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Didsbury-Magazine-Jun-Jul-2013

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While you were out...<br />

Blood On The Tracks<br />

Bob Dylan 1975<br />

There is no argument that Bob<br />

Dylan is a musical legend and a<br />

songwriter of poetic lyrical genius.<br />

He has a multitude of classic ‘must have’<br />

albums to his name (Blonde On Blonde,<br />

Highway 61 Revisited, Time Out Of Mind,<br />

to name but a few) but, there is also no<br />

doubt he is rather an acquired taste.<br />

In my early musical years I recall being<br />

much more drawn to the thrashing<br />

guitars on my parents’ Led Zeppelin<br />

albums and the mind-warping sounds of<br />

their Pink Floyd collection rather than the<br />

irritating screeching of that scruffy Dylan<br />

bloke who, after all, couldn’t even sing!<br />

However, similar to my development for a<br />

love of single malt whisky and evolution<br />

from drinking sweet cider to cask ales, I<br />

have grown to appreciate the rough but<br />

deep quality of Dylan, and a large part<br />

of this education is due to Blood On The<br />

Tracks.<br />

Though not as famous as some of his<br />

earlier recordings, this album, recorded<br />

in 1975, signalled his return to Columbia<br />

records after a rather fallow period<br />

of experimentation. It showcases his<br />

majestic storytelling which, to my mind, is<br />

his real genius, surpassing even his earlier<br />

acclaim as a protest singer.<br />

The themes of this record are anger,<br />

heartache and pain, which have almost<br />

universal resonance with most people<br />

some time in their<br />

lives. The album<br />

opener, ‘Tangled Up<br />

In Blue’ chronicles a<br />

ragged relationship<br />

and is followed by<br />

the seven-minute<br />

narrative of ‘Simple<br />

Twist of Fate’,<br />

which describes<br />

a desperate love<br />

story of life’s fitful<br />

nature and the<br />

lost opportunities that<br />

litter our lives. The vitriolic name-calling<br />

of the searing ‘Idiot Wind’ beautifully<br />

articulates, in the most acutely painful<br />

manner, the frustration and pain of his<br />

marital breakdown but, paradoxically, it<br />

also serves as a cathartic soul-cleanser.<br />

The medicine may be bitter, but it does<br />

work!<br />

It isn’t all dark, though, as Dylan allows<br />

some light to shine through with the<br />

beautiful ‘Shelter From The Storm’ and<br />

‘You’re Gonna Make Me Lonesome When<br />

You Go’. They speak of the all-engulfing<br />

nature of love and its precarious status.<br />

Love is great but never forget, Dylan<br />

reminds us, that it could all end…<br />

My favourite tracks are ‘If You See Her,<br />

Say Hello’, a glorious acoustic lament<br />

to lost love, and ‘Lily, Rosemary And<br />

The Jack Of Hearts’, which highlights<br />

...and busy living your life, have<br />

you ever wondered about the<br />

things you may have missed?<br />

Dylan’s storytelling at its best. It’s this<br />

mastery of the ‘story’ that qualifies ‘Blood<br />

On The Tracks’ as a true hidden gem; it<br />

signifies the moment Dylan changed from<br />

a messianic voice of popular protest to<br />

what he actually is - an unrivalled musical<br />

storyteller of the human condition.<br />

Give it a spin, with a soothing tumbler of<br />

single malt to hand.<br />

Dominic Rothwell is a scientist at The<br />

Paterson Institute for Cancer Research.<br />

Do people constantly talk about a book, a film,<br />

a record, fashion, a place, a person, an event or<br />

absolutely anything that’s completely passed you by<br />

(while you were out busily...) and do you wish you<br />

had experienced it? Or do you feel there’s a great<br />

piece of cultural art only you seem to know about<br />

and you want to let the rest of us know what we’re<br />

missing? Well, in around 500 words, here’s your<br />

chance to tell us about a piece of popular culture<br />

you love and nobody else seems to know about.<br />

The only proviso is that your nominated artefact<br />

must still be readily available to buy or view.<br />

After all, we want to experience the undoubted<br />

joys of your good taste. Email Mark Kureishy<br />

mark@salutions.co.uk<br />

JUNE/JULY <strong>2013</strong> I 75

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