gold overlay, hand enameled, with 

turquoise-colored glass cabochons. 

Torsade With lapis-colored glass beads. 

Hook closure. 16"L. 80-015801 $325 

Cuff 6 3/4" inner circ.; 1 1/2"W. 

80-015800 $295 

E. NEW FRENCH ROSE JACQUARD 

SHAWL From the mid-1860s to the 

mid-1880s, Paris emerged as the style 

capital of the world. This period also 

witnessed the rise of the department 

store, the advent of ready-to-wear, 

and the growth of a market hungry 

for the latest fashion trends. A 

length of fringed silk from the 

time (French, 1870–80), in the 

Museum’s collection, displays 

the lavish woven roses 

adapted for our jacquard 

shawl with its silky and 

subtle sheen. Silk/wool/ 

viscose. Imported. 

24" x 80". $75 

Blue 80-018510 

Dusty Rose 

80-018296 

E 


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Gift Message (Please print)

THE BIG NEW YORKER BOOK OF 

DOGS 

NEW THE BIG NEW YORKER BOOK OF DOGS 

by The New Yorker magazine An entertaining gift for 

dog lovers everywhere, this delightful new book includes 

feature articles, fiction, humor, poems, and cartoons from 

The New Yorker’s archives. The roster of contributors 

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Toobin, and Adam Gopnik. 416 pages, 206 illus. 

8" x 10 7/8". Hardcover. 80-017993 $45 

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Request Item “20-080511.”

On model: 

CLOISTERS MUSTARD 

HERB JEWELRY Native to the 

Mediterranean, mustard was 

introduced into Northern Europe 

by the Romans, and both species 

of the plant (white and black) have 

been used throughout the centuries 

as condiments and medicinal 

remedies. Based on delicate black 

mustard plants in The Cloisters 

museum and gardens, our jewelry 

captures the symbolic beauty of 

the herb’s distinctive four-petaled 

flowers, which bloom in the shape 

of a cross. 24K gold overlay. 

Drop Earrings Pierced. 1 1/4"L. 

09-073735 $40 

Necklace With cultured freshwater 

pearls on a toggle closure. 

17 1/2"L. 09-073743 $110 

Bracelet With cultured freshwater 

pearls on a toggle closure. 7 1/2"L. 

09-073727 $50 

20 

Photographs may have been 

enlarged or enhanced to 

show detail. 

B. NEW MEDIEVAL UNICORN PIN The Hunt 

of the Unicorn tapestries (South Netherlandish, 

1495–1505) at The Cloisters are among the most 

celebrated medieval works in the Museum's collection. 

Our captivating pin is based on the elusive, magical 

unicorn portrayed in these seven magnificent wool and silk 

hangings. 22K gold overlay. 1 3/4"L x 2"W. 80-018089 $35 

C. NEW MEDIEVAL MILLEFLEURS SCARF 

The millefleurs (thousand flowers) pattern, a background 

of plants and flowers, is seen in Shepherd and Shepherdess 

Making Music, a wool and silk tapestry fragment (South 

Netherlandish, ca. 1500–1530) in the Museum’s collection. 

Our elegant scarf adapts this lush floral design. Silk crêpe 

de chine. Imported. 18" x 64". 80-016334 $65 

B 

A 

A. THE CLOISTERS CROSS The ivory 

altar cross in The Cloisters is a masterpiece of 

12th-century English Romanesque art, possibly 

made at the Abbey of Bury St. Edmunds. Carved 

with some 92 figures and 98 inscriptions, it 

displays a breathtaking scope of subjects and 

complexity of form. Our reproduction, made from 

a laser scan for pinpoint accuracy, captures the 

rich detail and graceful bearing of the original. 

Cast resin, hand patinated to reflect the 

original finish. 26 1/2"H x 13 1/2"W x 4"D 

(including base). 80-003573 $495 


See more items celebrating the arts at 

The Cloisters at store.metmuseum.org. 

THE 

C

D. NEW THE CLOISTERS: 

MEDIEVAL ART AND ARCHITECTURE 

by Peter Barnet and Nancy Wu Published to 

celebrate The Cloisters’s 75th anniversary, this 

elegant new guide highlights the collection’s 

paintings, illuminated manuscripts, ivories, 

famed Unicorn Tapestries, beautiful gardens, 

original elements of Romanesque and Gothic 

architecture, and sweeping views of the 

Hudson River. 212 pages, 206 illus. 

(188 in color). 6 3/4" x 9 3/4". Paper. 

80-016082 $24.95 

On model: 

NEW CLOISTERS POPPY JEWELRY 

Grown in the Bonnefont Garden at The 

Cloisters, the horned poppy was used by 

15th-century herbalists for medicinal purposes. 

Observed growing along the English coast 

and naturalized in the United States, it is 

distinguished by its softly ruffled shape and 

yellow flower. Our irresistible jewelry collection is 

based on poppy blossoms seen at The Cloisters. 

