Pictorial Space throughout Art History: Cézanne and ... - ARAS

ARAS Connections Issue 2, 2012
Endnotes
Reed, Herbert. The Art of Sculpture. Princeton: Bollingen, 1977.
Roditi, Edward. Conversations in the Louvre ...
Vendler, Helen. The Art of Shakespeare's Sonnets, Cambridge: Belknap
Press of Harvard University Press, 1997.
Whitmont, Edward C. The Symbolic Quest: Basic Concepts of Analytical
Psychology. Princeton: Princeton University Press, 1991.
(1) 'Plastic' is used here as it was by Erle Loran in Cezanne's Composition
(Berkeley: University of California Press, 1963), p. 18. 'Plastic' is more often used
in art criticism to mean sculptural roundness achieved in painting by light-and-
dark modeling.
(2) Figures 1-11 are adapted from Robert Casper: op. cit.
(3) Roger Fry was a painter and critic who worked with artists from the School of
Paris in the first decades of the twentieth century. He wrote extensively on
Cézanne's use of form.
(4) The development of a plastic painting is organic, like biological evolution. In
evolution, new elements are added and then tested for survival value by natural
selection (trial-and-error). The organism is transformed through a series of
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