Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
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<strong>ARAS</strong> Connections Issue 2, 2012<br />
individual taste <strong>and</strong> historical period. In this way it resembles simpler visual<br />
effects like proportion, or contrasts of cold <strong>and</strong> warm colors, or contrasts of<br />
complementary colors. <strong>Pictorial</strong> space can be analyzed with visual logic but it is<br />
not achieved by a logical or mechanical process. Its construction draws upon an<br />
artist's deepest resources. When it is achieved, I argue, pictorial space expresses<br />
an artist's creative vision more profoundly than does any other dimension of his<br />
or her work.<br />
Comparisons of works in pairs<br />
Plate 4: Velásquez <strong>and</strong> Degas<br />
Velásquez's portrait is composed around a diagonal which recedes back<br />
from the lower-left corner to the upper-right corner. This is contained by a<br />
second diagonal which thrusts forward from the left edge of the canvas to the<br />
right, crossing both the Queen's h<strong>and</strong>s.<br />
The dark plane behind the drapery pulls up <strong>and</strong> back against the dark<br />
plane of the dress which pulls down <strong>and</strong> forward. I feel the space sliding<br />
horizontally behind the Queen's upper body <strong>and</strong>, even further back, behind the<br />
drapery.<br />
The sides of the Queen's head, her headdress, <strong>and</strong> the drapery make<br />
proportionate divisions in the width of the rectangle. The lower edge of the<br />
drapery, the lower edge of her hair, the red platform, <strong>and</strong> the upper edge of her<br />
hem divide the height of the rectangle. The relative positions in depth of the<br />
drapery, her headdress, <strong>and</strong> her skirt create a powerful sense of pictorial space.<br />
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