24K gold and rose gold overlay, hand enameled. 

Earrings 1" diam. $95 

Pierced 80-018121 

Clip (not shown) 80-018652 

Pendant Necklace Carnelian beads. Hook 

closure. Removable pendant 1 1/2" diam.; 

17 1/2"L. 80-018120 $195 

Pin 1 1/2" diam. 80-018122 $85 

Special Offer Set of Cloisters Poppy Pierced 

Earrings and Necklace 80-019499 $275 

CLOISTERS 

Cloister from Saint-Michel-de-Cuxa 

D 

75 YEARS OF MEDIEVAL SPLENDOR 

THE CURATOR’S VIEW: 

IN 2013, THE CLOISTERS MUSEUM AND GARDENS REACHES 

A WONDERFUL MILESTONE: OUR 75TH ANNIVERSARY. As the 

unique branch of the Metropolitan Museum dedicated to the art 

and architecture of medieval Europe, The Cloisters first opened its 

doors in 1938. Since then, generations of visitors have enjoyed our 

scenic setting in northern Manhattan and explored our renowned 

collections. This year, we will celebrate with special exhibitions 

devoted to the legend of the mythical unicorn and stained glass 

from Canterbury Cathedral—even a contemporary sound installation. 

State-of-the-art renovations, new acquisitions, and a new guide have 

prepared us for an exciting future. 

Peter Barnet 

Michel David-Weill Curator in Charge 

Medieval Art and The Cloisters 

The Metropolitan Museum of Art 


22 

A 

A. LOUIS C. TIFFANY EMBROIDERED 

DRAGONFLY CROSSBODY BAG Often drawing 

from nature for his design motifs, Louis C. Tiffany 

embraced the dragonfly as one of his favorite creatures. 

Its delicate shape and gossamer wings are deftly 

embroidered on our elegant crossbody bag, adapted 

from a working drawing (ca. 1905) for a glass dragonfly 

lampshade that is part of the Museum’s collection. 

Top-zip closure. Two outside zip pockets. Silk. Fully 

lined. Imported. 5 1/2"H x 7 1/2"W. 80-015653 $30 

ARTS AND CRAFTS LAPIS JEWELRY 

Beginning in 1907, “art jewelry” designed by 

Louis C. Tiffany (American, 1848–1933) was 

produced at the workshops of Tiffany & Co. 

and was distinguished by its innovative use of 

semiprecious gems and enamel. Exquisitely 

crafted pieces of lapis lazuli have been 

adapted for our vibrant openwork jewelry. 

Produced in cooperation with The Charles 

Hosmer Morse Museum of American Art, 

Winter Park, Florida. 24K gold overlay, hand 

enameled. Necklace and bracelet with lapis 

stones; necklace also with green onyx stones. 

Drop Earrings Pierced. 1 1/2"L. 

80-011589 $75 

Pendant Necklace Lobster claw 

closure. 18"L. 80-011588 $165 

Bracelet Link safety closure. 

7 1/2"L. 80-011591 $295 

B. DECORATIVE FLORAL ENAMEL WATCH 

A lavish gold watch created in 1645 in Western Europe was 

likely treasured as a luxurious piece of jewelry as well as a 

timekeeping instrument. Its vibrant and intricate champlevé 

enamel flowers have been adapted for our enchanting 

watch. Produced in cooperation with the Victoria and Albert 

Museum, London. 24K gold overlay, hand enameled, with a 

mother-of-pearl dial. White leather strap. Quartz movement. 

Case 1 1/4" diam. 80-013434 $175 

B

Gilbert Stuart, Matilda Stoughton de Jaudenes, 1794 

NEW MATILDA STOUGHTON JEWELRY 

Gilbert Stuart’s exceptional 1794 portrait Matilda 

Stoughton de Jaudenes shows the 16-year-old bride 

of a Spanish diplomat. The daughter of Spain’s 

consul in Boston, Matilda wears a richly ornamented 

costume that befits the wife of an ambitious diplomat 

in the new American republic. Now in the Museum’s 

collection, this superb example of Stuart’s firm, 

brilliant style depicts its subject wearing a large 

oval bracelet and a sumptuous brooch that we have 

adapted for our dramatic jewelry suite. 22K gold 

overlay with dyed howlite and simulated glass pearls. 

Earrings 1"L x 3/4"W. 

Pierced 80-018152 $85 

Clip (not shown) 80-018153 $95 

Torsade Four strands. Hook closure. 19"L. 

