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"Self- Portrait" – A Study of the 'Self':

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Table <strong>of</strong> Contents<br />

Acknowledgments I<br />

List A - Diagrams and Tables II<br />

List B <strong>–</strong> Illustrations III<br />

List C - Figures <strong>of</strong> Findings IV<br />

Abstract V<br />

Prologue VI<br />

Part I: Introductory: The '<strong>Self</strong>' and <strong>the</strong> '<strong>Study</strong>' 1 - 90<br />

Chapter 1: The Artist / Researcher Declaration<br />

1.1 Art, Research and <strong>the</strong> Investigation <strong>of</strong> <strong>the</strong> '<strong>Self</strong>'<br />

1.2 Painting a '<strong>Self</strong>-Portrait'- Phenomenon- Human Behaviour<br />

1.3 Why a Painting <strong>of</strong> a <strong>Self</strong> Portrait <strong>–</strong> Why I<br />

1.4 Art- Based Research<br />

1.5 The Hermeneutic Circle <strong>–</strong> <strong>Self</strong> Development<br />

Chapter 2: Meta-Introduction<br />

2.1 Introduction<br />

2.2 Artist and Mirror <strong>–</strong> an Encounter<br />

2.3 Artistic Activity - Investigation and Interpretation.<br />

2.4 A Transitional Object: Explorative Visual Text and Multiplication <strong>of</strong> Faces<br />

2.5 Creation and Investigation<br />

Chapter 3: Designing <strong>the</strong> Research<br />

3.1 The Voice <strong>of</strong> <strong>the</strong> Researcher<br />

3.2 Subject and Character <strong>of</strong> <strong>the</strong> Research<br />

3.3 Research Disciplines<br />

3.4 The Research Participants<br />

3.5 The Research Question<br />

3.6 The Contribution to Knowledge<br />

1-19<br />

20 - 29<br />

30 - 44

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