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Pictorial Space throughout Art History: Cézanne and ... - ARAS

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<strong>ARAS</strong> Connections Issue 2, 2012<br />

|56| Maxson McDowell, 1993, op. cit. p. 55.<br />

|57| C. G. Jung, Collected Works Vol. 9-1, para. 550.<br />

|58| Edward Edinger, op. cit. p. 188.<br />

|59| Maxson McDowell, 1993, op. cit. p. 46.<br />

|60| Edward Edinger, op. cit. p. 189.<br />

|61| Edward Edinger, op. cit. p. 131-135.<br />

|62| Edward Edinger, op. cit. p. 158, 170-172.<br />

|63| Edward Edinger, op. cit. pp. 154-156, 173.<br />

|64| Edward Edinger, op. cit. pp. 133-134, 136.<br />

|65| Edward Edinger, op. cit. p. 251.<br />

|66| Edward Edinger, op. cit. p. 138-142, 150-154.<br />

|67| Maxson McDowell. 'Principle of organization: a dynamic systems view of the<br />

archetype-as-such.' Journal of Analytical Psychology, 46(4): 637-54, 2001. (Also<br />

online as 'The three gorillas: an archetype organizes a dynamic system'.<br />

|68| Matila Ghyka, The Geometry of <strong>Art</strong> <strong>and</strong> Life (New York: Sheed <strong>and</strong> Ward,<br />

1946), Introduction, p III.<br />

The images in this paper are strictly for educational use <strong>and</strong> are protected by United States copyright laws. 80<br />

Unauthorized use will result in criminal <strong>and</strong> civil penalties.

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