80-018150 $295 

Cuff 6" inner circ.; 2"W. 80-018151 $150 

Special Offer Set of Matilda Stoughton Pierced 

Earrings and Torsade 80-019501 $340 

MASTER AMERICAN PORTRAITIST 

GILBERT STUART 

AMERICA’S LONG STRUGGLE FOR INDEPENDENCE ISOLATED THE COUNTRY ARTISTICALLY AS WELL 

AS COMMERCIALLY. But in the years that followed, many painters who had fled to Europe returned home, 

among them Gilbert Stuart (American, 1755–1828), who had become one of the most sought-after painters 

in London and Dublin. Stuart rose to prominence during the early years of the American republic, turning his 

abundant natural talent to the representation of human likeness and character. His success painting the rich and 

famous was perfectly timed for the people of the United States, who—proud of their young republic—were eager 

to display symbols of patriotism, from the nation’s seal to the bald eagle to images of well-known Americans. 




On model: 

NEW GANYMEDE JEWELRY Jewelry played a 

prominent role in ancient Greek life, ritual, and death, 

used by the affluent to display wealth and prestige. The 

Museum is home to an impressive group of adornments 

from the Hellenistic period, known as the Ganymede 

jewelry. Within this collection are two pairs of gold 

fibulae, or pins (330–300 B.C.), with radiating decorative 

elements. Our captivating jewelry suite adapts these 

striking details. 24K gold overlay. 

Earrings Pierced. 1" diam. 80-018112 $65 

Necklace Hook-and-eye closure. 17"L with 2" extender. 

80-018110 $195 

Bracelet Lobster claw closure. 7 3/4"L. 80-018111 $95 

Special Offer Set of Ganymede Pierced Earrings and 

Necklace 80-019500 $235 

A–B. POMPEII PLAQUES Lovely frescoes of doves 

and nightingales perched in flowering trees were found 

in Pompeii’s Casa del Bracciale d’Oro (House of the 

Golden Bracelet). Its garden and fountains are still being 

excavated to reveal their buried secrets. Giclée prints 

mounted on wood panels. Includes hardware 

for hanging. 30"H x 20"W. $165 each 

A. Bird with Rose 80-011698 

B. Birds with Fountain 80-019132 

Special Offer Set of both Pompeii Plaques 

80-019845 $285 

24 

Gift wrap not available for these items. 

GREEK & R 

A B

On model: 

LATE HELLENISTIC CARNELIAN 

JEWELRY By Late Hellenistic times, the Greek 

practice of burying the wealthy and powerful with 

their jewelry was less common than in previous 

periods. The Museum’s collection includes a 

fine rare parure (matching set) of a necklace 

and earrings of gold and agate with large garnet 

cabochons (Late Hellenistic, 1st century B.C.), 

the source for our bold, beautiful adaptations. 

24K gold overlay with carnelian stones. 

Earrings 3/4"L. 80-011509 $65 

Necklace Lobster claw closure. 18"L. 

80-011510 $125 

LATE CLASSICAL GREEK BRACELET 

Classical Greek jewelry tended to exclude 

gemstones and most surviving pieces are 

of gold, with rarer extant examples in silver 

and bronze. An intricate silver bracelet with a 

gold stud (Late Classical, ca. 350–300 B.C.) has 

been adapted for our beguiling bangle. 24K gold 

overlay with a garnet stone. Hinged with a boxand-tongue 

closure. 6 1/2" inner circ.; 1/2"W. 

80-011512 $150 

C. NEW THE THREE GRACES Created in 

the 2nd century A.D., the Museum’s friezelike 

marble sculpture The Three Graces is a 

Roman copy of a Greek statue group from the 

2nd century B.C. Three young girls, linked in 

a dance-like pose, represent Aglaia (Beauty), 

Euphrosyne (Mirth), and Thalia (Abundance), 

handmaidens to Aphrodite, the goddess of love 

and beauty. Our reproduction deftly captures 

the elegant sensuality of these graceful figures. 

Cast resin, hand patinated. 10"H x 10"W 

x 3 3/4"D. 80-017478 $195 


OMAN 

WONDERS 

C 


D. NEW BOSCOREALE WALL PAINTING SCARF 

Among the most important frescoes to survive the 

Roman world are the Museum’s panels from a 

villa at Boscoreale (Roman, Late Republican, 

ca. 50–40 B.C.) in the region of Campania. 

Our enchanting scarf is based on the 

rich colors and luxury of the trompe 

l’oeil scene painted on one of these 

panels. Silk crêpe de chine. 


80-018264 $65 

D 


26 

B 

A 

Detail of a tile from a squinch 

from 14th-century Uzbekistan 

A. TIBETAN PENDANT NECKLACE Among the jewelry given to 

The Costume Institute by a renowned collector is a mesmerizing necklace of 

irregular turquoise stones from Tibet (probably 19th century). Reflecting the 

donor’s knowledge of jewelry-making cultures, this imposing piece is the source 

for our singular adaptation. 18K gold overlay with reconstituted turquoise. 

Hook-and-eye closure. Pendant 2 1/2"L x 2 1/4"W; 18"L with 2" extender. 

80-015772 $95 

B. NEW MUQARNAS TILE OPENWORK COLLAR TOP The delicate 

cutwork neckline of our feminine top reflects the lacy pattern on a carved 

muqarnas tile in the Museum’s collection. During the second half of the 14th 

century, in the city of Samarqand (in present-day Uzbekistan), such tiles were 

used to artfully fill the supports between a square room and its domed ceiling. 

