Pictorial Space throughout Art History: Cézanne and ... - ARAS

ARAS Connections Issue 2, 2012
|37| Roger Fry, op. cit. pp. 72,73.
|38| Roger Fry, op. cit. p. 47.
|39| Jean Leymarie, Braque (New York: Skira, 1961) pp. 38, 40.
|40| Dore Ashton, op. cit., p.40.
|41| Joachim Gasquet quoting Cezanne in Earl Loran, op. cit. p. 15.
|42| Dore Ashton, op. cit. p. 29.
|43| Roger Fry, op. cit. p. 58.
|44| Roger Fry, op. cit., p. 60.
|45| Helen Vendler, The Art of Shakespeare's Sonnets (Cambridge: Belknap
Press of Harvard University Press, 1997), p. 5.
|46| Plotonius quoted by Edward F. Edinger in Ego and Archetype (Middlesex,
England: Penguin Books, 1973), p. 166.
|47| D. H. Winnicott, 'Transitional Objects and Transitional Phenomena' In
Playing and Reality. New York: Basic Books, (1953/1971), p. 3.
|48| Maxson McDowell, 'Relating to the Mystery: A Biological Perspective on
Analyti- cal Psychology.' Quadrant: Journal of the C. G. Jung Foundation for
Analytical Psychology, XXIX:1, New York, 1999. (Also online as 'Jungian therapy
and biology' ).
|49| Maxson McDowell, Painting, Sculpture, and Space: A Model for
Consciousness. Unpublished Thesis. (New York: Kristine Mann Library, C. G.
Jung Center, 1993).
|50| Elie Humbert, C. G. Jung. Translated by R. G. Jalbert (Wilmette, Illinois:
Chiron Publications, 1988).
|51| Edward Whitmont, The Symbolic Quest: Basic Concepts of Analytical
Psychology. (Princeton: Princeton University Press, 1991).
|52| Edward Edinger, op. cit.
|53| Maxson McDowell, 1993, op. cit. pp. 45-47.
|54| Edward Edinger, op. cit. p. 152.
|55| Maxson McDowell, 1993, op. cit. pp. 50-52.
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