Elbow-length sleeves. Cotton/spandex. Imported. Machine wash. $55 

Small (4–6) 80-018142 Medium (8–10) 80-018143 

Large (12–14) 80-018144 Extra Large (16) 80-018145 

On model, below: 

PERSIAN OPENWORK JEWELRY Persian artists created many 

masterpieces of late medieval Islamic art and architecture. Their 

breathtaking artistry and skill are illustrated by two cylindrical hair 

ornaments (12th–13th century) in the Museum’s collection. Attributed 

to the city of Gurgan in northern Iran, they feature intricate openwork 

that we have adapted for our elegant jewelry. 22K gold overlay. 

Earrings 7/8" diam. $45 

Pierced 80-011397 

Clip (not shown) 80-011396 

Necklaces With lapis beads. Lobster claw closure. 

22" Necklace 80-011398 $110 

32" Necklace 80-009254 $165 

Special Offer Set of 22" and 32" Persian Openwork Necklaces 

80-017491 $245 

ARTS OF THE 

EASTERN

NEW INDIAN GOLDEN BLOSSOM 

JEWELRY The rich jewelry-making 

tradition on the Indian subcontinent spans 

at least five thousand years and illustrates 

astonishing techniques in precious metals. 

The Museum’s collection includes a 

splendid gold necklace called a chandan 

har (18th–19th century) with 13 strands 

of hollow filigree beads and an ornate bowshaped 

clasp. Our radiant, multistrand bead 

jewelry suite is based on filigree details 

and blossom motifs from this 

magnificent original. 22K gold 

overlay with topaz glass. 

Earrings Pierced. 2"L. 

80-018107 $40 

Necklace Box-and-tongue 

closure. 18"L. 

80-018104 $350 

Bracelet Box-and-tongue 

closure. 8"L. 

80-018109 $165 

LANDS 

C. NEW KHURASAN CARPET SHAWL 

A beautiful textile fragment woven in Iran in the second 

half of the 16th century was once part of the central field 

of a huge carpet. Now in the Museum’s collection, this 

fragment exhibits the use of jufti (paired) knotting, seen 

in carpets from the northeastern Iranian province 

of Khurasan. The floral design on 

our elegant shawl is based 

on this richly patterned 

textile. Wool. 


80-017800 $110 

C 

D–E. NEW SOUTH INDIAN 

PENDANT JEWELRY An ornate 

gold necklace (17th–19th century) 

in the Museum’s collection displays 

a variety of the techniques used 

by India’s finest goldsmiths for 

over five thousand years. Details 

from its large teardrop pendant, 

including ropes, swirls, and floral 

motifs, have been adapted for 

our dramatic jewelry. 22K gold 

overlay, hand enameled. 

D. Necklace Lapis beads. 

Hook-and-eye closure. Removable 

pendant 2"L x 1 1/2"W; 18 1/2"L. 

80-018101 $150 

E. Earrings Pierced. 1"L x 3/4"W. 

80-018103 $50 

E 

Special Offer Set of South Indian 

Pendant Earrings and Necklace 

80-019503 $180 

Photographs may 

have been enlarged or 

enhanced to show detail. 1.800.468.7386 | STORE.METMUSEUM.ORG 27 

D

A–E. QING BUTTERFLY JEWELRY 

When the Manchus took over China, they 

established the Qing (“pure”) dynasty 

(1644–1911), which became a period of 

great artistic achievement. A 19th-century 

album in the Museum’s collection by an 

anonymous artist includes 12 delicate 

paintings of butterflies, a popular theme in 

Chinese art, symbolizing summer, romance, 

and dreams. Our vivid jewelry is based on 

butterfly images in this rare Qing album. 

24K gold overlay, hand enameled. 

A. Earrings Pierced. 7/8"W. 80-015768 $35 

B. Torsade With black glass beads and Czech 

crystals. Hook-and-eye closure. 

18 1/2"L. 80-015806 $125 

C–E. Pins With Czech crystal accents. 

$65 each 

C. Sapphire 1 3/4"L x 2 1/2"W. 80-015766 

D. Emerald 1 1/4"L x 2 1/2"W. 80-015763 

E. Black 1 1/4"L x 2 1/2"W. 80-015764 

Special Offer 

Set of Qing Butterfly Earrings and Torsade 

80-017492 $140 

Set of all 3 Qing Butterfly Pins 

80-016978 $170 

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A–B 

F–G. NEW BUTTERFLIES COLLECTION A pioneer in the development 

of chromolithography, Louis Prang (American, 1824–1909) established his 

printing company in 1860 in Boston. L. Prang & Co. produced trade cards, 

announcements, and later advertising, maps, and, most famously, Christmas 

cards. The exuberant butterflies winging across these colorful accessories are 

based on The Butterflies and Moths of America (1860 and 1862), a series 

of Prang’s album cards in the Museum’s collection. 

F. Mugs Set of 2. Porcelain. Dishwasher and 

microwave safe. Gift boxed. 4"H; 8 1/2 oz. 

80-017102 $40 

G. Vase Glass. Gift boxed. 

9"H x 7"W x 3"D. 80-016882 $70 

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Elsa Schiaparelli, evening dress 

H. CHINESE BUTTERFLIES EMBROIDERED JEWELRY 

ROLL A 19th-century Chinese coverlet of crimson silk (probably 

Canton, ca. 1830) is exquisitely embroidered with a field of 

butterflies fluttering around a center basket of flowers. The 

embroidery on our elegant jewelry roll is based on this Museum 

original. Silk. Imported. Tie closure with four pockets and a ring bar. 

11 3/4"H x 7 3/4"W when open. 80-015655 $30 

I. JAPANESE OBI BUTTERFLIES TOP The Japanese cherish 

the traditional kimono as a cultural symbol and still wear it for special 

occasions. A mid-20th-century silk obi (kimono sash) in the Museum’s 

collection displays a stylized print of chocho (butterflies), a favorite motif 

in Japanese art and poetry. Our bright top adapts its pretty pattern. Cap 

sleeves. Slim fit. Cotton/spandex. Made in the US. Machine wash. $45 

Small (4–6) 80-016318 Medium (8–10) 80-016319 




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SCHIAPARELLI 

BUTTERFLIES SCARF 

J. NEW SCHIAPARELLI BUTTERFLIES SCARF 

The butterfly, morphing from ugly to beautiful, became the Surrealist 

symbol for change. Elsa Schiaparelli’s (Italian, 1890–1973) brilliant butterfly 

print was inspired by the Surrealist artists with whom she shared many 

views, such as Salvador Dalí, Max Ernst, and Man Ray. She used it 

for a number of pieces, including a silk evening dress from 

her 1937 summer collection, now in 

The Costume Institute. Our vibrant 

scarf re-creates this luminous 

print. Silk crêpe de chine. 


80-018272 $65 


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THE MET WATCH COLLECTION 

Connect with the world’s cultures by wearing 

or giving a timepiece elevated to fine art. 

Our watches are based on themes and motifs 

from treasures found in great museum 

collections. Each has a quartz movement. 

30 

D 

B 

Yu Feian, detail of the Lotus and 

Kingfisher hanging scroll 

B. NEW LOTUS WATCH 

The lotus, which grows from the 

mud to blossom beautifully, is a 

venerated symbol in many Asian 

cultures, associated with rebirth 

and purity. Our graceful watch 

adapts the flowers seen in Lotus 

and Kingfisher, a 20th-century 

Chinese hanging scroll in the 

Museum’s collection. 18K gold 

overlay case. Printed plastic 

band. Case 1 1/4" diam. 

80-018185 $70 

Porcelain dish decorated in 

polychrome enamels 

© Victoria and Albert Museum, London 

Explore more watches at 


A 

Louis C. Tiffany, Magnolias and Irises, 

ca. 1908 

A. NEW MAGNOLIA BLOSSOMS WATCH 

From his beginnings as a painter, Louis C. Tiffany 

(American, 1848–1933) moved quickly to interior 

decoration, creating innovative types of glass 

with which he “painted” luminous windows and 

lampshades. His glorious Magnolias and Irises 

window in the Museum’s American Wing is the basis 

for the pattern of this captivating watch. 18K gold 

overlay case. Printed plastic band. Case 1 1/4" diam. 

80-018058 $70 

IT’S SPRING 

TIME 

D. NEW QING ROSE SCROLLS 

WATCH During the Qing (“pure”) 

dynasty (1644–1911), Chinese porcelain 

reached its peak of excellence. Skillful firing 

achieved subtle and elegant glazes. Our watch dial 

is based on a Qing porcelain dish (1796–1820) 

with rich crimson scrolling on a rose-colored enamel 

ground. Produced in cooperation with the Victoria 

and Albert Museum, London. 18K gold overlay with 

hand-enameled case. Ceramic dial. Silicone strap. 

Case 1 1/2" diam. 80-018169 $95 

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Minton & Co., gilded porcelain plate 

C. NEW ENGLISH GILDED 

FLORAL WATCH A Museum 

gilded porcelain plate from 

1881 by Minton & Co. of 

Staffordshire displays the 

typically eclectic decorative 

trends of the late 19th century. 

Suggesting ornamental motifs 

from both the East and the 

soon-to-emerge Art Nouveau 

movement, its stylized flowers 

and feathery leaves have been 

adapted for this ornate watch 

dial. 18K rose gold overlay case 

and link bracelet. Swarovski 

crystal hour markers. Case 

1 1/2" diam.; 7 1/2" inner circ. 

(adjustable). 80-018171 $135

G–H. LOUIS C. TIFFANY WHITE 

MAGNOLIA COLLECTION 

Created for his mansion at 72nd Street 

and Madison Avenue in New York, Louis 

C. Tiffany’s Magnolia window, with its web 

of branches, pearly leaves, and subtly 

hued blossoms, magnificently captures 

this delicate flowering tree. Our scarf and 

top are based on a detail of this gracious 

masterpiece. Produced in cooperation with 

The Charles Hosmer Morse Museum of 

American Art, Winter Park, Florida. 

G. Scarf Silk crêpe de chine. Imported. 

18" x 72". 80-013623 $60 

H. Top Cap sleeves. Slim fit. 

Polyester/spandex. 

Made in the US. 

Machine wash. $50 

Small (4–6) 80-013579 

Medium (8–10) 80-013580 

Large (12–14) 80-013581 

Extra Large (16) 80-013582 

I–J. KLIMT PATCHWORK 

COLLECTION As part of the Wiener 

Werkstätte artists’ cooperative and as 

a leader of the Secession movement 

in Vienna, Gustav Klimt (1862–1918) 

created bold, bright, and often 

startling designs. Our scarf and top 

are adapted from 13 Klimt textiles 

in the Museum’s collection. 

I. Top Cap sleeves. Slim fit. 

Polyester/spandex. Printed in 

the US. Machine wash. $50 

Small (4–6) 80-005420 

Medium (8–10) 80-005421 

Large (12–14) 80-005422 

Extra Large (16) 80-005423 

J. Scarf Silk chiffon. 


80-002357 $60 

Photographs may have been enlarged or 

enhanced to show detail. 

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E–F. GOLDEN BAMBOO COLLECTION 

Especially notable within the revered realm 

of Japanese lacquerwork is the technique 

of maki-e, achieved through the painstaking 

application of gold or silver powder to the 

lacquer surface. The resultant finishes display 

remarkable subtlety and delicacy. A Museum 

maki-e lacquer box (ca. 1800) is adorned 

with golden bamboo leaves, the source 

for our enchanting shawl and top. 

E. Burnout Shawl Viscose/silk blend. 

Imported. 21" x 70". 80-013621 $95 

F. Top Cap sleeves. Classic fit. Cotton/ 

spandex. Imported. Machine wash. $50 

Small (4–6) 80-013571 

Medium (8–10) 80-013572 

Large (12–14) 80-013573 

Extra Large (16) 80-013574 

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D. RODIN: ADAM In 1880, sculptor Auguste Rodin 

(French, 1840–1917) received his first commission from the 

French government for an immense work based loosely on 

Dante’s Divine Comedy. It was never finished or cast during 

Rodin’s lifetime, but a sketchbook in the Musée Rodin in Paris 

contains a study for the piece, The Gates of Hell, showing 

the gates flanked by standing figures. Poignant images from 

this sketch show a dejected Eve and an anguished Adam, 

reflecting mankind’s fall from grace. The Museum’s Adam was 

cast in bronze (ca. 1910) from Rodin’s original models for this 

epic project (1880 and 1881). Our hand-cast reproduction is 

bonded bronze and hand patinated. 15"H x 6"W x 5 1/2"D. 

80-012752 $495 


E. NEW AMERICAN TIMEPIECE CUFF LINKS As the 

availability of mass-produced consumer goods increased in 

19th-century America, merchants circulated trade catalogues 

to entice customers with their wares. One such publication, 

the charming Circular M Will Replenish Your Stock, from 

the Museum’s collection, pictures a clock that we have 

adapted for our clever cuff links, each with a fully functioning 

timepiece. Stainless-steel case. Quartz movement. 3/4" diam. 

80-015846 $150 

F. NEW MEDIEVAL HERALDIC NECKTIE 

The distinguished ceramic traditions of the Middle East 

came to the Iberian Peninsula in the 8th century with the 

spread of Islam. Adapting both Moorish and Western motifs, 

Spanish lusterware became renowned throughout Europe. 

The coats-of-arms print of our handsome tie is based on 

a 14th-century Spanish lusterware dish in the Museum’s 

collection. Silk. 3 5/8"W. Imported. $50 

Gold 80-018324 

Navy 80-018326 

32 

Burgundy 80-018325 

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Find more distinctive 

gifts for men at 


A–B. PAUL KLEE 

NECKTIES A prolific artist, 

writer, and teacher, Paul Klee 

(German, 1879–1940) was a 

distinctive force in 20th-century 

art. His playful, inventive 

pieces were characterized by 

a highly individualized style of 

abstracted forms and symbols. 

Two gouache and ink paintings 

from the Museum’s collection, 

one brilliant, one muted, are 

the sources for our striking ties. 

Silk. 3 3/4"W. Imported. $50 

A. Structural I 80-011783 

B. Temple Gardens 80-016475 

GIFTS FOR 

HIM 

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C. ENGLISH ORMOLU WATCH London 

clockmaker Benjamin Lewis Vulliamy’s (English, 

1780–1854) Egyptian-style clock features a dial and 

mounts of ormolu, or fire-gilded bronze. Our refined 

watch adapts the original dial’s glowing design. 

Produced in cooperation with the Victoria and Albert 

Museum, London. Gold overlay case. Brown leather 

strap. Quartz movement. Case 1 3/4" diam. 

80-015824 $150 

F 

C 

Photographs may 

have been enlarged or 

enhanced to show detail.

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G. NEW WILLIAM MORRIS 

FLORALS SCARF William Morris (British, 

1834–1896) founded his eponymous firm in 1861 

to design and produce a full range of household goods. 

Many of his dense patterns were inspired by nature, such as 

those seen in our graceful scarf. Its featured print is based on Violet 

and Columbine, a wool textile, while its border is adapted from Pink 

and Rose, a woodblock-printed wallpaper, both from the Museum’s 

collection. Silk crêpe de chine. Imported. 18" x 64". 80-018139 $65 

WILLIAM MORRIS 

ARTS AND CRAFTS MASTER 

J. NEW WILLIAM MORRIS TEXTILES 

by Linda Parry The Victoria and Albert 

Museum in London has recently published 

a revised edition of this definitive survey of 

William Morris textiles. Completely rewritten, 

reorganized, and expanded with new color 

photography, expert Linda Parry provides 

new insight into the specialized processes 

and working methods of Morris’s tapestries, 

embroideries, textiles, and carpets. 320 

pages, 275 color illus. 8 1/2" x 10 5/8". 

Hardcover. 80-019593 $60 

K–M. WILLIAM MORRIS PINK 

AND ROSE ACCESSORIES Though 

his mission was to marry fine design with 

everyday objects of many categories, it is 

William Morris’s wallpaper designs that form 

the heart of his legacy. Pink and Rose, a 

characteristically intricate hand-block-printed 

wallpaper (ca. 1890), illustrates his belief 

that beauty, imagination, and order are the 

essential elements of a successful design. 

This Museum original is the source for our 

pretty and practical accessories. Imported. 

K. Crossbody Outside zip-pocket. Topzip 

closure, multiple pockets inside, and 

adjustable strap. Microfiber. Fully lined. 

11 1/2"H x 11"W. 80-016344 $40 

L. Tote Pin-snap closure. 14"H x 15 1/2"W 

x 5"D; 13" handle drop. 80-016343 $50 

M. Umbrella Auto open. Polyester. 

Aluminum frame. Folded 11"L; 

canopy 42"W. 80-016345 $40 

Special Offer Set of William Morris 

Pink and Rose Tote and Umbrella 

80-016988 $80 

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H–I. WILLIAM MORRIS COMPTON 

ACCESSORIES A pillar of the Arts and Crafts movement 

in England, William Morris was a prolific artist, his timeless 

designs drawing on medieval motifs and organic forms. 

One of Morris & Co.’s most beloved and most reproduced 

patterns is Compton, a lush botanical wallpaper from 1896, 

now in the Museum’s collection. We have adapted its 

brilliance for our watch and cardigan. 

H. Watch 18K gold overlay case. Quartz movement. Green 

leather strap. Case 1 1/4" square. 80-015831 $115 

I. Cardigan Imported. Long sleeves. Button closure. 

Cotton/spandex. $60 

Small (4–6) 80-016310 Medium (8–10) 80-016311 


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Discover more of the 

Dehn collection at 


A. NEW FAVRILE DOMED 

MAGNETS Louis C. Tiffany 

(American, 1848–1933) 

developed a unique method 

of blending different colors of 

molten glass, resulting in richly 

nuanced shades. He called his 

signature glass Favrile, from 

an Old English word meaning 

“hand-wrought.” Our radiant 

magnets are based on Favrile 

glass pieces from the Museum’s 

collection. Set of 6 with different 

images. Glass. Each measures 

1 1/2" diam. 80-011828 $19.95 

B 

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B–C. LOUIS C. TIFFANY COLLECTION 

Louis C. Tiffany regarded glass as “the most 

beautiful of all the jewels.” Applying his 

early training as a painter to his windows, 

lampshades, and mosaics, he was able to 

achieve subtle colorations and remarkable 

detail in producing his signature Favrile glass. 

Adapted from originals in the Museum’s 

American Wing, the luminous images 

in this collection re-create details from 

glorious works in glass and mosaic 

by this master of the Gilded Age. 

B. NEW Domed Paperweight Glass. 3 1/2" 

diam. Gift boxed. 80-016035 $19.95 

C. Notecards 36 notecards (3 each of 

12 images) boxed with 38 envelopes. 

4 7/8" x 6 1/4". 80-013392 $21.95 


D. NEW NEW YORK POP-UP 

NOTECARDS From Central Park 

to Broadway, New York has been 

immortalized by artists for centuries. 

These splendid cards bring iconic New 

York scenes to life as they pop open to 

reveal images of 20th-century paintings 

from the Museum’s collection. 8 notecards 

(2 each of 4 images) boxed with 9 

color-lined envelopes. 4" x 5 1/4". 

80-017195 $17.95 


E–F. NEW DEHN SPRING IN CENTRAL 

PARK ACCESSORIES While living in New 

York, painter and lithographer Adolf Dehn 

(American, 1895–1968) captured scenes from 

Harlem nightclubs, burlesque theaters, high 

society, and several views of Central Park. 

A Museum favorite, his 1941 watercolor has 

been adapted for our charming accessories. 

E. Umbrella Auto open. Polyester. Aluminum 

frame. Imported. Folded 11"L; canopy 42"W. 

80-018275 $40 

F. Tote Boat style. Cotton canvas. 

Made in the US. 11 1/2"H x 17 3/4"W x 6"D; 

10" handle drop. 80-018276 $55 

Special Offer Set of Dehn Spring in Central 

Park Umbrella and Tote 80-019483 $85

G. FLORAL 

IMPRESSIONS 

DOMED MAGNETS 

Panned before they were 

praised, the Impressionists 

revolutionized 19th-century 

painting with their loose 

brushstrokes, glowing 

colors, and innovative 

uses of light. Our pretty 

magnets adapt details from 

masterpieces by Monet, 

Van Gogh, and Cézanne in 

the Museum’s collection. 

Set of 6 with different 

images. Glass. Each 

measures 1 1/2" diam. 

80-009403 $19.95 

J. Notecards Irresistible images of peonies based 

on hand-colored Regency-period etchings and 

an Edo-period (1615–1868) silk hanging scroll. 

20 notecards (5 each of 4 images) in a keepsake 

box with 21 envelopes. 5 1/4" x 4". 

80-014997 $14.95 

K. Correspondence Cards Adapted from handcolored 

engravings in Transactions of the 

Horticultural Society of London. 24 die-cut cards 

(6 each of 4 images) in a box with 24 colored 

envelopes. 5 1/2" x 5". 80-015224 $17.95 

Special Offer 

2 boxes of notecards $26.16 

2 boxes of correspondence cards $31.41 

L–N. NOTE CUBES Clever cube-shaped holders 

make artful desktop accessories, brightly printed 

with Museum images. Each tray holds 500 loose 

sheets and 50 colored paper clips in a tiny drawer 

underneath. 4 1/8"H x 3 1/4" square. $12.95 each 

L. Flowers Based on hand-colored engravings from 

the esteemed early 19th-century journal Transactions 

of the Horticultural Society of London. 80-014761 

M. Butterflies Adapted from an early 19th-century 

embroidered silk coverlet from China. 80-014759 

N. Audubon Detail of Indigo Bunting from Audubon’s 

The Birds of America, from Drawings Made in the 

United States and Their Territories. 80-014760 

Special Offer Set of all 3 note cubes 

80-015940 $32.95 

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I–K. FLOWERS STATIONERY 

COLLECTION For many 

reasons—their vivid colors, their 

varied shapes, their sweet fragility, 

and their sheer beauty—flowers 

have captivated artists. 

Enjoy bright blooms from the 

Museum’s collection every day. 

I. Domed Magnets Based on 

engravings from Transactions 

of the Horticultural Society of 

London. Set of 6 with different 

images. Glass. Each 

measures 1 1/2" diam. 

80-015785 $19.95 

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H. NEW IMPRESSIONISM POP-UP 

NOTECARDS Beloved today, the Impressionist 

painter Claude Monet (French, 1840–1926) and the 

Post-Impressionist painter Vincent van Gogh (Dutch, 

1853–1890) were true radicals in their time. Four of 

their exuberant bouquets from the Met’s collection pop 

up into full bloom in these spirited cards. 8 die-cut 

notecards (2 each of 4 images) boxed with 9 colorlined 

envelopes. 4" x 5 1/4". 80-017196 $17.95 


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METROPOLITAN 

MUSEUM OF ART 

NEW WARHOL FLOWERS 

ACCESSORIES As one of the 

preeminent artists of the 20th 

century, Andy Warhol (American, 

1928–1987) challenged the world 

to see art differently. The original 

source for his famous Flowers 

series was a photograph of hibiscus 

blossoms he found in a magazine. 

Our vibrant accessories are adapted 

from Warhol’s iconic blooms. 

Produced in cooperation with The 

Andy Warhol Foundation for 

the Visual Arts. Imported. 

Scarf Silk crêpe de chine. 

18" x 71". 80-016288 $70 

Umbrella Auto open. 

Polyester. Aluminum frame. 

Folded 11"L; canopy 43"W. 

80-016284 $45 

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© 2013 The Metropolitan Museum of Art, New York. Printed in the USA. All images © The Metropolitan Museum of Art unless otherwise noted.

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